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Archival documents
...by key organizations
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IRCAM |
1974 | Draft proposal to establish CCRMA |
1974 | Draft proposal to establish CCRMA |
23-Aug-1974 | Letter from Stanford music Chair about IRCAM/CCRMA collaboration |
23-Oct-1974 | Letter to Stanford music Chair about IRCAM/CCRMA collaboration |
12-Jan-1975 | Oakland Tribune article about IRCAM/CCRMA collaboration |
6-Aug-1975 | Stanford Campus Report article about NSF/NEA funding |
8-Aug-1975 | Newspaper article about IRCAM/CCRMA collaboration |
8-Aug-1975 | NY Times article on computer music and Boulez visit to Stanford |
9-Aug-1975 | San Francisco Chronicle article about IRCAM/CCRMA collaboration |
Aug-1975 | Palo Alto Times article on CCRMA and Boulez visit to Stanford |
12-Feb-1976 | Rolling Stone article on CCRMA |
27-Feb-1977 | NY Times article on IRCAM and Chowning |
30-Oct-1977 | Computer Music Conference schedule |
15-Nov-1977 | Draft of manual for Music 10 |
6-Mar-1978 | NSF grant reviews, "Experiments in timbre perception" |
12 par 1979 | Letter from Hiro Kato (Yamaha) to John Chowning re: FM product development |
23-Apr-1979 | Letter to Tony Meier from Chowning to request fundraising advice/ideas |
24-Apr-1979 | Letter from Chowning to Gordon Bell re: AI "divorce" and fundraising |
18-Jun-1979 | Letter from Yamaha to Chowning re: visit logistics and plans |
20-Jun-1979 | Patent validity opinion and cover letter |
3-Jul-1979 | Letter to Lewis Branscomb (IBM) to solicit support and advice |
3-Jul-1979 | Letter to Sloan Foundation from Chowning to solicit support and advice |
16-Jul-1979 | Letter from Lewis Branscomb (IBM) in response to Chowning solicitation |
16-Aug-1979 | Letter from Patte Wood to John Chowning re: logistics following AI "split" |
16-Sep-1979 | Memo re: plan for funding system for CCRMA |
17-Sep-1979 | Letter to Paul Hertelendy from Chowning to request introductions to donors |
12-Nov-1979 | Palo Alto Times article about CCRMA |
24-Nov-1979 | NEA grant application for CCRMA summer workshops |
Dec-1979 | UCSD Center for Music Experiment newsletter |
4-Jan-1980 | Letter from Chowning to Pierre Boulez to request letters of support to foundations |
22-Jan-1980 | Letter from Pierre Boulez to Chowning in reponse to request for letters of support |
29-Jan-1980 | Letter from Jerome Foundation to Pierre Boulez in response to Chowning solicitation |
21-Apr-1980 | Memo from John Chowning re: funding problems for CCRMA |
30-Jul-1980 | Notes for Boston Symphony project on CCRMA's growth, support and compositions |
Aug-1980 | Computer Music Association newsletter |
4-Dec-1980 | Funding proposal to Rockefeller Foundation |
Jan-1981 | Computer Music Association newsletter |
1982 | CCRMA roster (faculty, staff, students, visitors and consultants) |
2-Aug-1982 | Newsweek article about electronic music |
Oct-1982 | Stanford Department of Music news supplement article on CCRMA |
1983 | Curtis Roads interview of John Chowning |
16-Mar-1983 | Stanford Campus report article on CCRMA |
23-Apr-1983 | Letter and memo from John Pierce to SDF re: observations of CCRMA |
26-May-1983 | MIT, Stanford, and UCSD joint proposal for computer music research |
Jan-1984 | Stanford Department of Music newsletter article on NEA grants |
1-Mar-1984 | NEA grant application supplement |
12-Nov-1984 | Fundraising letter from John Chowning to Louise Davies |
10-Dec-1984 | Letter to Yamaha regarding relationships with other Japanese companies |
1985 | YLEM Journal interview of John Chowning |
4-Feb-1985 | Letter from Chowning to Sherrill Milnes (Metropolitan Opera) re: singing voice project |
4-Feb-1985 | Letter from Chowning to Sherrill Milnes (Metropolitan Opera) re: singing voice project |
11-Mar-1985 | Memo from Chowning to Patte Wood re: administrative details |
14-Jun-1985 | Letter from the Leakey Foundation regarding Gordon Getty |
4-Sep-1985 | Letter from Yamaha to Chowning re: request for equipment |
11-Sep-1985 | Letter from Chowning to Yamaha to request equipment for digital recording studio |
12-Nov-1985 | Email from Chowning to Yamaha re: "X" series impact and planned composition |
11-Dec-1985 | Office memo regarding Gordon Getty visit |
13-Dec-1985 | Letter to David Bristow re: visiting lecturer invitation |
1986 | NSF grant reviews "Intelligent Analysis of Composite Acoustic Signals" |
5-Feb-1986 | Cover memo and letter to Gordon Getty from John Chowning |
4-Mar-1986 | Letter from Patte Wood to David Bristow re: housing arrangements for visit |
12-Oct-1986 | Robot Ballet overview, biographies, budget and press coverage |
1987 | Keyboard Magazine article about CCRMA |
Dec-1987 | Keyboard magazine article on CCRMA |
9-Dec-1987 | Letter to Barry Truax regarding Benchmark CD project (SDF) |
27-Jun-1988 | Vision statement for CCRMA for internal planning purposes |
19-Sep-1988 | Letter from John Chowning to Yohei Nagai re: music technology conference |
15-May-1989 | Letter from Gordon Bell to John Chowning regarding Titan |
29-Oct-1993 | Music department vision statement |
26-Sep-1994 | Letter from John Chowning to IRCAM re: return of Ariel board and faculty appointments |
1995 | Stanford OTL newsletter article on Max Mathews and the radio baton |
1-Apr-2000 | Electronic Musician article on computers and analog synthesizers |
no date | List of compositions/works realized at CCRMA since 1968 |
no date | Good Sound Foundation biography and CV for Loren Rush |
no date | Funding proposal to catalog CCRMA recordings and publications |
no date | Letter from Chowning re: housing arrangements for visitors |
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This archive is maintained by Andrew Nelson. Please email updates and corrections to aj (at) ccrma.stanford.edu. Please note that archival materials are intended for non-commercial purposes and may be protected by copyright laws that prohibit further duplication or distribution.
These documents stem largely from the personal collections of various CCRMA-lites. The Special Collections at the Stanford University Libraries (SUL) contain 40 linear feet of additional archival materials. For contents and access, please see the SUL catalog entry and the Online Archive of California collection guide.
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