Next  |  Prev  |  Top  |  JOS Index  |  JOS Pubs  |  JOS Home  |  Search

Bibliography

1
M. Abramowitz and I. A. Stegun, eds., Handbook of Mathematical Functions,
New York: Dover, 1965.

2
S. Adachi and M. Sato, ``On the transition of lip-vibration states in the brass instrument,'' in Proceedings of the International Symposium on Musical Acoustics (ISMA-95), Dourdan, France, (France), pp. 17-22, Société Français d'Acoustique, July 1995.

3
S. Adachi and M. Sato, ``Time-domain simulation of sound production in the brass instrument,'' Journal of the Acoustical Society of America, vol. 97, pp. 3850-3861, 1995.

4
S. Adachi and M. Sato, ``Trumpet sound simulation using a two-dimensional lip vibration model,'' Journal of the Acoustical Society of America, vol. 99, pp. 1200-1209, 1996.

5
J.-M. Adrien, ``The missing link: Modal synthesis,'' in Representations of Musical Signals (G. De Poli, A. Picialli, and C. Roads, eds.), pp. 269-297, Cambridge, MA: MIT Press, 1991.

6
J. Agullo, A. Barjau, and J. Martinez, ``Alternatives to the impulse response h(t) to describe the acoustical behavior of conical ducts,'' Journal of the Acoustical Society of America, vol. 84, pp. 1606-1612, Nov. 1988.

7
J. Agullo, A. Barjau, and J. Martinez, ``Conical bores. Part II: Multiconvolution,'' Journal of the Acoustical Society of America, vol. 84, pp. 1620-1627, Nov. 1988.

8
J. Agullo, A. Barjau, and J. Martinez, ``On the time-domain description of conical bores,'' Journal of the Acoustical Society of America, vol. 91, pp. 1099-1105, Feb. 1992.

9
M. Aird, J. Laird, and J. ffitch, ``Modelling a drum by interfacing 2-D and 3-D waveguide meshes,'' in Proceedings of the International Computer Music Conference, (Berlin, Germany), pp. 82-85, Sept. 2000.

10
N. Amir, G. Rosenhouse, and U. Shimony, ``Reconstructing the bore of brass instruments: Theory and experiment,'' in Proceedings of the Stockholm Musical Acoustics Conference (SMAC-93), (Stockholm), pp. 470-475, Royal Swedish Academy of Music, July 1993.

11
N. Amir, G. Rosenhouse, and U. Shimony, ``Discrete model for tubular acoustic systems with varying cross section--the direct and inverse problems. Part 1: Theory,'' Acta Acustica, vol. 81, pp. 450-462, 1995.

12
N. Amir, G. Rosenhouse, and U. Shimony, ``Discrete model for tubular acoustic systems with varying cross section - the direct and inverse problems. Part 1: Theory, and Part 2: Experiment,'' Acta Acustica, vol. 81, pp. 450-474, 1995.

13
M. Aramaki, J. Bensa, L. Daudet, P. Guillemain, and R. Kronland-Martinet, ``Resynthesis of coupled piano string vibrations based on physical modeling,'' Journal of New Music Research, vol. 30, no. 3, pp. 213-26, 2001.

14
A. Askenfelt, ed., Five Lectures on the Acoustics of the Piano,
Stockholm: Royal Swedish Academy of Music, 1990,
lectures by H. A. Conklin, Anders Askenfelt and E. Jansson, D. E. Hall, G. Weinreich, and K. Wogram. Sound example CD included. Publication number 64. http://www.speech.kth.se/music/5_lectures/.

15
B. S. Atal and L. S. Hanauer, ``Speech analysis and synthesis by linear prediction of the speech wave,'' Journal of the Acoustical Society of America, vol. 50, pp. 637-655, 1971.

16
B. S. Atal and M. R. Schroeder, ``Predictive coding of speech signals and subjective error criteria,'' IEEE Transactions on Acoustics, Speech, Signal Processing, vol. 27, pp. 247-254, June 1979.

17
R. D. Ayers, L. J. Eliason, and D. Mahgerefteh, ``The conical bore in musical acoustics,'' American Journal of Physics, vol. 53, pp. 528-537, June 1985.

18
B. Bank and V. Välimäki, ``Robust loss filter design for digital waveguide synthesis of string tones,'' IEEE Signal Processing Letters, vol. 10, pp. 18-20, January 2003.

19
E. Barbour, ``The cool sound of tubes,'' IEEE Spectrum, pp. 24-35, Aug. 1998.

20
V. Belevitch, ``Summary of the history of circuit theory,'' Proceedings of the IRE, vol. 50, pp. 848-855, May 1962.

21
V. Belevitch, Classical Network Theory,
San Francisco: Holden Day, 1968.

22
A. H. Benade, ``Equivalent circuits for conical waveguides,'' Journal of the Acoustical Society of America, vol. 83, pp. 1764-1769, May 1988.

23
A. H. Benade, Fundamentals of Musical Acoustics,
New York: Dover, 1990.

24
A. H. Benade and E. V. Jansson, ``On plane and spherical waves in horns with nonuniform flare. I. theory of radiation, resonance frequencies, and mode conversion,'' Acustica, vol. 31, no. 2, pp. 80-98, 1974.

25
G. Bennett and X. Rodet, ``Synthesis of the singing voice,'' in Current Directions in Computer Music Research (M. V. Mathews and J. R. Pierce, eds.), pp. 19-44, Cambridge, MA: MIT Press, 1989.

26
J. Bensa, Analysis and Synthesis of Piano Sounds using Physical and Signal Models,
PhD thesis, Université de la Méditérranée, Marseille, France, 2003,
http://www.lma.cnrs-mrs.fr/ bensa/.

27
J. Bensa, S. Bilbao, R. Kronland-Martinet, and J. O. Smith, ``A power normalized non-linear lossy piano hammer,'' in Proceedings of the Stockholm Musical Acoustics Conference (SMAC-03), http://www.speech.kth.se/smac03/, 2003.

28
J. Bensa, S. Bilbao, R. Kronland-Martinet, and J. O. Smith, ``The simulation of piano string vibration: from physical models to finite difference schemes and digital waveguides,'' Journal of the Acoustical Society of America, vol. 114(2), pp. 1095-1107, 2003.

29
L. L. Beranek, Acoustics,
http://asa.aip.org/publications.html: American Institute of Physics, for the Acoustical Society of America, 1986,
1st ed. 1954.

30
D. P. Berners, Acoustics and Signal Processing Techniques for Physical Modeling of Brass Instruments,
PhD thesis, Elec. Engineering Dept., Stanford University (CCRMA), June 1999,
http://ccrma.stanford.edu/~dpberner/.

31
D. P. Berners and J. O. Smith, ``On the use of Schrodinger's equation in the analytic determination of horn reflectance,'' in Proceedings of the 1994 International Computer Music Conference, Århus, pp. 419-422, Computer Music Association, 1994.

32
D. P. Berners and J. O. Smith, ``Super-spherical wave simulation in flaring horns,'' in Proceedings of the 1995 International Computer Music Conference, Banff, pp. 112-113, Computer Music Association, 1995.

33
R. T. Beyer, Nonlinear Acoustics,
American Institute of Physics, for the Acoustical Society of America, 1997 (orig. 1974),
http:.

34
S. Bilbao, Wave and Scattering Methods for the Numerical Integration of Partial Differential Equations,
PhD thesis, Stanford University, June 2001,
http://ccrma.stanford.edu/~bilbao/.

35
S. Bilbao, J. O. Smith, J. Bensa, and R. Kronland-Martinet, ``A power-normalized wave digital piano hammer,'' Journal of the Acoustical Society of America, Program of the 144th Meeting, Cancun, Mexico, Dec. 2-6, Dec. 2002,
see paper on the conference CD-ROM.

36
H. Bode, ``History of electronic sound modification,'' Journal of the Audio Engineering Society, vol. 32, pp. 730-739, Oct. 1984.

37
G. Borin, G. De Poli, and A. Sarti, ``A modular approach to excitator-resonator interaction in physical models synthesis,'' in Proceedings of the 1989 International Computer Music Conference, Ohio, pp. 46-50, Computer Music Association, 1989.

38
G. Borin, G. De Poli, and A. Sarti, ``Musical signal synthesis,'' in Musical Signal Processing (C. Roads, S. T. Pope, A. Piccialli, and G. De Poli, eds.), pp. 5-30, Netherlands: Swets and Zietlinger, 1997.

