Center for Computer Research in Music and Acoustics
Summer Workshops 2016 Announced!
Workshops offered this year include: Perceptual Audio Coding, SuperCollider, New Music Controllers, Audio Plug-Ins Designed with Faust, Abjad Workshop, The Composed Instrument, Stompbox Design, Mobile EEG for Auditory Research, Designing Musical Games, and Music Information Retrieval More info
Chris Chafe - Tsar Bell model and concert
Paul Batchelor - faust2sporth
Aidan Meacham - Rectangular DWN Decomposition of Non-Convex Spaces
Iran Roman & Wisam Reid
Jack Atherton - Improving ChucK: Call for Comments and Requested Features
Madeline Huberth - Performers’ motions reflect their intention to express local or global structure in melody
For more information see www.facebook.com/liminarmx
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Join us as we present lectures, hands-on demonstrations, posters, and musical performances of recent CCRMA research including music in virtual reality, internet reverb, neuroscience of music and of narrative engagement, wave digital filter simulation of classic analog audio equipment, programming languages for music and sound synthesis, data-driven research in music cognition, and a musical instrument petting zoo.
The Open House will take place from 10am – 5pm.
Please join us this Wednesday, April 20th, at 5:30 PM in the CCRMA classroom for two talks from our very own Fernando Lopez-Lezcano, Ge Wang, and Romain Michon. Abstracts are below.
“Electric Chair Music”, the working title for Brian Ferneyhough’s landmark Time and Motion Study II for singing cellist and electronics, was written in 1973-76. Already nearly forty years old, where is the medium of violoncello and electronics now? How is a younger generation of composers responding to this most traditional of instruments when confronting it with alien worlds of electronic sound?
Featuring music by: