Center for Computer Research in Music and Acoustics
CCRMA Summer Workshops
Summer 2024 Workshops: CCRMA Summer Workshops Announced! There are a wide variety of offerings, some in person, some on line, and some hybrid. Have a look! More will be announced as they're organized, so check back with us frequently!
[Check out the schedule] [Register for workshops]
There will be opportunities for financial assistance for some workshops - check specific pages for more details.
CCRMA Open House 2024
Upcoming Events
Exploring Contextual Timbre Representation
Investigating Bell Patterns in Candomblé from Historical Field Recordings
Leveraging Electric Guitar Tones and Effects to Improve Robustness in Guitar Tablature Transcription Modeling
Dataset distillation for Audio-visual tasks
Text-to-Audio GenAI: Opportunities and Challenges in Music Production and Audio Content Generation
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Recent Events
Guillermo Galindo: Nexo Organico/Organic Nexus
Special Guest: William Winant
Josh Mitchell: Master's Recital
FREE and Open to the Public | In Person + Livestream
Sami Wurm: Master's Recital
FREE and Open to the Public
Stanford Graduate Composers Present: Ensemble Linea
FREE and Open to the Public | In Person
Past Live Streamed Events
Recent News
Jonathan Berger's "My Lai" In the News
"In My Lai, a monodrama for tenor, string quartet, and Vietnamese instruments, composer Jonathan Berger had countless tragic elements at his disposal... In this immersive performance, we had the sense that, rather than defaulting to the story's obvious tragic details, Berger illuminate a single, more subtle element - the outraged bewilderment we often feel in the face of unimaginable horror."
Issue 21 of the Csound Journal Released
http://csoundjournal.com/issue21/index.html
This issue of the Csound Journal features an article written by MST student Paul Batchelor, which can be found here:
http://csoundjournal.com/issue21/chuck_sound.html
John Chowning Interview on RWM
Sonifying the world: How life's data becomes music
"Unlike sex or hunger, music doesn’t seem absolutely necessary to everyday survival – yet our musical self was forged deep in human history, in the crucible of evolution by the adaptive pressure of the natural world. That’s an insight that has inspired Chris Chafe, Director of Stanford University’s Center for Computer Research in Music and Acoustics (or CCRMA, stylishly pronounced karma).