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CCRMA Concerts

Concerts at CCRMA feature new and recent computer music by graduate students, faculty, and guests. Classic works and recent music from other studios and composers are also occasionally programmed. Colloquia and concerts are announced via a mailing list.

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Recent Concerts

  • Quarantine Sessions #112 | Guests: Fred Malouf and Chrysi Nanou

    Date: 
    Sun, 02/05/2023 - 1:00pm - 2:00pm
    Location: 
    CCRMA LIVE
    Event Type: 
    Concert
    A Distributed Electroacoustic Network Improvisation | Livestream
    FREE
    Open to the Public
  • Quarantine Sessions #111 | Guests: Celeste Betancur, Henrik Frisk, and Fred Malouf

    Date: 
    Sun, 01/29/2023 - 1:00pm - 2:00pm
    Location: 
    CCRMA LIVE
    Event Type: 
    Concert
    A Distributed Electroacoustic Network Improvisation | Livestream
    FREE
    Open to the Public
  • Quarantine Sessions #109

    Date: 
    Sun, 01/15/2023 - 1:00pm - 2:00pm
    Location: 
    CCRMA LIVE
    Event Type: 
    Concert
    A Distributed Electroacoustic Network Improvisation | Livestream
    FREE
    Open to the Public
  • Quarantine Sessions #107

    Date: 
    Sun, 12/18/2022 - 1:00pm - 2:00pm
    Location: 
    CCRMA LIVE
    Event Type: 
    Concert
    A Distributed Electroacoustic Network Improvisation | Livestream
    FREE
    Open to the Public
  • Henrik Frisk and Guests

    Date: 
    Thu, 12/15/2022 - 7:30pm - 8:30pm
    Location: 
    CCRMA Stage / CCRMA LIVE
    Event Type: 
    Concert
    CCRMA presents a concert of works by visiting scholar Henrik Frisk. The concert will include an improvisation session by Henrik on saxophone with guests from the CCRMA community: Constantin Basica, Chris Chafe, and Fernando Lopez-Lezcano.

    FREE and Open to the Public  |  In Person + Livestream
  • Quarantine Sessions #106

    Date: 
    Sun, 12/11/2022 - 1:00pm - 2:00pm
    Location: 
    CCRMA LIVE
    Event Type: 
    Concert
    A Distributed Electroacoustic Network Improvisation | Livestream
    FREE
    Open to the Public
  • Fernando Lopez-Lezcano: The Love Songs of Dreaming Dinosaurs

    Date: 
    Fri, 11/18/2022 - 7:30pm - 8:30pm
    Location: 
    CCRMA Stage / CCRMA LIVE
    Event Type: 
    Concert
    This extended performance is another page of the "Dinosaur Songbook" that started with "The Love Songs of Flying Dinosaurs". The Applesauce Modular Mark V Eurorack format modular synth has mutated to Mark VI with some new modules, topological changes and new or renovated workflows. As before the Applesauce will bring in some friends, from the original "El Dinosaurio" 40 year old monster to the tiny Kastle I got as a birthday present. All of the sounds are created in realtime, piped through computers and SooperLoopy, and spatialized in 3D using the surround system in our Stage concert hall.

    FREE and Open to the Public  |  In Person + Livestream
  • Only Now

    Date: 
    Thu, 11/17/2022 - 7:30pm - 8:30pm
    Location: 
    CCRMA Stage / CCRMA LIVE
    Event Type: 
    Concert
    CCRMA presents a live performance by Only Now.
     
    FREE and Open to the Public  |  In Person + Livestream 
  • Earplay at Stanford – Concert III

    Date: 
    Wed, 11/16/2022 - 7:30pm - 8:30pm
    Location: 
    CCRMA Stage / CCRMA LIVE
    Event Type: 
    Concert
    In the third installment of their Stanford concert series, the Earplayers will perform works from five Stanford composers: Mark Applebaum, Giancarlo Aquilanti, Jonathan Berger, Jarosław Kapuściński, and François Rose.
     
    FREE and Open to the Public  |  Registration for in person attendance | Livestream 
  • The Furies: A Laptopera

    Date: 
    Fri, 11/11/2022 - 7:30pm - 9:00pm
    Date: 
    Sat, 11/12/2022 - 7:30pm - 9:00pm
    Date: 
    Sun, 11/13/2022 - 4:00pm - 5:30pm
    Location: 
    CCRMA Stage / CCRMA LIVE
    Event Type: 
    Concert
    The Stanford Laptop Orchestra (SLOrk) presents the first-ever "laptopera". The Furies: A Laptopera is a retelling of the Greek tragedy Electra. Blending a number of versions of the Electra story including works by Aeschylus, Sophocles, Euripides, and Jean Paul Sartre, this retelling explores central questions regarding how communities escape from cycles of violence, the role of guilt and shame in community identity, personal responsibility, how justice interfaces with cycles of violence, and redemption. The artistic medium of the laptop orchestra both serves to recast the traditional instrumental role in a new kind of operatic medium (the “laptopera”) that reimagines the potential of instrument building to support dramatic elements and character relationships—while simultaneously positing critical questions about technology in our lives presently, both in its promise to help us flourish and in its perils to perpetuate and amplify the existing cycles of violence in our world today.

    FREE and Open to the Public | In-person + Livestream

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