Jump to Navigation

Main menu

  • Login
Home

Secondary menu

  • [Room Booking]
  • [Wiki]
  • [Webmail]
  • [New Webmail]

Publications

  • List
  • Filter
Export 6 results:
  • Tagged
  • XML
  • BibTex
Sort by: Author Title Type [ Year  (Asc)]
Filters: Author is Mototsugu Abe  [Clear All Filters]
2004
Abe, M., and J. O. Smith III, AM/FM Rate Estimation and Bias Correction for Time-Varying Sinusoidal Modeling, , no. STAN-M-118: Stanford University, Department of Music, 2004.
  • Tagged
  • XML
  • BibTex
  • Google Scholar
Abe, M., and J. O. Smith III, CQIFFT: Correcting Bias in a Sinusoidal Parameter Estimator based on Quadratic Interpolation of FFT Magnitude Peaks, , no. STAN-M-117: Stanford University, Department of Music, 2004.
  • Tagged
  • XML
  • BibTex
  • Google Scholar
Abe, M., and J. O. Smith III, "Design Criteria for Simple Sinusoidal Parameter Estimation based on Quadratic Interpolation of FFT Magnitude Peaks", Audio Engineering Society Convention, San Francisco, New York, Audio Engineering Society, 2004.
  • Tagged
  • XML
  • BibTex
  • Google Scholar
Abe, M., and J. O. Smith III, Design Criteria for the Quadratically Interpolated FFT Method (I): Bias due to Interpolation, , no. STAN-M-114: Stanford University, Department of Music, 2004.
  • Tagged
  • XML
  • BibTex
  • Google Scholar
Abe, M., and J. O. Smith III, Design Criteria for the Quadratically Interpolated FFT Method (II): Bias due to Interfering Components, , no. STAN-M-115: Stanford University, Department of Music, 2004.
  • Tagged
  • XML
  • BibTex
  • Google Scholar
Abe, M., and J. O. Smith III, Design Criteria for the Quadratically Interpolated FFT Method (III): Bias due to Amplitude and Frequency Modulation, , no. STAN-M-116: Stanford University, Department of Music, 2004.
  • Tagged
  • XML
  • BibTex
  • Google Scholar
  • Home
  • News and Events
    • All Events
      • CCRMA Concerts
      • Colloquium Series
      • DSP Seminars
      • Hearing Seminars
      • Guest Lectures
    • Event Calendar
    • Events Mailing List
    • Recent News
  • Academics
    • Courses
    • Current Year Course Schedule
    • Undergraduate
    • Masters
    • PhD Program
    • Visiting Scholar
    • Visiting Student Researcher
    • Workshops 2019
  • Research
    • Publications
      • Authors
      • Keywords
      • STAN-M
      • Max Mathews Portrait
    • Research Groups
    • Software
  • People
    • Faculty and Staff
    • Students
    • Alumni
    • All Users
  • User Guides
    • Booking Events
    • Rooms
    • System
    • Common Areas
  • Resources
    • Planet CCRMA
    • MARL
  • Blogs
  • Opportunities
    • CFPs
  • About
    • The Knoll
      • Renovation
    • Directions
    • Contact

Search this site:

Winter Quarter 2018

101 Introduction to Creating Electronic Sound
192B Advanced Sound-Recording Technology
220B Compositional Algorithms, Psychoacoustics, and Computational Music
222 Sound in Space
250A Physical Interaction Design for Music
250C Interaction - Intermedia - Immersion
253 Symbolic Musical Information
319 Research Seminar on Computational Models of Sound Perception
320B Introduction to Audio Signal Processing Part II: Digital Filters
420A Signal Processing Models in Musical Acoustics
422 Perceptual Audio Coding
451C Auditory EEG Research III: Coordinated Actions and Hyper-scanning

 

 

 

   

CCRMA
Department of Music
Stanford University
Stanford, CA 94305-8180 USA
tel: (650) 723-4971
fax: (650) 723-8468
info@ccrma.stanford.edu

 
Web Issues: webteam@ccrma

site copyright © 2009 
Stanford University

site design: 
Linnea A. Williams