Center for Computer Research in Music and Acoustics
Upcoming Events
Homage to Ligeti | CCRMA 50th Anniversary
Date:
Sun, 11/03/2024 - 7:30pm - 9:30pm
Event Type:
Concert 
A major concert will kick off the final series of events celebrating the 50th Anniversary of Stanford's Center for Computer Research in Music and Acoustics. Join us in Dinkelspiel Auditorium on November 3 at 7:30pm for a program of music by György Ligeti, whose five-month residency at Stanford in 1972 and friendship with John Chowning helped lead to the founding of CCRMA. This all-Ligeti program comprises Atmosphères (featured in the Stanley Kubrick film 2001: A Space Odyssey) performed by the Stanford Symphony Orchestra; Musica ricercata performed by pianist Roger Xia '24; the electronic composition Artikulation; and the Concerto for Violin and Orchestra featuring violinist Tanja Becker-Bender with the Stanford New Ensemble conducted by Paul Phillips.
FREE and Open to the Public | In Person + Livestream
The New Sound of New Music: Contemporary Composition and Modern Record Production Practices, two part lecture series with Murat Çolak
Date:
Thu, 10/31/2024 - 6:00pm - 8:00pm
Date:
Thu, 11/07/2024 - 2:00pm - 4:00pm
Location:
CCRMA classroom
Event Type:
Guest Lecture 
Murat Colak is a Turkish-American composer, mastering engineer, mixer, record producer, and educator based in New York City. He’s known for his work in contemporary classical and experimental music, with records on acclaimed labels like KAIROS, Edition Wandelweiser, NEOS, New Focus, Jazzland, Innova, Carrier, and Da Vinci Classics among others.
During his residency at Stanford University's CCRMA, Dr. Colak will present two public lectures. The first will introduce his creative journey, offering insights into his compositional approach and how it intersects with his approach to sound engineering, especially in crafting acoustics for contemporary concert music..
Free
Open to the Public
Nat Condit-Schultz on Tempo, Tactus, Rhythm, Flow: Computational Hip Hop Musicology in Theory and Practice
Date:
Fri, 11/15/2024 - 10:30am - 12:00pm
Location:
CCRMA Seminar Room
Event Type:
Hearing Seminar 
Computational musicology is not just for classical music. In this talk, I will review a variety of computational investigations of hip hop based on my dataset, the Musical Corpus of Flow (MCFlow). Using MCFlow, we can characterize the "norms" of rap flow and investigate how they have changed historically, including changes in tempo and the density of rhyme over time. I will also discuss the methodological challenges of computational musicology in general, and hip-hop/pop musicology specifically, and demonstrate tools and methods I have developed.
FREE
Open to the Public
Learning Interpretable Representations for Controllable Deep Music Generation
Date:
Fri, 11/15/2024 - 2:30pm - 3:30pm
Location:
CCRMA Classroom [Knoll 217] (ZOOM Link Below)
Event Type:
DSP Seminar 
Abstract: Recently, the focus on enhancing control over generative AI has grown significantly. In this talk, I will introduce several approaches to enhance controllability through interpretable model design. I will begin by discussing compositional style transfer and representation disentanglement in monophonic, polyphonic, and cross-modality scenarios. Next, I will present a whole-song generation approach that captures long-term music structure via a compositional hierarchy. Throughout the talk, I will showcase demos that illustrate applications of these models for possibilities of human-machine music co-creation.
