Filters: First Letter Of Last Name is O [Clear All Filters]
"Generalizing Root Variable Choice in Wave Digital Filters with Grouped Nonlinearities",
20th International Conference on Digital Audio Effects (DAFx-17), Edinburgh, UK, 09/2017.
Abstract
"Network Variable Preserving Step-size Control In Wave Digital Filters",
20th International Conference on Digital Audio Effects (DAFx-17), Edinburgh, United Kingdom, pp. 200–207, 09/2017.
Abstract
"The Fender Bassman 5F6-A Family of Preamplifier Circuits—A Wave Digital Filter Case Study",
International Conference on Digital Audio Effects (DAFx-16), Brno, Czech Republic, 09/2016.
Abstract
"Resolving Grouped Nonlinearities in Wave Digital Filters using Iterative Techniques",
International Conference on Digital Audio Effects (DAFx-16), Brno, Czech Republic, 09/2016.
Abstract
"Wave Digital Filter Modeling of Circuits with Operational Amplifiers",
European Signal Processing Conference (EUSIPCO), Budapest, Hungary, 08/2016.
Abstract
"World Stage: Crowdsourcing Paradigm for Expressive Social Mobile Music",
Journal of New Music Research, vol. 44, issue 2, 11/2014, 2015.
Abstract
"Evolving The Mobile Phone Orchestra",
International Conference on New Interfaces for Musical Expression, Sydney, Australia, 06/2010.
Abstract
MoMu: A Mobile Music Toolkit,
, Sydney, Australia, 06/2010.
Abstract
"Stanford Laptop Orchestra (SLOrk)",
International Computer Music Conference, Montreal, 08/2009.
Abstract
"CCRMA Papers Presented at the 1997 International Computer Music Conference Thessaloniki, Greece",
International Computer Music Conference Thessaloniki, Greece, no. STAN-M-101, Stanford, CA, CCRMA, 08/1997.
"CCRMA Papers Presented at the 1996 International Computer Music Conference Hong Kong",
International Computer Music Conference Hong Kong, no. STAN-M-99, Hong Kong, CCRMA, 08/1996.
The Moose: A Haptic User Interface for Blind Persons with Application to the Digital Sound Studio,
, Stanford, California, Stanford University, 10/1995.
"Compositional Tools for Adding Expression to Music",
International Computer Music Conference, no. STAN-M-82, San Jose, CA, USA, CCRMA, 10/1993.
"DMIX- A Multi Faceted Environment for Composing and Performing Computer Music: Its Design, Philosophy, and Implementation",
Fourth Biennial Arts and Technology Symposium, Stanford, CA, CCRMA, 10/1993.
"Slappability: A New Metaphor for Human Computer Interaction",
World Conference on Artificial Intelligence, Stanford, CA, CCRMA, 10/1993.
Towards a Better Software-Design for Supporting Creative Musical Activity (CMA),
, Stanford, CA, Stanford University, CCRMA, 10/1993.
"DMIX: An Environment for Composition",
International Computer Music Conference, Columbus, Ohio, USA, CCRMA, 05/1989.
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Winter Quarter 2024
101 Introduction to Creating Electronic Sound
106 Concert Production
153D Ensemble Sonification of Temporal Data
220B Compositional Algorithms, Psychoacoustics, and Computational Music
222 Sound in Space
223Q Queer Electronic Music Composition
251 Psychophysics and Music Cognition
253 Symbolic Musical Information
319 Research Seminar on Computational Models of Sound
422 Perceptual Audio Coding
451B Neuroscience of Auditory Perception and Music Cognition II: Neural Oscillations