Center for Computer Research in Music and Acoustics
CCRMA Summer Workshops
Summer 2024 Workshops: CCRMA Summer Workshops Announced! There are a wide variety of offerings, some in person, some on line, and some hybrid. Have a look! More will be announced as they're organized, so check back with us frequently!
[Check out the schedule] [Register for workshops]
There will be opportunities for financial assistance for some workshops - check specific pages for more details.
Upcoming Events
Leslie Famularo on Differentiating and Optimizing an Auditory Model
New software paradigms such as JAX and PyTorch allow one to specify arbitrary computations in a way that can be differentiated. And if we can differentiate a function we can optimize it. Hurray. How can we express an auditory model in a differentiable fashion?
Recent Events
Alex Han - Master's Capstone Concert
Stanford Graduate Composers Present: Iran Sanadzadeh
FREE and Open to the Public | In Person
Intermedia Workshop Final Projects
Doors open at 6:00pm.
AI-based Digital Synthesizer Preset Programming: Parameter Estimation for Sound Matching
Presenter: Soohyun Kim
Past Live Streamed Events
Recent News
Jonathan Berger's "My Lai" In the News
"In My Lai, a monodrama for tenor, string quartet, and Vietnamese instruments, composer Jonathan Berger had countless tragic elements at his disposal... In this immersive performance, we had the sense that, rather than defaulting to the story's obvious tragic details, Berger illuminate a single, more subtle element - the outraged bewilderment we often feel in the face of unimaginable horror."
Issue 21 of the Csound Journal Released
http://csoundjournal.com/issue21/index.html
This issue of the Csound Journal features an article written by MST student Paul Batchelor, which can be found here:
http://csoundjournal.com/issue21/chuck_sound.html
John Chowning Interview on RWM
Sonifying the world: How life's data becomes music
"Unlike sex or hunger, music doesn’t seem absolutely necessary to everyday survival – yet our musical self was forged deep in human history, in the crucible of evolution by the adaptive pressure of the natural world. That’s an insight that has inspired Chris Chafe, Director of Stanford University’s Center for Computer Research in Music and Acoustics (or CCRMA, stylishly pronounced karma).