39
X. Boutillon, ``Model for piano hammers: Experimental determination and digital simulation,'' Journal of the Acoustical Society of America, vol. 83, pp. 746-754, Feb. 1988.

40
Boyce and Deprima, Elementary Differential Equations and Boundary Value Problems,
New York: John Wiley and Sons, Inc., 1986,
includes a nice mathematical discussion of the Laplace transform.

41
E. Brandt, ``Hard sync without aliasing,'' in Proceedings of the 2001 International Computer Music Conference, Havana, 2001,
http://www-2.cs.cmu.edu/~eli/papers/icmc01-hardsync.pdf.

42
C. Cadoz, A. Luciani, and J. L. Florens, ``CORDIS-ANIMA: A modeling and simulation system for sound and image synthesis -- the general formalism,'' Computer Music Journal, vol. 17, no. 4, pp. 19-29, 1993.

43
G. Campos and D. Howard, ``A parallel 3D digital waveguide mesh model with tetrahedral topology for room acoustic simulation,'' in Proceedings of the COST G-6 Conference on Digital Audio Effects (DAFx), (Verona, Italy), pp. 73-78, Dec. 2000,
http://www.dafx.de/.

44
R. Caussé, J. Kergomard, and X. Lurton, ``Input impedance of brass musical instruments--comparison between experiment and numerical models,'' Journal of the Acoustical Society of America, vol. 75, pp. 241-254, Jan. 1984.

45
A. Chaigne, ``Viscoelastic properties of nylon guitar strings,'' Catgut Acoustical Society Journal, Series II, vol. 1, pp. 21-27, May 1991.

46
A. Chaigne, ``On the use of finite differences for musical synthesis. application to plucked stringed instruments,'' Journal d'Acoustique, vol. 5, no. 2, pp. 181-211, 1992.

47
A. Chaigne and A. Askenfelt, ``Numerical simulations of piano strings. I. A physical model for a struck string using finite difference methods,'' Journal of the Acoustical Society of America, vol. 95, no. 2, pp. 1112-1118, 1994.

48
A. Chaigne and A. Askenfelt, ``Numerical simulations of piano strings. II. comparisons with measurements and systematic exploration of some hammer-string parameters,'' Journal of the Acoustical Society of America, vol. 95, pp. 1631-1640, Mar. 1994.

49
R. V. Churchill, Complex Variables and Applications,
New York: McGraw-Hill, 1960.

50
P. R. Cook, Identification of Control Parameters in an Articulatory Vocal Tract Model, with Applications to the Synthesis of Singing,
PhD thesis, Elec. Engineering Dept., Stanford University (CCRMA), Dec. 1990,
http: //www.cs.princeton.edu/~prc/.

51
P. R. Cook, ``Tbone: An interactive waveguide brass instrument synthesis workbench for the NeXT machine,'' in Proceedings of the 1991 International Computer Music Conference, Montreal, pp. 297-299, Computer Music Association, 1991.

52
P. R. Cook, ``A meta-wind-instrument physical model, and a meta-controller for real time performance control,'' in Proceedings of the 1992 International Computer Music Conference, San Jose, pp. 273-276, Computer Music Association, 1992.

53
P. R. Cook, ``Singing voice synthesis: History, current work, and future directions,'' Computer Music Journal, vol. 20, no. 3, pp. 38-46, 1996.

54
P. R. Cook, ``Synthesis toolkit in C++, version 1.0,'' in SIGGRAPH Proceedings, Assoc. Comp. Mach., May 1996.

55
D. C. Copley and W. J. Strong, ``Stroboscopic sequences of lip vibrations in a trombone,'' in Proceedings of the International Symposium on Musical Acoustics (ISMA-95), Dourdan, France, (France), pp. 42-46, Société Français d'Acoustique, July 1995.

56
L. Cremer, The Physics of the Violin,
Cambridge, MA: MIT Press, 1984.

57
J. Dattorro, ``The implementation of recursive digital filters for high-fidelity audio,'' Journal of the Audio Engineering Society, vol. 36, pp. 851-878, Nov. 1988,
Comments, ibid. (Letters to the Editor), vol. 37, p. 486 (1989 June); Comments, ibid. (Letters to the Editor), vol. 38, pp. 149-151 (1990 Mar.).

58
J. R. Deller Jr., J. G. Proakis, and J. H. Hansen, Discrete-Time Processing of Speech Signals,
New York: Macmillan, 1993.

59
P. Denbigh, System Analysis and Signal Processing,
Reading MA: Addison-Wesley, 1998,
A fair amount of MATLAB code... isn't cheap: $81.95 (as of 4/01), but it might be a good book for those rusty with Laplace transform analysis.

60
P. Depalle and S. Tassart, ``State space sound synthesis and a State space synthesiser builder,'' in Proceedings of the 1995 International Computer Music Conference, Banff, pp. 88-95, Computer Music Association, 1995,
http://mediatheque.ircam.fr/articles/textes/Depalle95a/.

61
C. A. Desoer and E. S. Kuh, Basic Circuit Theory,
New York: McGraw-Hill, 1969.

62
P. H. Dietz, ``Simulation of trumpet tones via physical modeling,'' Master's thesis, Elec. and Comp. Engineering Dept., Carnegie Mellon University, Dec 1988,
available as CMU Report no. LASIP-89-07, Aug. 1989.

63
P. H. Dietz and N. Amir, ``Synthesis of trumpet tones by physical modeling,'' in Proceedings of the International Symposium on Musical Acoustics (ISMA-95), Dourdan, France, (France), pp. 471-477, Société Français d'Acoustique, July 1995.

64
C. Dodge and T. A. Jerse, Computer Music,
New York: Schirmer, 1985.

65
DSP Committee, ed., Programs for Digital Signal Processing II,
New York: IEEE Press, 1979.

66
H. W. Dudley, ``The vocoder,'' Bell Labs Rec., vol. 18, pp. 122-126, 1939,
Reprinted in [218, pp. 347-351].

67
W. C. Elmore and M. A. Heald, Physics of Waves,
New York: Dover, 1969.

68
C. Erkut and M. Karjalainen, ``Finite Difference Method vs. Digital Waveguide Method in String Instrument Modeling and Synthesis,'' in International Symposium on Musical Acoustics, (Mexico City, Mexico), December 2002.

69
C. Erkut, Aspects in Analysis and Model-Based Sound Synthesis of Plucked String Instruments,
Doctoral thesis, Helsinki University of Technology, Espoo, Finland, November 2002,
overview http://lib.hut.fi/Diss/2002/isbn9512261901/.

70
C. W. Farrow, ``A continuously variable digital delay element,'' in Proceedings of the IEEE Conference on Circuits and Systems, Espoo, Finland, vol. 3, pp. 2641-2645, June 7-9 1988.

71
A. Fettweis, ``Digital filters related to classical structures,'' AEU: Archive für Elektronik und Übertragungstechnik, vol. 25, pp. 79-89, Feb 1971,
see also U.S. Patent 3,967,099, 1976, now expired.

72
A. Fettweis, ``Some principles of designing digital filters imitating classical filter structures,'' IEEE Transactions on Circuit Theory, vol. 18, pp. 314-316, Mar. 1971.

73
A. Fettweis, ``Wave digital filters: Theory and practice,'' Proceedings of the IEEE, vol. 74, pp. 270-327, Feb. 1986.

74
J. L. Flanagan, Speech Analysis, Synthesis, and Perception,
New York: Springer Verlag, 1972.

75
J. L. Flanagan and K. Ishizaka, ``Automatic generation of voiceless excitation in a vocal cord-vocal tract speech synthesizer,'' IEEE Transactions on Acoustics, Speech, Signal Processing, vol. 24, pp. 163-170, Apr. 1976.

76
J. L. Flanagan and L. R. Rabiner, eds., Speech Synthesis,
Stroudsburg, Penn.: Dowden, Hutchinson, and Ross, Inc., 1973.

77
N. H. Fletcher and T. D. Rossing, The Physics of Musical Instruments, 2nd Edition,
New York: Springer Verlag, 1998.

78
F. Fontana and D. Rocchesso, ``A new formulation of the 2D-waveguide mesh for percussion instruments,'' in Proceedings of the XI Colloquiun on Musical Informatics, (Bologna, Italy), pp. 27-30, Nov. 1995.

79
F. Fontana and D. Rocchesso, ``Physical modeling of membranes for percussive instruments,'' Acustica United with Acta Acustica, vol. 84, pp. 529-542, May/June 1998.