FREE
Open to the Public
Recent Events
Distractfold x Graduate Composers
Date:
Fri, 11/01/2024 - 7:30pm - 9:00pm
Location:
CCRMA Stage
Event Type:
Concert 
Works by: Celeste Betancur, Seán Ó Dálaigh, Mohammad H. Javaheri, Lemon Guo, Kimia Koochakzadeh-Yazdi, Calvin Van Zytveld, Mercedes Montemayor Elosua
FREE
Open to the Public
The New Sound of New Music: Contemporary Composition and Modern Record Production Practices, two part lecture series with Murat Çolak
Date:
Thu, 10/31/2024 - 6:00pm - 8:00pm
Date:
Thu, 11/07/2024 - 2:00pm - 4:00pm
Location:
CCRMA classroom
Event Type:
Guest Lecture Murat Colak is a Turkish-American composer, mastering engineer, mixer, record producer, and educator based in New York City. He’s known for his work in contemporary classical and experimental music, with records on acclaimed labels like KAIROS, Edition Wandelweiser, NEOS, New Focus, Jazzland, Innova, Carrier, and Da Vinci Classics among others.
During his residency at Stanford University's CCRMA, Dr. Colak will present two public lectures. The first will introduce his creative journey, offering insights into his compositional approach and how it intersects with his approach to sound engineering, especially in crafting acoustics for contemporary concert music..
Free
Open to the Public
Gerald Schuller: Perceptual and higher-level loss and distance functions for machine learning in audio and acoustics
Date:
Thu, 10/31/2024 - 3:30pm - 5:00pm
Location:
CCRMA Classroom / Zoom
Event Type:
Hearing Seminar 
Prof. Gerald Schuller will report on the potential transformative role of perceptual loss functions and distance metrics in enhancing audio and acoustic machine learning models, and their applications. He will cover theoretical foundations of perceptual loss functions, which mimic human auditory perception, and also more abstract, higher-level representations, and explore how these functions, along with novel distance metrics, significantly improve the performance of audio processing tasks. Applications involving loss functions for room impulse responses, audio similarity, and audio representations for cochlear implants will be discussed.
Prof. Marina Bosi will be hosting his visit.
Join us in Zoom if you cannot make it in person!
FREE
Open to the Public
Distractfold
Date:
Sun, 10/27/2024 - 7:30pm - 9:00pm
Location:
CCRMA Stage
Event Type:
Concert 
Program:
'Reliq Ens' (2014) - Lee Fraser
'Rage Agains the Reply Guy' (2021) - Bára Gísladóttir
'Castle Terraces in Barry Lyndon (2023) - Zeynep Toraman
FREE
Open to the Public
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Past Live Streamed Events
Recent News
Musical America: "All Hail, Bing"
Bay Area music lovers converged on Stanford University over the weekend, as the long-awaited Bing Concert Hall opened its doors. Read more...
CCRMA's Work at Bing Concert Hall Featured in Stanford Daily
Stanford's Bing Concert Hall opens this Friday with soundscape fanfare: The first notes on opening night will show off the advanced acoustic and technical systems of the new concert hall. Read more...
Holly Herndon featured on NPR First Listen
Holly Herndon renders 1s and 0s in ways that feel as personal and internal as heartbeats, and makes her laptop's sounds fit as comfortably as a second skin.
CNN.com article highlighting Wendy Ju's work: Bridging the gap between humans and computers
Computers are evolving. We have voice-controlled assistants on our phones, telepresence robots for when we can't make it to a meeting in person, and self-driving cars that are headed to a road near you.
These machines aren't just taking over human tasks. Computerized systems are also taking on more human characteristics. As technology gets more advanced, how will our relationships with it change? Read more...
These machines aren't just taking over human tasks. Computerized systems are also taking on more human characteristics. As technology gets more advanced, how will our relationships with it change? Read more...
Book Review: "The Science of Sound Recording" by Jay Kadis, in Sound on Sound Magazine
The Science of Sound Recording by Jay Kadis
October, 2012, Hugh Robjohns, Sound on Sound Magazine
It’s a sad but true fact that most ‘sound engineers’ actually struggle with some of the technical and mathematical aspects that underpin audio engineering. Jay Kadis’ new book, The Science of Sound Recording (Focal Press, ISBN 978-0-240-82154-2), aims to help overcome those difficulties with clear, well-written explanations of a wide range of technical subjects related to sound recording. 
