Trevor Howarth

• Home
• News and Events
  • All Events
    • CCRMA Concerts
    • Colloquium Series
    • DSP Seminars
    • Hearing Seminars
    • Guest Lectures
  • Event Calendar
  • Events Mailing List
  • Recent News
• Academics
  • Courses
  • Current Year Course Schedule
  • Undergraduate
  • Masters
  • PhD Program
  • Visiting Scholar
  • Visiting Student Researcher
  • Workshops 2021
• Research
  • Publications
    • Authors
    • Keywords
    • STAN-M
    • Max Mathews Portrait
  • Research Groups
  • Software
• People
  • Faculty and Staff
  • Students
  • Alumni
  • All Users
• User Guides
  • New Documentation
  • Booking Events
  • Common Areas
  • Rooms
  • System
• Resources
  • Planet CCRMA
  • MARL
• Blogs
• Opportunities
  • CFPs
• About
  • The Knoll
    • Renovation
  • Directions
  • Contact

101 Introduction to Creating Electronic Sound
192A Foundations of Sound-Recording Technology
220B Compositional Algorithms, Psychoacoustics, and Computational Music
250A Physical Interaction Design for Music
253 Symbolic Musical Information
264 Musical Engagement
285 Intermedia Lab
320B Introduction to Audio Signal Processing Part II: Digital Filters
422 Perceptual Audio Coding
451C Auditory EEG Research III: Coordinated Actions and Hyperscanning