80
F. Fontana and D. Rocchesso, ``Online correction of dispersion error in 2D waveguide meshes,'' in Proceedings of the International Computer Music Conference, (Berlin, Germany), pp. 78-81, Sept. 2000.

81
W. Frank and A. Lacroix, ``Improved vocal tract models for speech synthesis,'' Proceedings of the International Conference on Acoustics, Speech, and Signal Processing, Tokyo, vol. 3, pp. 2011-2014, 1986.

82
D. K. Frederick and A. B. Carlson, Linear Systems in Communication and Control,
New York: John Wiley and Sons, Inc., 1971.

83
B. Gazengel and J. Gilbert, ``From the measured input impedance to the synthesized pressure signal: Application to the saxophone,'' in Proceedings of the International Symposium on Musical Acoustics (ISMA-95), Dourdan, France, (France), pp. 484-489, Société Français d'Acoustique, July 1995.

84
B. Gazengel, J. Gilbert, and N. Amir, ``Time domain simulation of single-reed wind instruments. from the measured input impedance to the synthesis signal. where are the traps?,'' Acta Acustica, vol. 3, pp. 445-472, Oct. 1995.

85
M. A. Gerzon, ``Unitary (energy preserving) multichannel networks with feedbacks,'' Electronics Letters, vol. 12, no. 11, pp. 278-279, 1976.

86
M. A. Gerzon, ``Optimum reproduction matrices for multispeaker stereo,'' Journal of the Audio Engineering Society, vol. 40, pp. 571-589, Jul/Aug 1992.

87
J. Gilbert, J. Kergomard, and J. D. Polack, ``On the reflection functions associated with discontinuities in conical bores,'' Journal of the Acoustical Society of America, vol. 87, pp. 1773-1780, Apr. 1990.

88
N. Giordano and J. P. Millis, ``Hysteretic behavior of piano hammers,'' in Proceedings of the International Symposium on Musical Acoustics (ISMA-01), Perugia, Umbria, Italy, pp. 237-240, 2001.

89
K. F. Graff, Wave Motion in Elastic Solids,
New York: Dover, 1991 (1975 version).

90
A. H. Gray, ``Passive cascaded lattice digital filters,'' IEEE Transactions on Acoustics, Speech, Signal Processing, vol. ASSP-27, pp. 337-344, May 1980.

91
A. H. Gray and J. D. Markel, ``Digital lattice and ladder filter synthesis,'' in Selected Papers in Digital Signal Processing (Digital Signal Processing Committee, ed.), IEEE Press, 1975.

92
A. H. Gray and J. D. Markel, ``A normalized digital filter structure,'' IEEE Transactions on Acoustics, Speech, Signal Processing, vol. ASSP-23, pp. 268-277, June 1975.

93
K. Guettler, ``The bowed string computer simulated -- some characteristic features of the attack,'' Catgut Acoustical Society Journal, Series II, vol. 2, pp. 22-26, Nov 1992.

94
K. Guettler and A. Askenfelt, ``On the kinetics of spiccato bowing,'' in Proceedings of the International Symposium on Musical Acoustics (ISMA-97), Edinburgh, Scotland, pp. 101-106, Aug. 1997.

95
K. Guettler and A. Askenfelt, ``On the kinematics of spiccato and ricochet bowing,'' Catgut Acoustical Society Journal, Series II, vol. 3, pp. 9-15, Nov. 1998.

96
D. E. Hall and A. Askenfelt, ``Piano string excitation v: Spectra for real hammers and strings,'' Journal of the Acoustical Society of America, vol. 83, pp. 1627-1638, Apr. 1988.

97
R. Hanson, ``Measurements of nonlinear effects in a driven vibrating wire,'' Journal of the Acoustical Society of America, vol. 96, pp. 1549-1556, Sept. 1994.

98
F. J. Harris, ``Performance and design considerations of the Farrow filter when used for arbitrary resampling of sampled time series,'' in Proc. 31st Asilomar Conference on Signals, Systems, and Computers, vol. 2, pp. 1745-1749, Nov. 1997.

99
W. Hartmann, Signals, Sound, and Sensation,
New York: AIP Press, 1997,
647 pp., 221 illustrations, hardcover.

100
H. Hermansky, ``Perceptual linear predictive (PLP) analysis of speech,'' Journal of the Acoustical Society of America, vol. 87, pp. 1738-1752, Apr. 1990.

101
L. Hiller and P. Ruiz, ``Synthesizing musical sounds by solving the wave equation for vibrating objects. Part I.,'' Journal of the Audio Engineering Society, vol. 19, pp. 462-470, June 1971,
Part II: vol. 19, no. 7, pp. 542-551, July/Aug. 1971.

102
S. Hirschman, Digital Waveguide Modelling and Simulation of Reed Woodwind Instruments,
Engineer's thesis, Elec. Engineering Dept., Stanford University (CCRMA), May 1991,
available as CCRMA Technical Report Stan-M-72, Music Dept., Stanford University, July 1991.

103
S. Hirschman, P. R. Cook, and J. O. Smith, ``Digital waveguide modelling of reed woodwinds: An interactive development environment on the NeXT computer,'' in Proceedings of the 1991 International Computer Music Conference, Montreal, pp. 300-303, Computer Music Association, 1991,
available in ``CCRMA Papers on Physical Modeling from the 1991 International Computer Music Conference,'' Department of Music Technical Report STAN-M-73, Stanford University, October 1991.

104
A. Hirschberg, ``A quasi-stationary model of air flow in the reed channel of single-reed woodwind instruments,'' Acustica, vol. 70, pp. 146-154, 1990.

105
A. Hirschberg, J. G. R. Msallam, , and A. P. Wijnands, ``Shock waves in trombones,'' Journal of the Acoustical Society of America, vol. 99, pp. 1754-1758, Mar. 1996.

106
P. Huang, S. Serafin, and J. O. Smith, ``A waveguide mesh model of high-frequency violin body resonances,'' in Proceedings of the International Computer Music Conference, (Berlin, Germany), Sept. 2000.

107
J. Huopaniemi and J. O. Smith, ``Spectral and time-domain processing and the choice of modeling error criteria for binaural digital filters,'' in AES 16th International Conference on Spatial Sound Reproduction, Rovaniemi, Finland, pp. 301-312, Apr. 1999.

108
E. Incerti and C. Cadoz, ``Topology, geometry, matter of vibrating structures simulated with cordis-anima, sound synthesis methods,'' in Proceedings of the 1995 International Computer Music Conference, Banff, pp. 96-103, Computer Music Association, 1995.

109
K. Ishizaka and J. L. Flanagan, ``Synthesis of voiced sounds from a two-mass model of the vocal cords,'' Bell System Technical Journal, vol. 51, pp. 1233-1268, 1972.

110
D. A. Jaffe, ``Musical and extra-musical applications of the NeXT Music Kit,'' in Proceedings of the 1991 International Computer Music Conference, Montreal, pp. 521-524, Computer Music Association, 1993.

111
D. A. Jaffe, ``Ten criteria for evaluating synthesis and processing techniques,'' Computer Music Journal, vol. 19, no. 1, pp. 76-87, 1995,
Also: Proceedings of the First Brazilian Symposium of Computation and Music, Brazilian Society of Computation, Caxambu, MG. 53-61.

112
D. A. Jaffe and J. O. Smith, ``Extensions of the Karplus-Strong plucked string algorithm,'' Computer Music Journal, vol. 7, no. 2, pp. 56-69, 1983,
Reprinted in [198, pp. 481-494].

113
D. A. Jaffe and J. O. Smith, ``Performance expression in commuted waveguide synthesis of bowed strings,'' in Proceedings of the 1995 International Computer Music Conference, Banff, pp. 343-346, Computer Music Association, 1995.

114
H. Järveläinen, V. Välimäki, and M. Karjalainen, ``Audibility of inharmonicity in string instrument sounds, and implications to digital sound synthesis,'' in Proceedings of the 1999 International Computer Music Conference, Beijing, pp. 359-362, Oct. 22-27, 1999,
http://www.acoustics.hut.fi/~hjarvela/publications/.

115
J.-M. Jot and A. Chaigne, ``Digital delay networks for designing artificial reverberators,'' Audio Engineering Society Convention, Feb. 1991.

116
Kaegi, W., and S. Tempelaars, ``Vosim--a new sound synthesis system,'' Journal of the Audio Engineering Society, vol. 26, no. 6, pp. 418-24, 1978.

