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"The TR-808 Cymbal: a Physically-Informed, Circuit-Bendable, Digital Model", 40th International Computer Music Conference (ICMC) / 11th Sound and Music Computing Conference (SMC), Athens, Greece, 09/2014.
"Techniques for Digital Filter Design and System Identification with Application to the Violin", Electrical Engineering, vol. Ph.D., no. STAN-M-14: Stanford University, 06/1983.
Towards a Better Software-Design for Supporting Creative Musical Activity (CMA), , Stanford, CA, Stanford University, CCRMA, 10/1993.
"Toward a High-Quailty Singing Synthesizer with Vocal Texture Control", Electrical Engineering, vol. Ph.D., no. STAN-M-111, Stanford, CA, Stanford University, 07/2002.
"Towards a Theory of Timbre", Department of Hearing and Speech, vol. Ph.D., no. STAN-M-42, Stanford, CA, Stanford University, 08/1987.
Temporal Constraints on Apparent Motion in Auditory Space, , Stanford, CA, Stanford University, CCRMA, 11/1991.
"Themefinder: A Web-based Melodic Search Tool", Computing in Musicology , vol. 11, pp. 231-236, 1998.
TTREES: An Active Data Structure for Computer Music, , Stanford, California, Stanford University, 05/1988.
"TweetDreams: Making music with the audience and the world using real-time Twitter data", International Conference on New Interfaces For Musical Expression, Oslo, Norway, 05/2011.
"Temporal Separation in a Rhythmic Task", Perception, 2010.
"Techniques for Note Identification in Polyphonic Music", Proceddings of the 1985 International Computer Music Conference, Burnaby, B.C., Canada, no. STAN-M-29: International Computer Music Association, 1985.
"To the Edge with China: Explorations in Network Performance", ARTECH 2008: Proceedings of the 4th International Conference on Digital Arts, Porto, Portugal, pp. 61–66, 2008.