Center for Computer Research in Music and Acoustics
Upcoming Events
Foreign/Domestic
Date:
Thu, 11/21/2024 - 7:30pm - 9:30pm
Location:
CCRMA Stage / CCRMA LIVE
Event Type:
Concert 
CCRMA presents a live performance by Foreign/Domestic.
FREE and Open to the Public | In Person + Livestream
Recent Events
CCRMA Transitions 2024
Date:
Wed, 10/16/2024 - 7:30pm - 9:30pm
Date:
Thu, 10/17/2024 - 7:30pm - 9:30pm
Event Type:
Concert 
CCRMA celebrates the start of the 2024 season with its annual Transitions concerts. Feast your ears on immersive 3D sounds played on our 56.8 speaker dome in the Stage. CCRMA students, faculty, staff, and alumni joined by special guest performers will present live performances, fixed media electronic music, and audiovisual works. Each evening’s program will feature different artists.
Due to limited seating, in-person access to these events is based on registration. Reserve your seat here. Please arrive no later than 10 minutes before the show, otherwise your seat may be given away.
FREE and Open to the Public | In Person + Livestream
Prof. Dan Bowling - Music for Mental Health
Date:
Fri, 10/11/2024 - 10:30am - 12:00pm
Location:
CCRMA Seminar Room
Event Type:
Hearing Seminar 
I'm happy to welcome a new faculty member, Dr. Dan Bowling, to Stanford and the Hearing Seminar. He'll be talking about his research on music and health at the next Hearing Seminar. Please join us.
Who: Dr. Dan Bowling, Stanford Psychiatry's Division of Interdisciplinary Brain Sciences
What: Music and Health: Biological Foundations and Applications
When: Friday October 11th at 10:30AM
Where: CCRMA Seminar Room, Top Floor of the Knoll at Stanford
FREE
Open to the Public
Jin Woo Lee on "Differentiable Physical Modeling for Sound Synthesis: From Design to Inverse Problems"
Date:
Fri, 10/04/2024 - 3:30pm - 5:00pm
Location:
CCRMA Classroom [Knoll 217] (ZOOM Link Below)
Event Type:
DSP Seminar 
Abstract:
Open to the Public
Audiovisual Performance | Final Projects | Arts Intensive 2024
Date:
Wed, 09/18/2024 - 7:30pm - 8:30pm
Location:
CCRMA Stage / CCRMA LIVE
Event Type:
Concert 
In the span of 2.5 weeks, students in this audiovisual performance class worked intensely on several projects. They explored relationships between sound and moving image, programming and physical interaction with audio and video material, remixing audiovisual compositions, and performing with their digital doppelgängers. We are very excited to present their final projects in this live audiovisual concert.
Past Live Streamed Events
Recent News
Jonathan Berger's "My Lai" In the News
All kinds of new buzz in being generated by our own Jonathan Berger's latest opera My Lai. Congratulations, Jonathan and the Kronos Quartet!
"In My Lai, a monodrama for tenor, string quartet, and Vietnamese instruments, composer Jonathan Berger had countless tragic elements at his disposal... In this immersive performance, we had the sense that, rather than defaulting to the story's obvious tragic details, Berger illuminate a single, more subtle element - the outraged bewilderment we often feel in the face of unimaginable horror."
"In My Lai, a monodrama for tenor, string quartet, and Vietnamese instruments, composer Jonathan Berger had countless tragic elements at his disposal... In this immersive performance, we had the sense that, rather than defaulting to the story's obvious tragic details, Berger illuminate a single, more subtle element - the outraged bewilderment we often feel in the face of unimaginable horror."
Issue 21 of the Csound Journal Released
Issue 21 (Fall 2015) of the Csound Journal has been released! The journal can be read online here:
http://csoundjournal.com/issue21/index.html
This issue of the Csound Journal features an article written by MST student Paul Batchelor, which can be found here:
http://csoundjournal.com/issue21/chuck_sound.html
http://csoundjournal.com/issue21/index.html
This issue of the Csound Journal features an article written by MST student Paul Batchelor, which can be found here:
http://csoundjournal.com/issue21/chuck_sound.html
John Chowning Interview on RWM
#212 John Chowning 25.08.2015 (35' 26'')
Sonifying the world: How life's data becomes music
When Chris Chafe translates data into music, listeners sway to the beat of seizing brains, economic swings and smog.
"Unlike sex or hunger, music doesn’t seem absolutely necessary to everyday survival – yet our musical self was forged deep in human history, in the crucible of evolution by the adaptive pressure of the natural world. That’s an insight that has inspired Chris Chafe, Director of Stanford University’s Center for Computer Research in Music and Acoustics (or CCRMA, stylishly pronounced karma).
"Unlike sex or hunger, music doesn’t seem absolutely necessary to everyday survival – yet our musical self was forged deep in human history, in the crucible of evolution by the adaptive pressure of the natural world. That’s an insight that has inspired Chris Chafe, Director of Stanford University’s Center for Computer Research in Music and Acoustics (or CCRMA, stylishly pronounced karma).
