Center for Computer Research in Music and Acoustics
Upcoming Events
Homage to Ligeti | CCRMA 50th Anniversary
Date:
Sun, 11/03/2024 - 7:30pm - 9:30pm
Event Type:
Concert 
A major concert will kick off the final series of events celebrating the 50th Anniversary of Stanford's Center for Computer Research in Music and Acoustics. Join us in Dinkelspiel Auditorium on November 3 at 7:30pm for a program of music by György Ligeti, whose five-month residency at Stanford in 1972 and friendship with John Chowning helped lead to the founding of CCRMA. This all-Ligeti program comprises Atmosphères (featured in the Stanley Kubrick film 2001: A Space Odyssey) performed by the Stanford Symphony Orchestra; Musica ricercata performed by pianist Roger Xia '24; the electronic composition Artikulation; and the Concerto for Violin and Orchestra featuring violinist Tanja Becker-Bender with the Stanford New Ensemble conducted by Paul Phillips.
FREE and Open to the Public | In Person + Livestream
The New Sound of New Music: Contemporary Composition and Modern Record Production Practices, two part lecture series with Murat Çolak
Date:
Thu, 10/31/2024 - 6:00pm - 8:00pm
Date:
Thu, 11/07/2024 - 2:00pm - 4:00pm
Location:
CCRMA classroom
Event Type:
Guest Lecture 
Murat Colak is a Turkish-American composer, mastering engineer, mixer, record producer, and educator based in New York City. He’s known for his work in contemporary classical and experimental music, with records on acclaimed labels like KAIROS, Edition Wandelweiser, NEOS, New Focus, Jazzland, Innova, Carrier, and Da Vinci Classics among others.
During his residency at Stanford University's CCRMA, Dr. Colak will present two public lectures. The first will introduce his creative journey, offering insights into his compositional approach and how it intersects with his approach to sound engineering, especially in crafting acoustics for contemporary concert music..
Free
Open to the Public
Nat Condit-Schultz on Tempo, Tactus, Rhythm, Flow: Computational Hip Hop Musicology in Theory and Practice
Date:
Fri, 11/15/2024 - 10:30am - 12:00pm
Location:
CCRMA Seminar Room
Event Type:
Hearing Seminar 
Computational musicology is not just for classical music. In this talk, I will review a variety of computational investigations of hip hop based on my dataset, the Musical Corpus of Flow (MCFlow). Using MCFlow, we can characterize the "norms" of rap flow and investigate how they have changed historically, including changes in tempo and the density of rhyme over time. I will also discuss the methodological challenges of computational musicology in general, and hip-hop/pop musicology specifically, and demonstrate tools and methods I have developed.
FREE
Open to the Public
Learning Interpretable Representations for Controllable Deep Music Generation
Date:
Fri, 11/15/2024 - 2:30pm - 3:30pm
Location:
CCRMA Classroom [Knoll 217] (ZOOM Link Below)
Event Type:
DSP Seminar 
Abstract: Recently, the focus on enhancing control over generative AI has grown significantly. In this talk, I will introduce several approaches to enhance controllability through interpretable model design. I will begin by discussing compositional style transfer and representation disentanglement in monophonic, polyphonic, and cross-modality scenarios. Next, I will present a whole-song generation approach that captures long-term music structure via a compositional hierarchy. Throughout the talk, I will showcase demos that illustrate applications of these models for possibilities of human-machine music co-creation.
FREE
Open to the Public
Recent Events
Harmonicity and Inharmonicity in Instruments of the Percussion/Resonance Family in Interaction with Electronics
Date:
Thu, 07/11/2024 - 1:00pm - 2:30pm
Location:
CCRMA Stage
Event Type:
Guest Lecture 
FREE
Open to the Public
Robert L. White's Cochlear Implants - Repeat Seminar
Date:
Tue, 07/02/2024 - 4:00pm - 5:30pm
Event Type:
Hearing Seminar 
Cochlear implants (CI) are amazing. Squirt a little current into a cochlea and you hear a buzzing sound. It is even more amazing that the right currents sound like speech. What was it like to first convey speech to new cochlear implant users?
This is a repeat of the May 31 seminar, for those wishing to join from another time zone. It will be online only and recorded. The recording is avaialble on YouTube at ths URL: https://www.youtube.com/watch?v=9hoY24bVTZw
This is a repeat of the May 31 seminar, for those wishing to join from another time zone. It will be online only and recorded. The recording is avaialble on YouTube at ths URL: https://www.youtube.com/watch?v=9hoY24bVTZw
FREE
Open to the Public
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Past Live Streamed Events
Recent News
Palette of sound: Triple CCRMAlite’s excursion through time
The Triple CCRMAlite performance this past Sunday at Bing Concert Hall was a celebration of three important dates for the Center for Computer Research in Music and Acoustics (CCRMA): the 40th anniversary of CCRMA, the 50th anniversary of the first computer program for music on campus, and the 80th birthday of CCRMA founder John Chowning Ph.D. ’66. The program featured a science fair of student research in the lobby, as well as a concert showcasing works from Chowning, French composer Jean-Claude Risset, and former CCRMA Research Associate Bill Schottstaedt.
Read more here...
Read more here...
The creativity of 'karma'
Palo Alto Weekly writer Nick Veronin takes a look at recent work being done at CCRMA and profiles the upcoming "Designing Musical Games::Gaming Musical Design", "New Music Controllers" and "3D Printing for Acoustics" Summer Workshops.
Read more here...
Review: Auditory Hallucinations, Composed
Congratulations to Jonathan Berger for more great reviews of his "Visitations!"
How Music Hijacks Our Perception of Time
Very interesting article by Dr. Jonathan Berger! "One evening, some 40 years ago, I got lost in time. I was at a performance of Schubert’s String Quintet in C major. During the second movement I had the unnerving feeling that time was literally grinding to a halt. The sensation was powerful, visceral, overwhelming. It was a life-changing moment, or, as it felt at the time, a life-changing eon.
It has been my goal ever since to compose music that usurps the perceived flow of time and commandeers the sense of how time passes. Although I’ve learned to manipulate subjective time, I still stand in awe of Schubert’s unparalleled power.
Holly Herndon's New Single Named Best New Track on Pitchfork
Congratulations to our own Holly Herndon, once again in the news!
"In reviewing electronic music composer Holly Herndon’s breakout debut, 2012's Movement, we noted her penchant for "Bending one person's voice into phantasmagorias", which continues on her newest, breath-halting single, “Chorus”." Read more, and watch video here...