117
T. Kailath, Linear Systems,
Englewood Cliffs, NJ: Prentice-Hall, 1980.

118
M. Karjalainen, V. Välimäki, and P. A. A. Esquef, ``Efficient Modeling and Synthesis of Bell-Like Sounds,'' in the 5th International Conference on Digital Audio Effects, (Hamburg, Germany), pp. 181-186, September 26-28 2002,
http://www.unibw-hamburg.de/EWEB/ANT/dafx2002/papers.html.

119
M. Karjalainen and J. O. Smith, ``Body modeling techniques for string instrument synthesis,'' in Proceedings of the 1996 International Computer Music Conference, Hong Kong, pp. 232-239, Computer Music Association, Aug. 1996.

120
M. Karjalainen, J. Backman, and J. Pölkki, ``Analysis, modeling, and real-time sound synthesis of the kantele, a traditional Finnish string instrument,'' in Proceedings of the International Conference on Acoustics, Speech, and Signal Processing, Minneapolis, (New York), pp. 229-232, IEEE Press, 1993.

121
M. Karjalainen, V. Välimäki, and Z. Jánosy, ``Towards high-quality sound synthesis of the guitar and string instruments,'' in Proceedings of the 1993 International Computer Music Conference, Tokyo, pp. 56-63, Computer Music Association, Sept. 10-15 1993,
http: //www.acoustics.hut.fi/~vpv/publications/icmc93-guitar.htm.

122
M. Karjalainen, V. Välimäki, B. Hernoux, and J. Huopaniemi, ``Exploration of wind instruments using digital signal processing and physical modeling techniques,'' in Proceedings of the 1995 International Computer Music Conference, Banff, pp. 509-516, Computer Music Association, 1995,
Revised version published in the Journal of New Music Research, 24(4), December 1995.

123
M. Karjalainen, A. Harma, U. K. Laine, and J. Huopaniemi, ``Warped filters and their audio applications,'' in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, (New York), IEEE Press, Oct. 1997,
Session 11, paper 2, 4 pages.

124
M. Karjalainen, V. Välimäki, and T. Tolonen, ``Plucked string models: From the Karplus-Strong algorithm to digital waveguides and beyond,'' Computer Music Journal, vol. 22, no. 3, pp. 17-32, 1998,
available online at http://www.acoustics.hut.fi/~ vpv/publications/cmj98.htm.

125
K. Karplus and A. Strong, ``Digital synthesis of plucked string and drum timbres,'' Computer Music Journal, vol. 7, no. 2, pp. 43-55, 1983,
Reprinted in [198, pp. 467-479].

126
D. H. Keefe, ``Theory of the single woodwind tone hole. experiments on the single woodwind tone hole,'' Journal of the Acoustical Society of America, vol. 72, pp. 676-699, Sept. 1982.

127
D. H. Keefe, ``Acoustical wave propagation in cylindrical ducts: Transmission line approximations for isothermal and nonisothermal boundary conditions,'' Journal of the Acoustical Society of America, vol. 75, pp. 58-62, Jan. 1984.

128
D. H. Keefe, ``Woodwind air column models,'' Journal of the Acoustical Society of America, vol. 88, pp. 35-51, Jan. 1990.

129
D. H. Keefe, ``Physical modeling of wind instruments,'' Computer Music Journal, vol. 16, no. 4, pp. 57-73, 1992,
special issue: Physical Modeling of Musical Instruments. Part I.

130
D. H. Keefe, ``On sound production in reed-driven wind instruments,'' Journal of the Acoustical Society of America, 1995.

131
E. Keller, Fundamentals of Speech Synthesis,
New York: John Wiley and Sons, Inc., 1994.

132
J. L. Kelly and C. C. Lochbaum, ``Speech synthesis,'' Proceedings of the Fourth International Congress on Acoustics, Copenhagen, pp. 1-4, September 1962,
Paper G42. Reprinted in [76, pp. 127-130].

133
Y. Kim, ``Log-Chebychev magnitude design of minimum-phase FIR filters via convex optimization in the cepstral domain,'' tech. rep., Elec. Engineering Dept., Stanford University (CCRMA), Mar. 1999,
EE 364 Convex Optimization Project Report.

134
Y. Kim and J. O. Smith, ``A speech feature based on bark frequency warping - the non-uniform linear prediction (nlp) cepstrum,'' in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, (New York), IEEE Press, Oct. 1999.

135
L. Kinsler, A. Frey, A. Coppens, and J. Sanders, Fundamentals of Acoustics,
New York: John Wiley and Sons, Inc., 1982.

136
D. Klatt, ``Software for a cascade/parallel formant synthesizer,'' Journal of the Acoustical Society of America, vol. 67, pp. 13-33, 1980.

137
H. Kolsky, Stress Waves in Solids,
New York: Dover, 1963.

138
A. Krishnaswamy and J. O. Smith, ``Methods for simulating string collisions with rigid spatial objects,'' in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, (New York), IEEE Press, Oct. 2003.

139
T. I. Laakso, V. Välimäki, M. Karjalainen, and U. K. Laine, ``Real-time implementation techniques for a continuously variable delay in modeling musical instruments,'' in Proceedings of the 1992 International Computer Music Conference, San Jose, pp. 140-141, Computer Music Association, 1992.

140
T. I. Laakso, V. Välimäki, M. Karjalainen, and U. K. Laine, ``Splitting the Unit Delay--Tools for Fractional Delay Filter Design,'' IEEE Signal Processing Magazine, vol. 13, pp. 30-60, Jan. 1996.

141
A. Lacroix and B. Makai, ``A novel vocoder concept based on discrete time acoustic tubes,'' Proceedings of the International Conference on Acoustics, Speech, and Signal Processing, Washington, D.C., pp. 73-76, April 2-4 1979.

142
U. K. Laine, M. Karjalainen, and T. Altosaar, ``Warped linear prediction (WLP) in speech and audio processing,'' Proceedings of the International Conference on Acoustics, Speech, and Signal Processing, Adelaide, Australia, pp. III:349-352, 1994.

143
J. Laird, P. Masri, and N. Canagarajah, ``Efficient and accurate synthesis of circular membranes using digital waveguides,'' in Proceedings of the IEE Colloquium on Audio and Music Technology, (London), pp. 12/1-12/6, Nov. 1998.

144
J. Laird, P. Masri, and N. Canagarajah, ``Modelling diffusion at the boundary of a digital waveguide mesh,'' in Proceedings of the International Computer Music Conference, (Beijing, China), Oct. 1999.

145
C. Lambourg and A. Chaigne, ``Measurements and modeling of the admittance matrix at the bridge in guitars,'' Proceedings of the Stockholm Musical Acoustics Conference (SMAC-93), pp. 448-453, July 1993.

146
J. Lane, D. Hoory, E. Martinez, and P. Wang, ``Modeling analog synthesis with dsps,'' Computer Music Journal, vol. 21, no. 4, pp. 23-41, 1997.

147
M. Laurson, C. Erkut, V. Välimäki, and M. Kuuskankare, ``Methods for Modeling Realistic Playing in Acoustic Guitar Synthesis,'' Computer Music Journal, vol. 25, no. 3, pp. 38-49, 2001,
http://lib.hut.fi/Diss/2002/isbn9512261901/article6.pdf.

148
W. R. LePage, Complex Variables and the Laplace Transform for Engineers,
New York: Dover, 1961.

149
J. Liljencrantz, Speech Synthesis with a Reflection-Type Line Analog,
PhD thesis, Speech Communications and Music Acoustics, Royal Inst. of Tech., S-100 44 Stockholm, Sweden, 1985.

150
I. Lim and B. G. Lee, ``Lossy pole-zero modeling of speech,'' IEEE Transactions on Speech and Audio Processing, vol. 4, no. 2, pp. 80-88, 1996.

151
H.-L. Lu and J. O. Smith, ``Joint estimation of vocal tract filter and glottal source waveform via convex optimization,'' in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, (New York), IEEE Press, Oct. 1999.

152
R. G. Lyons, Understanding Digital Signal Processing,
Reading MA: Addison-Wesley, 1996.

153
I. G. Main, Vibrations and Waves in Physics, Third Edition,
Cambridge University Press, 1993.

154
J. Makhoul, ``Linear prediction: A tutorial review,'' Proceedings of the IEEE, vol. 63, pp. 561-580, Apr. 1975.

155
J. D. Markel and A. H. Gray, Linear Prediction of Speech,
New York: Springer Verlag, 1976.

156
K. D. Marshall, ``Modal analysis: A primer on theory and practice,'' Catgut Acoustical Society Journal, pp. 7-17, Nov. 1986.

