Automation Is My Salvation: Eight Studies for Automatic Piano by Seth Horvitz
Date:
Wed, 04/06/2011 - 5:15pm - 7:00pm
Location:
CCRMA Stage
Event Type:
Colloquium 
Eight Studies for Automatic Piano makes use of simple, computer-aided compositional processes to test the limits of human perception while relying on one of the most recognizable musical sounds in the Western world: the acoustic piano. The work relies on a bare minimum of technical means to explore notions of temporal distortion, iterative process, and elegant complexity. Presented in an immersive concert setting without the presence of a human performer, Eight Studies advocates for an expansion of traditional notions of live performance and musical “life.” During the concert, extraneous sensory input is removed in order to draw attention to the connection between the sound of the piano and the abstract geometric nature of the piano keyboard. By controlling the lighting with a single spotlight and providing a video projection of the light reflected on the keys, the keyboard is depicted on screen as a simple row of lines and dots. Adhering to a set of machine-dependent parameters, this work raises questions regarding the relationship between nature, humanity, and mathematical precision. Building upon the practical, theoretical, and aesthetic contributions of James Tenney, György Ligeti, Conlon Nancarrow, Steve Reich, and Charlemagne Palestine, Eight Studies plants the seeds for an ongoing, focused and innovative approach to composition and performance for automated piano.
The 45 minute concert presentation will be followed by a discussion of the work.
- - -
FREE
Open to the Public
