Filters: First Letter Of Title is F [Clear All Filters]
"Feedback Control of Acoustic Musical Instruments",
STAN-M, no. 120, Stanford, CA, Stanford University, 06/2008.
"Feedback control of acoustic musical instruments: Collocated control using physical analogs",
The Journal of the Acoustical Society of America, vol. 131, pp. 963, 2012.
Abstract
"The Fender Bassman 5F6-A Family of Preamplifier Circuits—A Wave Digital Filter Case Study",
International Conference on Digital Audio Effects (DAFx-16), Brno, Czech Republic, 09/2016.
Abstract
"Finite difference schemes and digital waveguide networks for the wave equation: stability, passivity, and numerical dispersion",
IEEE Trans. Speech and Audio Processing, vol. 11, no. 3, pp. 255–266, may, 2001.
FIR Digital Filter Design,
, Winter, 1992.
"Fixed-rate Modeling of Audio Lumped Systems: A Comparison Between Trapezoidal and Implicit Midpoint Methods",
20th International Conference on Digital Audio Effects (DAFx-17), Edinburgh, UK, 09/2017.
Abstract
"For Jean-Claude: [re]Presenting Duet for One Pianist",
International Computer Music Conference, Montreal, Canada, 08/2009.
Abstract
"From Jack to UDP packets to sound, and back",
Linux Audio Conference 2012, CCRMA, Stanford University, CCRMA, Stanford University, 04/2012.
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101 Introduction to Creating Electronic Sound
106 Concert Production
153D Ensemble Sonification of Temporal Data
220B Compositional Algorithms, Psychoacoustics, and Computational Music
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223Q Queer Electronic Music Composition
251 Psychophysics and Music Cognition
253 Symbolic Musical Information
319 Research Seminar on Computational Models of Sound
422 Perceptual Audio Coding
451B Neuroscience of Auditory Perception and Music Cognition II: Neural Oscillations