157
J. Martinez and J. Agullo, ``Conical bores. Part I: Reflection functions associated with discontinuities,'' Journal of the Acoustical Society of America, vol. 84, pp. 1613-1619, Nov. 1988.

158
M. Mathews and J. Kohut, ``Electronic simulation of violin resonances,'' Journal of the Acoustical Society of America, vol. 53, no. 6, pp. 1620-1626, 1973.

159
M. V. Mathews, The Technology of Computer Music,
Cambridge, MA: MIT Press, 1969.

160
M. V. Mathews and J. R. Pierce, eds., Current Directions in Computer Music Research,
Cambridge, MA: MIT Press, 1989.

161
J. H. McClellan, R. W. Schafer, and M. A. Yoder, DSP First: A Multimedia Approach,
Englewood Cliffs, NJ: Prentice-Hall, 1998,
Tk5102.M388.

162
M. E. McIntyre and J. Woodhouse, ``On the fundamentals of bowed string dynamics,'' Acustica, vol. 43, pp. 93-108, Sept. 1979.

163
M. E. McIntyre, R. T. Schumacher, and J. Woodhouse, ``Aperiodicity in bowed-string motion,'' Acustica, vol. 49, pp. 13-32, Sept. 1981.

164
M. E. McIntyre, R. T. Schumacher, and J. Woodhouse, ``On the oscillations of musical instruments,'' Journal of the Acoustical Society of America, vol. 74, pp. 1325-1345, Nov. 1983.

165
K. Meerkotter and R. Scholtz, ``Digital simulation of nonlinear circuits by wave digital filter principles,'' in IEEE Proc. ISCAS '89, (New York), pp. 720-723, IEEE Press, 1989.

166
F. R. Moore, Elements of Computer Music,
Englewood Cliffs, NJ: Prentice Hall, 1990.

167
J. A. Moorer, ``About this reverberation business,'' Computer Music Journal, vol. 3, no. 2, pp. 13-18, 1979,
reprinted in [200].

168
P. M. Morse, Vibration and Sound,
http://asa.aip.org/publications.html: American Institute of Physics, for the Acoustical Society of America, 1948,
1st edition 1936, last author's edition 1948, ASA edition 1981.

169
P. M. Morse and K. U. Ingard, Theoretical Acoustics,
New York: McGraw-Hill, 1968.

170
R. Msallam, S. Dequidt, R. Caussé, and S. Tassart, ``Physical model of the trombone including nonlinear effects. application to the sound synthesis of loud tones,'' Acta Acustica, vol. 86, pp. 725-736, 2000.

171
D. T. Murphy and D. M. Howard, ``2-D digital waveguide mesh topologies in room acoustics modelling,'' in Proceedings of the COST G-6 Conference on Digital Audio Effects (DAFx), (Verona, Italy), pp. 211-216, Dec. 2000,
http://www.dafx.de/.

172
D. T. Murphy, D. M. Howard, and A. M. Tyrrell, ``Multi-channel reverberation for computer music applications,'' in Proceedings of the IEEE Workshop on Signal Processing Systems, pp. 210-219, 1998.

173
D. T. Murphy, C. J. C. Newton, and D. M. Howard, ``Digital waveguide mesh modelling of room acoustics: Surround-sound, boundaries and plugin implementation,'' in Proceedings of the COST G-6 Conference on Digital Audio Effects (DAFx), (Limerick, Ireland), Dec. 2001,
http:

174
Z. Nehari, Conformal Mapping,
New York: Dover, 1952.

175
R. W. Newcomb, Linear Multiport Synthesis,
New York: McGraw-Hill, 1966.

176
B. Noble, Applied Linear Algebra,
Englewood Cliffs, NJ: Prentice-Hall, 1969.

177
D. Noreland, Numerical Techniques for Acoustic Modelling and Design of Brass Wind Instruments,
PhD thesis, Faculty of Science and Engineering, Uppsala Universitet, 2002.

178
A. V. Oppenheim, Discrete-Time Signal Processing,
Englewood Cliffs, NJ: Prentice-Hall, 1989.

179
A. V. Oppenheim and R. W. Schafer, Digital Signal Processing,
Englewood Cliffs, NJ: Prentice-Hall, 1975.

180
A. V. Oppenheim and A. S. with S. Hamid Nawab, Signals and Systems, 2nd Edition,
Englewood Cliffs, NJ: Prentice-Hall Signal Processing Series, 1997,
ISBN 0-13-814757-4.

181
A. V. Oppenheim, R. W. Schafer, and J. R. Buck, Discrete Time Signal Processing,
Englewood Cliffs, NJ: Prentice-Hall, 1999.

182
D. O'Shaughnessy, Speech Communication,
Reading MA: Addison-Wesley, 1987.

183
J. K. Ousterhout, Tcl and Tk Toolkit,
Reading MA: Addison-Wesley, 1994,
ISBN 0-201-63337-X.

184
B. H. Pandy, G. S. Settles, and J. D. Miller, ``Schlieren imaging of shock waves from a trumpet,'' Journal of the Acoustical Society of America, vol. 114, pp. 3363-3367, Dec. 2003.

185
T. W. Parks and C. S. Burrus, Digital Filter Design,
New York: John Wiley and Sons, Inc., June 1987,
contains FORTRAN software listings.

186
H. Penttinen and V. Välimäki, ``Time-domain approach to estimating the plucking point of guitar tones obtained with an under-saddle pickup,'' Applied Acoustics, vol. 65, pp. 1207-1220, Dec. 2004.

187
N. C. Pickering, The Bowed String,
Mattituck NY: Amereon, Ltd., 1991,
Also available from Bowed Instruments, 23 Culver Hill, Southampton, NY 11968.

188
A. D. Pierce, Acoustics,
American Institute of Physics, for the Acoustical Society of America, 1989,
http://asa.aip.org/publications.html.

189
R. Pitteroff, ``Modelling of the bowed string taking into account the width of the bow,'' in Proceedings of the Stockholm Musical Acoustics Conference (SMAC-93), (Stockholm), pp. 407-410, Royal Swedish Academy of Music, July 1993.

190
G. R. Plitnick and W. J. Strong, ``Numerical method for calculating input impedances of the oboe,'' Journal of the Acoustical Society of America, vol. 65, pp. 816-825, Mar. 1979.

191
N. Porcaro, P. Scandalis, D. Jaffe, and J. O. Smith, ``Using SynthBuilder for the creation of physical models,'' in Proceedings of the 1996 International Computer Music Conference, Hong Kong, Computer Music Association, 1996.

192
G. Putland, ``Every one-parameter acoustic field obeys webster's horn equation,'' Journal of the Audio Engineering Society, vol. 41, pp. 435-451, June 1993.

193
W. Putnam and J. O. Smith, ``Design of fractional delay filters using convex optimization,'' in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, (New York), IEEE Press, Oct. 1997,
http://ccrma.stanford.edu/~jos/resample/optfir.pdf.

194
L. R. Rabiner and B. Gold, Theory and Application of Digital Signal Processing,
Prentice-Hall, 1975.

195
L. R. Rabiner and R. W. Schafer, Digital Processing of Speech Signals,
Prentice-Hall, 1978.

196
B. R. Randall, Frequency Analysis,
Bruhl & Kjaer (B&K), 1987,
Well aimed at mechanical engineers. Available directly from B&K.

197
E. Rank and G. Kubin, ``A waveguide model for slapbass synthesis,'' in Proceedings of the International Conference on Acoustics, Speech, and Signal Processing, vol. 1, (New York), pp. 443-446, IEEE Press, 1997.

198
C. Roads, ed., The Music Machine,
Cambridge, MA: MIT Press, 1989.

199
C. Roads, The Computer Music Tutorial,
Cambridge, MA: MIT Press, 1996.

200
C. Roads and J. Strawn, eds., Foundations of Computer Music,
Cambridge, MA: MIT Press, 1985.

201
C. Roads, S. T. Pope, A. Piccialli, and G. De Poli, eds., Musical Signal Processing,
Netherlands: Swets and Zietlinger, 1997.

202
D. Rocchesso and J. O. Smith, ``Circulant feedback delay networks for sound synthesis and processing,'' in Proceedings of the 1994 International Computer Music Conference, Århus, pp. 378-381, Computer Music Association, 1995.

