Publications

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Bryan, N., P. Smaragdis, and G. Mysore, "Clustering and Synchronizing Multi-Camera Video via Landmark Cross-Correlation", IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP), Kyoto, Japan, IEEE, 03/2012. Abstract
Mathews, M V., and J. R. Pierce, "The Computer as a Musical Instrument", Scientific American, vol. 256, no. STAN-M-37, 1987.
Mathews, M V., and D. Barr, The Conductor Program and Mechanical Baton, , Stanford, CA, Stanford University, CCRMA, 05/1988.
Abel, J. S., N. Bryan, T. Skare, M. Kolar, P. Huang, D. Mostowfi, and J. O. Smith III, "A Configurable Microphone Array with Acoustically Transparent Omnidirectional Elements", 127th Audio Engineering Society Convention, New York City, New York, Audio Engineering Society, 09/2009. Abstract
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Moreno, E., "Embedding Equal Pitch Spaces and The Question of Expanded Chromas: An Experimental Approach", Department of Music, vol. Ph.D., no. STAN-M-93, Stanford, CA, Stanford University, 12/1995.
Mellinger, D. K., "Event Formation and Separation in Musical Sound", Department of Computer Science, vol. Ph.D., no. STAN-M-77, Stanford, CA, Stanford University, 12/1991.
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Chowning, J., and B. Mont-Reynaud, Intelligent Analysis of Composite Acoustic Signals, Final Report, , Stanford, California, Stanford University Department of Music, 05/1986.
Bryan, N., and G. Mysore, "Interactive Refinement of Supervised and Semi-Supervised Sound Source Separation Estimates", IEEE International Conference on Acoustics, Speech, and Signal Processing, Vancouver, Canada, 05/2013. Abstract
Bryan, N., and G. Mysore, "Interactive User-Feedback for Sound Source Separation", International Conference on Intelligent User-Interfaces (IUI), Workshop on Interactive Machine Learning, Santa Monica, 03/2013. Abstract
Bryan, N., G. J. Mysore, and G. Wang, "ISSE: An Interactive Source Separation Editor", CHI Conference on Human Factors in Computing Systems, Toronto, Canada, ACM, 04/2014. Abstract
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Misra, A., G. Wang, and P. Cook, "Musical Tapestry: Re-composing Natural Sounds", Journal of New Music Research, pp. 36(4):241-250, 2008. Abstract
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Moorer, J. A., On the Loudness of Complex, Time-Variant Tones, , Stanford, CA, Stanford University, CCRMA, 1975.
Moorer, J. A., "On the Segmentation and Analysis of Continuous Musical Sound by Digital Computer", Department of Computer Science, vol. Ph.D., no. STAN-M-3, Stanford, CA, Stanford University, 1975.
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Moore, F. R., "Real Time Interactive Computer Music Synthesis", Electrical Engineering, vol. Ph.D., Stanford, CA, Stanford University, 1977.
Mysore, G. J., and P. Smaragdis, "Relative Pitch Estimation of Multiple Instruments", IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP), 2009. Abstract
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Cáceres, J-P., G. J. Mysore, and J. Treviño, "SCUBA: the Self-Contained Unified Bass Augmenter", New Interfaces for Musical Expression, pp. 38–41, 2005.
Chafe, C., "Simulating Performance on a Bowed Instrument", Current Directions in Computer Music: MIT Press, 05/1988, 1989.
McAdams, S., "Spectral Fusion, Spectral Parsing and the Formation of Auditory Images", Department of Hearing and Speech, vol. Ph.D., Stanford, California, Stanford University, 05/1984.
Moorer, J. A., "The Synthesis of Complex Audio Spectra by Means of Discrete Summation Formulae", Journal of the Audio Engineering Society, vol. 24, no. STAN-M-5, 1976.
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Chafe, C., D. A. Jaffe, K. Kashima, B. Mont-Reynaud, and J. O. Smith III, "Techniques for Note Identification in Polyphonic Music", Proceddings of the 1985 International Computer Music Conference, Burnaby, B.C., Canada, no. STAN-M-29: International Computer Music Association, 1985.
Smaragdis, P., and G. J. Mysore, "“Separation by Humming”: User Guided Sound Extraction from Monophonic Mixtures", IEEE Workshop on Applications of Signal Processing to Audio and Acoustics (WASPAA), 2009. Abstract