Center for Computer Research in Music and Acoustics
Upcoming Events
Faust Day 2024
Date:
Sun, 10/27/2024 - 10:00am - 5:00pm
Location:
CCRMA Classroom
Event Type:
Other
FREE
Open to the Public
Distractfold
Date:
Sun, 10/27/2024 - 7:30pm - 9:00pm
Location:
CCRMA Stage
Event Type:
Concert Program:
'Reliq Ens' (2014) - Lee Fraser
'A Thing Made Whole (Coda)' (2023) - Andrew Greenwald
'Castle Terraces in Barry Lyndon (2023) - Zeynep Toraman
FREE
Open to the Public
Distractfold x Graduate Composers
Date:
Fri, 11/01/2024 - 7:30pm - 9:00pm
Location:
CCRMA Stage
Event Type:
Concert Works by: Celeste Betancur, Seán Ó Dálaigh, Mohammad H. Javaheri, Lemon Guo, Kimia Koochakzadeh-Yazdi, Calvin Van Zytveld, Mercedes Montemayor Elosua
FREE
Open to the Public
Homage to Ligeti | CCRMA 50th Anniversary
Date:
Sun, 11/03/2024 - 7:30pm - 9:30pm
Event Type:
Concert A major concert will kick off the final series of events celebrating the 50th Anniversary of Stanford's Center for Computer Research in Music and Acoustics. Join us in Dinkelspiel Auditorium on November 3 at 7:30pm for a program of music by György Ligeti, whose five-month residency at Stanford in 1972 and friendship with John Chowning helped lead to the founding of CCRMA. This all-Ligeti program comprises Atmosphères (featured in the Stanley Kubrick film 2001: A Space Odyssey) performed by the Stanford Symphony Orchestra; Musica ricercata performed by pianist Roger Xia '24; the electronic composition Artikulation; and the Concerto for Violin and Orchestra featuring violinist Tanja Becker-Bender with the Stanford New Ensemble conducted by Paul Phillips.
FREE and Open to the Public | In Person + Livestream
Recent Events
Dataset distillation for Audio-visual tasks
Date:
Mon, 07/29/2024 - 3:00pm - 4:00pm
Location:
CCRMA Classroom
Event Type:
Guest Lecture
FREE
Open to the Public
Leveraging Electric Guitar Tones and Effects to Improve Robustness in Guitar Tablature Transcription Modeling
Date:
Fri, 07/26/2024 - 3:00pm - 4:00pm
Location:
CCRMA Classroom
Event Type:
Guest Lecture
FREE
Open to the Public
Investigating Bell Patterns in Candomblé from Historical Field Recordings
Date:
Thu, 07/25/2024 - 3:00pm - 4:00pm
Location:
CCRMA Classroom
Event Type:
Guest Lecture
FREE
Open to the Public
Exploring Contextual Timbre Representation
Date:
Wed, 07/24/2024 - 3:00pm - 4:00pm
Location:
CCRMA Classroom
Event Type:
Guest Lecture
FREE
Open to the Public
Past Live Streamed Events
Recent News
Jonathan Berger's "My Lai" In the News
All kinds of new buzz in being generated by our own Jonathan Berger's latest opera My Lai. Congratulations, Jonathan and the Kronos Quartet!
"In My Lai, a monodrama for tenor, string quartet, and Vietnamese instruments, composer Jonathan Berger had countless tragic elements at his disposal... In this immersive performance, we had the sense that, rather than defaulting to the story's obvious tragic details, Berger illuminate a single, more subtle element - the outraged bewilderment we often feel in the face of unimaginable horror."
"In My Lai, a monodrama for tenor, string quartet, and Vietnamese instruments, composer Jonathan Berger had countless tragic elements at his disposal... In this immersive performance, we had the sense that, rather than defaulting to the story's obvious tragic details, Berger illuminate a single, more subtle element - the outraged bewilderment we often feel in the face of unimaginable horror."
Issue 21 of the Csound Journal Released
Issue 21 (Fall 2015) of the Csound Journal has been released! The journal can be read online here:
http://csoundjournal.com/issue21/index.html
This issue of the Csound Journal features an article written by MST student Paul Batchelor, which can be found here:
http://csoundjournal.com/issue21/chuck_sound.html
http://csoundjournal.com/issue21/index.html
This issue of the Csound Journal features an article written by MST student Paul Batchelor, which can be found here:
http://csoundjournal.com/issue21/chuck_sound.html
John Chowning Interview on RWM
#212 John Chowning 25.08.2015 (35' 26'')
Sonifying the world: How life's data becomes music
When Chris Chafe translates data into music, listeners sway to the beat of seizing brains, economic swings and smog.
"Unlike sex or hunger, music doesn’t seem absolutely necessary to everyday survival – yet our musical self was forged deep in human history, in the crucible of evolution by the adaptive pressure of the natural world. That’s an insight that has inspired Chris Chafe, Director of Stanford University’s Center for Computer Research in Music and Acoustics (or CCRMA, stylishly pronounced karma).
"Unlike sex or hunger, music doesn’t seem absolutely necessary to everyday survival – yet our musical self was forged deep in human history, in the crucible of evolution by the adaptive pressure of the natural world. That’s an insight that has inspired Chris Chafe, Director of Stanford University’s Center for Computer Research in Music and Acoustics (or CCRMA, stylishly pronounced karma).