203
D. Rocchesso and J. O. Smith, ``Circulant and elliptic feedback delay networks for artificial reverberation,'' IEEE Transactions on Speech and Audio Processing, vol. 5, pp. 51-63, Jan. 1997,
preprint http://ccrma.stanford.edu/~jos/cfdn/.

204
X. Rodet, ``One and two mass model oscillations for voice and instruments,'' in Proceedings of the 1995 International Computer Music Conference, Banff, pp. 207-214, Computer Music Association, 1995.

205
X. Rodet, Y. Potard, and J. Barrière, ``The chant project: From the synthesis of the singing voice to synthesis in general,'' in The Music Machine (C. Roads, ed.), pp. 449-465, Cambridge, MA: MIT Press, 1989.

206
P. M. Ruiz, A Technique for Simulating the Vibrations of Strings with a Digital Computer,
PhD thesis, Music Master Diss., Univ. Ill., Urbana, 1969.

207
B. Santo, ``Volume cranked up in amp debate,'' Electronic Engineering Times, pp. 24-35, October 3, 1994,
http://www.trueaudio.com/at_eetjlm.htm.

208
L. Savioja, J. Backman, A. Järvinen, and T. Takala, ``Waveguide mesh method for low-frequency simulation of room acoustics,'' Proceedings of the 15th International Conference on Acoustics (ICA-95), Trondheim, Norway, April 4-9, pp. 637-640, June 1995.

209
L. Savioja and V. Välimäki, ``Reduction of the dispersion error in the interpolated digital waveguide mesh using frequency warping,'' in Proceedings of the International Conference on Acoustics, Speech, and Signal Processing, Phoenix, vol. 2, (New York), pp. 973-976, IEEE Press, Mar. 15-19 1999,
http://www.acoustics.hut.fi/~vpv/publications/icassp99-warp.htm.

210
L. Savioja and V. Välimäki, ``Reducing the dispersion error in the digital waveguide mesh using interpolation and frequency-warping techniques,'' IEEE Transactions on Speech and Audio Processing, pp. 184-194, Mar. 2000.

211
L. Savioja and V. Välimäki, ``Interpolated 3-D digital waveguide mesh with frequency warping,'' Proceedings of the IEEE International Conference on Acoustics, Speech, and Signal Processing, vol. 5, pp. 3345-3348, May 2001.

212
G. Scavone, ``Digital waveguide modeling of the non-linear excitation of single-reed woodwind instruments,'' in Proceedings of the 1995 International Computer Music Conference, Banff, pp. 521-524, Computer Music Association, 1995.

213
G. Scavone and P. R. Cook, ``Combined linear and non-linear prediction in calibrating models of musical instruments to recordings,'' in Proceedings of the 1994 International Computer Music Conference, Århus, pp. 433-434, Computer Music Association, 1994.

214
G. Scavone and J. O. Smith, ``Digital waveguide modeling of woodwind toneholes,'' in Proceedings of the 1997 International Computer Music Conference, Greece, Computer Music Association, 1997.

215
G. Scavone and J. O. Smith, ``Scattering parameters for the Keefe clarinet tonehole model,'' in Proceedings of the International Symposium on Musical Acoustics (ISMA-97), Edinburgh, Scotland, pp. 433-438, Aug. 1997.

216
G. P. Scavone, An Acoustic Analysis of Single-Reed Woodwind Instruments with an Emphasis on Design and Performance Issues and Digital Waveguide Modeling Techniques,
PhD thesis, CCRMA, Music Dept., Stanford University, Mar. 1997,
http://ccrma.stanford.edu/~gary/.

217
R. W. Schafer and L. R. Rabiner, ``A digital signal processing approach to interpolation,'' Proceedings of the IEEE, vol. 61, pp. 692-702, June 1973.

218
R. W. Schafer and J. D. Markel, eds., Speech Analysis,
New York: IEEE Press, 1979.

219
J. C. Schelleng, ``The violin as a circuit,'' Journal of the Acoustical Society of America, vol. 35, pp. 326-338, 1963.

220
J. C. Schelleng, ``The bowed string and the player,'' Journal of the Acoustical Society of America, vol. 53, pp. 26-41, Jan. 1973.

221
M. R. Schroeder, ``Natural-sounding artificial reverberation,'' Journal of the Audio Engineering Society, vol. 10, no. 3, pp. 219-223, 1962.

222
M. R. Schroeder, ``New method for measuring reverberation time,'' Journal of the Acoustical Society of America, vol. 37, no. 5, pp. 232-235, 1965.

223
M. R. Schroeder, ``Digital simulation of sound transmission in reverberant spaces,'' Journal of the Acoustical Society of America, vol. 47, no. 2, pp. 424-431, 1970.

224
M. R. Schroeder, ``Progress in architectural acoustics and artificial reverberation: Concert hall acoustics and number theory,'' Journal of the Acoustical Society of America, vol. 32, pp. 194-203, 1984.

225
J. Schroeter and M. M. Sondhi, ``Techniques for estimating vocal-tract shapes from the speech signal,'' IEEE Transactions on Speech and Audio Processing, vol. 2, pp. 133-150, Jan. 1994.

226
S. Serafin, J. O. Smith, and J. Woodhouse, ``An investigation of the impact of torsion waves and friction characteristics on the playability of virtual bowed strings,'' in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, (New York), IEEE Press, Oct. 1999.

227
D. B. Sharp, Acoustic Pulse Reflectometry for the Measurement of Musical Wind Instruments,
PhD thesis, Dept. of Physics and Astronomy, University of Edinburgh, 1996,
http://acoustics.open.ac.uk/pdf/thesis.pdf.

228
J. H. Smith, Stick-Slip Vibration and its Constitutive Laws,
PhD thesis, Cambridge University, 1990.

229
J. O. Smith, Techniques for Digital Filter Design and System Identification with Application to the Violin,
PhD thesis, Elec. Engineering Dept., Stanford University (CCRMA), June 1983,
CCRMA Technical Report STAN-M-14, http://ccrma.stanford.edu/STANM/STANM/stanm14/.

230
J. O. Smith, ``A new approach to digital reverberation using closed waveguide networks,'' in Proceedings of the 1985 International Computer Music Conference, Vancouver, pp. 47-53, Computer Music Association, 1985,
also available in [233].

231
J. O. Smith, ``Efficient simulation of the reed-bore and bow-string mechanisms,'' in Proceedings of the 1986 International Computer Music Conference, The Hague, pp. 275-280, Computer Music Association, 1986,
also available in [233].

232
J. O. Smith, ``Elimination of limit cycles and overflow oscillations in time-varying lattice and ladder digital filters,'' in Proceedings of the IEEE Conference on Circuits and Systems, San Jose, pp. 197-299, May 1986,
conference version; full version available in [233].

233
J. O. Smith, ``Music applications of digital waveguides,'' Tech. Rep. STAN-M-39, CCRMA, Music Department, Stanford University, 1987,
CCRMA Technical Report STAN-M-39, http://ccrma.stanford.edu/STANM/stanm39/.

234
J. O. Smith, ``Waveguide digital filters,'' in Music Applications of Digital Waveguides, CCRMA, 1987,
Part IV of [233].

235
J. O. Smith, ``Waveguide filter tutorial,'' in Proceedings of the 1987 International Computer Music Conference, Champaign-Urbana, pp. 9-16, Computer Music Association, 1987.

236
J. O. Smith, ``Viewpoints on the history of digital synthesis,'' in Proceedings of the 1991 International Computer Music Conference, Montreal, pp. 1-10, Computer Music Association, 1991,
http://ccrma.stanford.edu/~jos/kna/.

237
J. O. Smith, ``Physical modeling using digital waveguides,'' Computer Music Journal, vol. 16, no. 4, pp. 74-91, 1992,
special issue: Physical Modeling of Musical Instruments, Part I. http://ccrma.stanford.edu/~jos/pmudw/.

238
J. O. Smith, ``Efficient synthesis of stringed musical instruments,'' in Proceedings of the 1993 International Computer Music Conference, Tokyo, pp. 64-71, Computer Music Association, 1993,
incorporated into [].

239
J. O. Smith, ``Physical modeling synthesis update,'' Computer Music Journal, vol. 20, no. 2, pp. 44-56, 1996,
http://ccrma.stanford.edu/~jos/pmupd/.

