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Sounds in Remembered Spaces

Date: 
Tue, 06/20/2017 - 1:00pm - 2:00pm
Location: 
CCRMA Stage
Event Type: 
Guest Lecture
This presentation will discuss a series of related works related to field recording in sites of historical infrastructure within New York City, Rome, and elsewhere.

Paula Matthusen is a composer who writes both electroacoustic and acoustic music and realizes sound installations, as well as collaborating with choreographers and theater companies. She has written for diverse instrumentations, such as “run-on sentence of the pavement” for piano, ping-pong balls, and electronics, which Alex Ross of The New Yorker described as “entrancing”. Her work often considers discrepancies in musical space—real, imagined, and remembered. Her music has been performed by Dither Electric Guitar Quartet, Mantra Percussion, the Bang On A Can All-Stars, Brooklyn Rider, the Metropolis Ensemble, the Estonian National Ballet, orchest de ereprijs, the Glass Farm Ensemble, the Scharoun Ensemble, James Moore, Wil Smith, Terri Hron, Kathryn Woodard, Todd Reynolds, Kathleen Supové, Margaret Lancaster, Nina de Heney, Dana Jessen and Jody Redhage. Awards include the Walter Hinrichsen Award from the American Academy of Arts and Letters, a Fulbright Grant, two ASCAP Morton Gould Young Composers’ Awards, and the 2014 - 2015 Elliott Carter Rome Prize. Matthusen is currently Associate Professor of Music at Wesleyan University.
www.paulamatthusen.com
FREE
Open to the Public
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Winter Quarter 2018

101 Introduction to Creating Electronic Sound
192B Advanced Sound-Recording Technology
220B Compositional Algorithms, Psychoacoustics, and Computational Music
222 Sound in Space
250A Physical Interaction Design for Music
250C Interaction - Intermedia - Immersion
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320B Introduction to Audio Signal Processing Part II: Digital Filters
420A Signal Processing Models in Musical Acoustics
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451C Auditory EEG Research III: Coordinated Actions and Hyper-scanning

 

 

 

   

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