Center for Computer Research in Music and Acoustics
CCRMA Open House
Save the date!
On Friday, March 3, 2017, we invite anyone who is interested in seeing what we've be up to at CCRMA to come explore! From 10-5, the whole house will be open, with demonstrations, open classes, posters, music, and more in most nooks and crannies of the Knoll.
Then, at 5PM, join us for a beer, snacks, conversation, and music in our backyard.
Please join us! https://ccrma.stanford.edu/ccrma-open-house
Summer Workshops 2017 Announced!
Abstract: The NESS project (standing for Next Generation Sound Synthesis), funded through a Starting Grant from the European Research Council for five years beginning on January 1, 2012 is an exploratory project, concerned entirely with synthetic sound—and in particular, numerical simulation techniques for physical modelling sound synthesis in parallel hardware. It is a joint project between the Acoustics and Audio Group and the Edinburgh Parallel Computing Centre, both at the University of Edinburgh. The models developed in the course of the project span a large set of systems, including brass, cymbals and gongs, percussions, guitar/fretboard interaction, bowed strings and large 3D room acoustics simulations.
Adaptive mixing of noisy and robust beamformers for enhancement, visualization and reproduction of sound fields
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Music and videos by:
Gustavo García Novo
Pablo M. Freiberg
Pablo M. Freiberg
DAMUS is directed by Guillermo Pozzati, Pablo Martín Freiberg, Evelyn Frosini, and Diego Andrés Moreno
Mariana Rosas - Soprano
Mariano Llere - Tenor
Andrés Vaccarelli - Guitarra Eléctrica
Juan Marcelo Arias
Acoustics is the Science of Sound. Musical acoustics deals with the science and technology of musical sound. The study of musical acoustics is important for performers, conposers, researchers, instrument designers and builders, and serious listeneers.
This talk will highlight some of the hot topics in musical acoustics, the courses in acoustics at CCRMA, publications in musical acoustics, and the services provided by the Acoustical Society of America.
Listening effort depends on acoustic cues the brain uses for sound segregation and selective attention
"In reviewing electronic music composer Holly Herndon’s breakout debut, 2012's Movement, we noted her penchant for "Bending one person's voice into phantasmagorias", which continues on her newest, breath-halting single, “Chorus”." Read more, and watch video here...