240
J. O. Smith, ``Nonlinear commuted synthesis of bowed strings,'' in Proceedings of the 1997 International Computer Music Conference, Greece, Computer Music Association, 1997,
http://ccrma.stanford.edu/~jos/ncbs/.

241
J. O. Smith, ``Principles of digital waveguide models of musical instruments,'' in Applications of Digital Signal Processing to Audio and Acoustics (M. Kahrs and K. Brandenburg, eds.), pp. 417-466, Boston/Dordrecht/London: Kluwer Academic Publishers, 1998.

242
J. O. Smith, Introduction to Digital Filters with Audio Applications,
http://ccrma.stanford.edu/~jos/filters/, Sept. 2007,
online book.

243
J. O. Smith and J. S. Abel, ``Bark and ERB bilinear transforms,'' IEEE Transactions on Speech and Audio Processing, pp. 697-708, Nov. 1999.

244
J. O. Smith and P. R. Cook, ``The second-order digital waveguide oscillator,'' in Proceedings of the 1992 International Computer Music Conference, San Jose, pp. 150-153, Computer Music Association, 1992,
http://ccrma.stanford.edu/~jos/wgo/.

245
J. O. Smith and B. Friedlander, ``Adaptive interpolated time-delay estimation,'' IEEE Transactions on Aerospace and Electronic Systems, vol. 21, pp. 180-199, Mar. 1985.

246
J. O. Smith and P. Gossett, ``A flexible sampling-rate conversion method,'' in Proceedings of the International Conference on Acoustics, Speech, and Signal Processing, San Diego, vol. 2, (New York), pp. 19.4.1-19.4.2, IEEE Press, Mar. 1984,
expanded tutorial and associated free software available at the Digital Audio Resampling Home Page: http://ccrma.stanford.edu/~jos/resample/.

247
J. O. Smith and D. Rocchesso, ``Connections between feedback delay networks and waveguide networks for digital reverberation,'' in Proceedings of the 1994 International Computer Music Conference, Århus, pp. 376-377, Computer Music Association, 1995.

248
J. O. Smith and G. Scavone, ``The one-filter Keefe clarinet tonehole,'' in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, (New York), IEEE Press, Oct. 1997.

249
J. O. Smith and S. A. Van Duyne, ``Commuted piano synthesis,'' in Proceedings of the 1995 International Computer Music Conference, Banff, pp. 319-326, Computer Music Association, 1995,
http://ccrma.stanford.edu/~jos/pdf/svd95.pdf.

250
J. O. Smith, D. A. Jaffe, and L. Boynton, ``Music system architecture on the NeXT computer,'' The Proceedings of the AES 7th International Conference: Audio in Digital Times, pp. 301-312, May 14-17 1989.

251
T. Smyth and J. O. Smith, ``Creating sustained tones with the cicada's rapid sequential buckling mechanism,'' in Proceedings of the 2002 Conference on New Instruments for Musical Expression (NIME-02), Dublin, Ireland, pp. 112-115, May 24-26, 2002.

252
T. Smyth and J. O. Smith, ``A musical controller inspired by the cicada's efficient buckling mechanism,'' Journal of New Music Research, vol. 32, pp. 361-368, Dec. 2003.

253
M. M. Sondhi and J. Schroeter, ``A hybrid time-frequency domain articulatory speech synthesizer,'' IEEE Transactions on Acoustics, Speech, Signal Processing, vol. ASSP-35, pp. 955-967, July 1987.

254
A. S. Spanias, ``Speech coding: A tutorial review,'' Proceedings of the IEEE, vol. 82, Oct. 1994.

255
J. Stautner and M. Puckette, ``Designing multichannel reverberators,'' Computer Music Journal, vol. 6, no. 1, pp. 52-65, 1982.

256
K. Steiglitz, An Introduction to Discrete Systems,
New York: John Wiley and Sons, Inc., 1974.

257
K. Steiglitz, A Digital Signal Processing Primer with Applications to Audio and Computer Music,
Reading MA: Addison-Wesley, 1996.

258
T. Stilson and J. O. Smith, ``Alias-free synthesis of classic analog waveforms,'' in Proceedings of the 1996 International Computer Music Conference, Hong Kong, pp. 332-335, Computer Music Association, 1996,
http://ccrma.stanford.edu/~stilti/.

259
T. Stilson and J. O. Smith, ``Analyzing the Moog VCF with considerations for digital implementation,'' in Proceedings of the 1996 International Computer Music Conference, Hong Kong, Computer Music Association, 1996,
http://ccrma.stanford.edu/~stilti/.

260
J. Strawn, ed., Digital Audio Signal Processing: An Anthology,
Los Altos, California: William Kaufmann, Inc., 1985.

261
J. C. Strikwerda, Finite Difference Schemes and Partial Differential Equations,
Pacific Grove, CA: Wadsworth and Brooks, 1989.

262
W. J. Strong and D. C. Copley, ``Trombone synthesis using measured lip openings,'' in Proceedings of the Institute of Acoustics, vol. 19(5), pp. 439-444, 1997.

263
H. W. Strube, ``Linear prediction on a warped frequency scale,'' Journal of the Acoustical Society of America, vol. 68, no. 4, pp. 1071-1076, 1980.

264
H. W. Strube, ``Time-varying wave digital filters for modeling analog systems,'' IEEE Transactions on Acoustics, Speech, Signal Processing, vol. 30, no. 6, pp. 864-868, 1982.

265
R. D. Strum and D. E. Kirk, First Principles of Discrete Systems and Digital Signal Processing,
Reading MA: Addison-Wesley, 1988.

266
A. Stulov, ``Hysteretic model of the grand piano hammer felt,'' Journal of the Acoustical Society of America, vol. 97, pp. 2577-2585, Apr. 1995.

267
C. R. Sullivan, ``Extending the Karplus-Strong algorithm to synthesize electric guitar timbres with distortion and feedback,'' Computer Music Journal, vol. 14, no. 3, pp. 26-37, 1990.

268
J. Sundberg, ``Synthesis of singing by rule,'' in Current Directions in Computer Music Research (M. V. Mathews and J. R. Pierce, eds.), pp. 45-55, Cambridge, MA: MIT Press, 1989.

269
J. Sundberg, ``Synthesizing singing,'' in Representations of Musical Signals (G. De Poli, A. Picialli, and C. Roads, eds.), pp. 299-320, Cambridge, MA: MIT Press, 1991.

270
H. Suzuki, ``Model analysis of a hammer-string interaction,'' Journal of the Acoustical Society of America, vol. 82, pp. 1145-1151, Oct. 1987.

271
T. Tolonen, V. Välimäki, and M. Karjalainen, ``Evaluation of modern synthesis methods,'' Tech. Rep. 48, Laboratory of Acoustics and Audio Signal Processing, Dept. of Electrical and Communications Engineering, Helsinki University of Technology, Mar. 1998,
downloadable from http://www.acoustics.hut.fi/~ttolonen/sound_synth_report.html.

272
T. Tolonen, V. Välimäki, and M. Karjalainen, ``Modeling of tension modulation nonlinearity in plucked strings,'' IEEE Transactions on Speech and Audio Processing, vol. SAP-8, pp. 300-310, May 2000.

273
C. Traube and J. O. Smith, ``Estimating the plucking point on a guitar string,'' in Proceedings of the International Conference on Digital Audio Effects (DAFx-00), Verona, Italy, Dec. 2000,
http://www.dafx.de/.

274
C. Traube and J. O. Smith, ``Estimating the fingering and the plucking points on a guitar string from a recording,'' in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, (New York), IEEE Press, Oct. 2001.

275
L. Trautmann, B. Bank, V. Välimäki, and R. Rabenstein, ``Combining Digital Waveguide and Functional Transformation Methods for Physical Modeling of Musical Instruments,'' in the AES 22nd International Conference on Virtual, Synthetic and Entertainment Audio, (Espoo, Finland), pp. 307-316, June 15-17 2002.

276
M. Unser, ``Splines: A perfect fit for signal and image processing,'' IEEE Signal Processing Magazine, vol. 16, pp. 22-38, Nov. 1999.

277
V. Välimäki, M. Laurson, and C. Erkut, ``Commuted waveguide synthesis of the clavichord,'' Computer Music Journal, vol. 27, pp. 71-82, Spring 2003.

278
V. Välimäki, Discrete-Time Modeling of Acoustic Tubes Using Fractional Delay Filters,
PhD thesis, Report no. 37, Helsinki University of Technology, Faculty of Electrical Engineering, Laboratory of Acoustic and Audio Signal Processing, Espoo, Finland, Dec. 1995,
http://www.acoustics.hut.fi/~ vpv/publications/vesa_phd.html.

