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Chris Lortie

CCRMA Role: 
Doctoral Student
Years Attended: 
09/2016 - 06/2021
Preferred Email (public): 
cjl93@stanford.edu
URL: 
https://soundcloud.com/chris-lortie
About Me: 
Chris Lortie (b.1993) is a composer and computer musician. His compositions regularly involve the use of live electronics as a means of augmenting and disrupting both sonic and visual cues; as such, Chris’s music often explores the subjects of fakery, deception, and hyperrealism in the electroacoustic domain. His pieces are informed by his interests in spatial audio, performance art, theatre, intermedia, gestural interactivity, and improvisation. Chris’s music has been performed nationally and internationally at festivals and conferences such as SEAMUS, N_SEME, Electroacoustic Barndance, SPLICE, soundSCAPE, Etchings, and MA/IN by artists and ensembles including Quatuor Bozzini, Line Upon Line Percussion, Mari Kimura, Marco Fusi, Karen Bentley Pollick, Ekmeles, Ensemble Proton, and the Toledo Symphony Orchestra. Chris Lortie began his musical studies at Bowling Green State University where he received his Bachelor’s degree in Music Composition. He is currently studying with Jaroslaw Kapuscinski and Eric Ulman as a doctoral student at Stanford University.
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Winter Quarter 2023

101 Introduction to Creating Electronic Sound
158/258D Musical Acoustics
220B Compositional Algorithms, Psychoacoustics, and Computational Music
222 Sound in Space
250C Interaction - Intermedia - Immersion
251 Psychophysics and Music Cognition
253 Symbolic Musical Information
264 Musical Engagement
285 Intermedia Lab
319 Research Seminar on Computational Models of Sound
320B Introduction to Audio Signal Processing Part II: Digital Filters
356 Music and AI
422 Perceptual Audio Coding
451B Neuroscience of Auditory Perception and Music Cognition II: Neural Oscillations

 

 

 

   

CCRMA
Department of Music
Stanford University
Stanford, CA 94305-8180 USA
tel: (650) 723-4971
fax: (650) 723-8468
info@ccrma.stanford.edu

 
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