Center for Computer Research in Music and Acoustics
Summer Workshops 2016 Announced!
Workshops offered this year include: Perceptual Audio Coding, SuperCollider, New Music Controllers, Audio Plug-Ins Designed with Faust, Abjad Workshop, The Composed Instrument, Stompbox Design, Mobile EEG for Auditory Research, Designing Musical Games, and Music Information Retrieval More info
Their debut album ORGANVM PERCEPTVM, five years in the making, will be out on Santa Cruz label Indexical in 2016. For more info, visit indexical.org.
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Join us as we present lectures, hands-on demonstrations, posters, and musical performances of recent CCRMA research including music in virtual reality, internet reverb, neuroscience of music and of narrative engagement, wave digital filter simulation of classic analog audio equipment, programming languages for music and sound synthesis, data-driven research in music cognition, and a musical instrument petting zoo.
The Open House will take place from 10am – 5pm.
Please join us this Wednesday, April 20th, at 5:30 PM in the CCRMA classroom for two talks from our very own Fernando Lopez-Lezcano, Ge Wang, and Romain Michon. Abstracts are below.
“Electric Chair Music”, the working title for Brian Ferneyhough’s landmark Time and Motion Study II for singing cellist and electronics, was written in 1973-76. Already nearly forty years old, where is the medium of violoncello and electronics now? How is a younger generation of composers responding to this most traditional of instruments when confronting it with alien worlds of electronic sound?
Featuring music by:
The 2016 series of California Electronic Music Exchange Concerts will be held at the campuses of UCSD, UCSB, Mills, Stanford, and CalArts. The Stanford leg of the exchange will be held on Saturday 16th with a selection of pieces from all the participating institutions.
Details will follow shortly!!!
Congratulations to Holly on her cover of this month's Wire! "Holly Herndon - the US sound artist and laptop auteur spreads the faith of the liberating potential of technology."
If you're a subscriber, read more here: http://www.thewire.co.uk/issues/374
Job Title: Audio Visual Engineer