279
V. Välimäki and M. Karjalainen, ``Digital waveguide modeling of wind instrument bores constructed of truncated cones,'' in Proceedings of the 1994 International Computer Music Conference, Århus, pp. 423-430, Computer Music Association, 1994.

280
V. Välimäki and M. Karjalainen, ``Improving the Kelly-Lochbaum vocal tract model using conical tube sections and fractional delay filtering techniques,'' in Proc. 1994 International Conference on Spoken Language Processing (ICSLP-94), vol. 2, (Yokohama, Japan), pp. 615-618, IEEE Press, Sept. 18-22 1994.

281
V. Välimäki and T. Tolonen, ``Development and calibration of a guitar synthesizer,'' Journal of the Audio Engineering Society, vol. 46, Sept. 1998,
Proceedings of the 103rd Convention of the Audio Engineering Society, New York, Sept. 1997.

282
V. Välimäki, M. Karjalainen, and T. I. Laakso, ``Modeling of woodwind bores with finger holes,'' in Proceedings of the 1993 International Computer Music Conference, Tokyo, pp. 32-39, Computer Music Association, 1993.

283
V. Välimäki, J. Huopaniemi, M. Karjalainen, and Z. Jánosy, ``Physical modeling of plucked string instruments with application to real-time sound synthesis,'' Journal of the Audio Engineering Society, vol. 44, pp. 331-353, May 1996.

284
V. Välimäki, T. Tolonen, and M. Karjalainen, ``Signal-dependent nonlinearities for physical models using time-varying fractional delay filters,'' in Proceedings of the 1998 International Computer Music Conference, Michigan, pp. 264-267, Computer Music Association, 1998.

285
S. A. Van Duyne and J. O. Smith, ``Physical modeling with the 2-D digital waveguide mesh,'' in Proceedings of the 1993 International Computer Music Conference, Tokyo, pp. 40-47, Computer Music Association, 1993,
http://ccrma.stanford.edu/~jos/pdf/mesh.pdf.

286
S. A. Van Duyne and J. O. Smith, ``A simplified approach to modeling dispersion caused by stiffness in strings and plates,'' in Proceedings of the 1994 International Computer Music Conference, Århus, pp. 407-410, Computer Music Association, 1994.

287
S. A. Van Duyne and J. O. Smith, ``Developments for the commuted piano,'' in Proceedings of the 1995 International Computer Music Conference, Banff, pp. 335-343, Computer Music Association, 1995,
http://ccrma.stanford.edu/~jos/pdf/vds95.pdf.

288
S. A. Van Duyne and J. O. Smith, ``The 3D tetrahedral digital waveguide mesh with musical applications,'' in Proceedings of the 1996 International Computer Music Conference, Hong Kong, Computer Music Association, 1996.

289
S. A. Van Duyne, J. R. Pierce, and J. O. Smith, ``Traveling-wave implementation of a lossless mode-coupling filter and the wave digital hammer,'' in Proceedings of the 1994 International Computer Music Conference, Århus, pp. 411-418, Computer Music Association, 1994,
Also presented at the conference of the Acoustical Society of America, Nov., 1994.

290
M. E. Van Valkenburg, Introduction to Modern Network Synthesis,
New York: John Wiley and Sons, Inc., 1960.

291
M. van Walstijn and V. Välimäki, ``Digital waveguide modeling of flared acoustical tubes,'' in Proceedings of the 1997 International Computer Music Conference, Greece, (Thessaloniki, Greece), pp. 196-199, Computer Music Association, 1997.

292
M. O. van Walstijn, Discrete-Time Modelling of Brass and Reed woodwind Instruments with Application to Musical Sound Synthesis,
PhD thesis, Department of Physics and Astronomy, University of Edinburgh, 2002,
http://www.ph.ed.ac.uk/ maarten/.

293
B. L. Vercoe, W. G. Gardner, and E. D. Scheirer, ``Structured audio: Creation, transmission, and rendering of parametric sound representations,'' Proceedings of the IEEE, vol. 86, pp. 922-932, May 1998.

294
M. P. Verge, ``Jet oscillations and Jet drive in recorder-like instruments,'' Acta Acustica 2, pp. 403-419, 1994.

295
M. P. Verge and A. Hirschberg, ``Turbulence noise in flue instruments,'' in Proceedings of the International Symposium on Musical Acoustics (ISMA-95), Dourdan, France, (France), pp. 93-99, Société Français d'Acoustique, July 1995.

296
C. Vergez and X. Rodet, ``Model of the trumpet functioning: Real time simulation and experiments with an artificial mouth,'' in Proceedings of the International Symposium on Musical Acoustics (ISMA-97), Edinburgh, Scotland, pp. 425-432, Aug. 1997.

297
C. Vergez and X. Rodet, ``Comparison of real trumpet playing, latex model of lips and computer model,'' Proceedings of the 1997 International Computer Music Conference, Greece, 1997.

298
C. Vergez and X. Rodet, ``Experiments with an artificial mouth for trumpet,'' Proceedings of the International Symposium on Musical Acoustics (ISMA-98), Leavenworth, Washington, 1998.

299
C. Vergez and X. Rodet, ``Dynamic systems and physical models of trumpet-like instruments analytical study and asymptotical properties,'' Acta Acustica, 2000.

300
C. Vergez and X. Rodet, ``New algorithm for nonlinear propagation of a sound wave application to a physical model of a trumpet,'' Journal of Signal Processing, 2000.

301
H. L. F. von Helmholtz, On the Sensations of Tone as a Physiological Basis for the Theory of Music,
New York: Dover, 1954,
English translation of 1863 (German) edition.

302
A. Wang, ``Instantaneous and frequency-warped techniques for source separation and signal parametrization,'' in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, (New York), IEEE Press, Oct. 1995.

303
A. Wang and J. O. Smith, ``On fast FIR filters implemented as tail-canceling IIR filters,'' IEEE Transactions on Signal Processing, vol. 45, pp. 1415-1427, June 1997.

304
A. Wang and J. O. Smith, ``Some properties of tail-canceling IIR filters,'' in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, (New York), IEEE Press, Oct. 1997.

305
A. Watzky, ``On the transverse-axial mode coupling in the non-linear vibration of strings,'' in Proceedings of the International Symposium on Musical Acoustics (ISMA-95), Dourdan, France, (France), pp. 190-195, Société Français d'Acoustique, July 1995.

306
J. Wawrzynek, C. Mead, T. Lin, H. Liu, and L. Dyer, ``A VLSI approach to sound synthesis,'' in Proceedings of the 1984 International Computer Music Conference, Paris, pp. 53-64, Computer Music Association, 1984.

307
G. Weinreich, ``Coupled piano strings,'' Journal of the Acoustical Society of America, vol. 62, pp. 1474-1484, Dec 1977,
see also [14] and Scientific American, vol. 240, p. 94, 1979.

308
D. Wessel and M. Wright, ``Problems and prospects for intimate musical control of computers,'' in CHI-2001 Workshop on New Instruments for Musical Expression (NIME-01), Seattle, Washington, April 1 and 2 2001,
http://hct.ece.ubc.ca/nime/2001/program.html.

309
A. P. Wijnands and A. Hirschberg, ``Effect of a pipe neck downstream of a double reed,'' in Proceedings of the International Symposium on Musical Acoustics (ISMA-95), Dourdan, France, (France), pp. 149-152, Société Français d'Acoustique, July 1995.

310
J. Woodhouse, ``Bowed string simulation using a thermal friction model,'' Acta Acustica united with Acustica, vol. 89, pp. 355-368, 2003.

311
S. Yoshikawa, ``Acoustic behavior of brass player's lips,'' Journal of the Acoustical Society of America, vol. 97, pp. 1929-1939, Mar. 1995.

312
L. A. Zadeh and C. A. Desoer, Linear System Theory: The State Space Approach,
New York: McGraw-Hill, 1963,
reprinted by Krieger, 1979.


Next  |  Prev  |  Top  |  JOS Index  |  JOS Pubs  |  JOS Home  |  Search

Download refs420.pdf
[Comment on this page via email]

``Music 420 References'', by Julius O. Smith III, (From Course Handouts, Music 420).
Copyright © 2011-01-06 by Julius O. Smith III
Center for Computer Research in Music and Acoustics (CCRMA),   Stanford University
CCRMA