Filters: First Letter Of Title is P [Clear All Filters]
"Pulsed Noise in Self-Sustained Oscillations of Musical Instruments",
Proceddings of the International Conference on Acoustics, Speech, and Signal Processing, Albuquerque, no. STAN-M-61, New York, IEEE Press, 01/1990.
Pulsed Noise and Microtransients in Physical Models of Musical Instruments,
, no. STAN-M-65: Stanford University Department of Music, sep, 1990.
"Psychoacoustics Factors in Musical Intonation: Beats, Interval Tuning, and Inharmonicity",
Department of Music, vol. Ph.D., no. STAN-M-70, Stanford, CA, Stanford University, 1991.
"Proceedings of the 15th International Congress on Acoustics",
International Congress of Acoustics, Trondheim, Norway, CCRMA, 06/1995.
"Playing the Network: the Use of Time Delays as Musical Devices",
International Computer Music Conference, pp. 244-250, 2008.
"The Planet CCRMA software collection",
International Computer Music Conference, Göteborg, Sweden, International Computer Music Association, 2002.
Abstract
PLA - A Tutorial and Reference Manual,
, Stanford, CA, Stanford University, CCRMA, 12/1984.
Pickups for the Vibrations of Violin and Guitar Strings Using Piezoelectric Bimorphic Bender Elements,
, Stanford, CA, Stanford University, CCRMA, 05/1988.
"A Physically-Informed, Circuit-Bendable, Digital Model of the Roland TR-808 Bass Drum Circuit",
17th International Conference on Digital Audio Effects (DAFx-14), Erlangen, Germany, 09/2014.
Abstract
"A physically motivated room reverberation enhancement system that is stable in any (dissipative) room: An application of sound portholes",
NOISE-CON 2010 in conjunction ith the 159th Meeting of the Acoustical Society of America, Baltimore, MD, 04/2010.
Abstract
"Physical Modeling Using Digital Waveguides",
Computer Music Journal, vol. 16, issue 4, 12/1992.
"Perception of Attack Transients in Musical Tones",
Department of Music, vol. Ph.D., no. STAN-M-17, Stanford, California, Stanford University, 1984.
"PARSHL: A Program for the Analysis/Synthesis of Inharmonic Sounds Based on a Sinusoidal Representation",
International Computer Music Conference, no. STAN-M-43, Champaign-Urbana, Illinois, 1987.
"PadMaster: banging on algorithms with alternative controllers",
International Computer Music Conference, Hong Kong University of Science and Technology, China, International Computer Music Association, 1996.
"PadMaster: an improvisation environment for real time performance",
International Computer Music Conference, Banff Centre for the Arts, Canada, International Computer Music Association, 1995.
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101 Introduction to Creating Electronic Sound
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