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202

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203

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204

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205

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209

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212

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214

G. Scavone and J. O. Smith, ``Digital waveguide modeling of woodwind toneholes,'' in Proceedings of the 1997 International Computer Music Conference, Greece, Computer Music Association, 1997.

215

G. Scavone and J. O. Smith, ``Scattering parameters for the Keefe clarinet tonehole model,'' in Proceedings of the International Symposium on Musical Acoustics (ISMA-97), Edinburgh, Scotland, pp. 433-438, Aug. 1997.

216

G. P. Scavone, An Acoustic Analysis of Single-Reed Woodwind Instruments with an Emphasis on Design and Performance Issues and Digital Waveguide Modeling Techniques,
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226

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230

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236

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237

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238

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242

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243

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244

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245

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246

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247

J. O. Smith and D. Rocchesso, ``Connections between feedback delay networks and waveguide networks for digital reverberation,'' in Proceedings of the 1994 International Computer Music Conference, Århus, pp. 376-377, Computer Music Association, 1995.

248

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249

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250

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251

T. Smyth and J. O. Smith, ``Creating sustained tones with the cicada's rapid sequential buckling mechanism,'' in Proceedings of the 2002 Conference on New Instruments for Musical Expression (NIME-02), Dublin, Ireland, pp. 112-115, May 24-26, 2002.

252

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253

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254

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255

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256

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257

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258

T. Stilson and J. O. Smith, ``Alias-free synthesis of classic analog waveforms,'' in Proceedings of the 1996 International Computer Music Conference, Hong Kong, pp. 332-335, Computer Music Association, 1996,
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259

T. Stilson and J. O. Smith, ``Analyzing the Moog VCF with considerations for digital implementation,'' in Proceedings of the 1996 International Computer Music Conference, Hong Kong, Computer Music Association, 1996,
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260

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261

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262

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263

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264

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265

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266

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267

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268

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269

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270

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271

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272

T. Tolonen, V. Välimäki, and M. Karjalainen, ``Modeling of tension modulation nonlinearity in plucked strings,'' IEEE Transactions on Speech and Audio Processing, vol. SAP-8, pp. 300-310, May 2000.

273

C. Traube and J. O. Smith, ``Estimating the plucking point on a guitar string,'' in Proceedings of the International Conference on Digital Audio Effects (DAFx-00), Verona, Italy, Dec. 2000,
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274

C. Traube and J. O. Smith, ``Estimating the fingering and the plucking points on a guitar string from a recording,'' in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, (New York), IEEE Press, Oct. 2001.

275

L. Trautmann, B. Bank, V. Välimäki, and R. Rabenstein, ``Combining Digital Waveguide and Functional Transformation Methods for Physical Modeling of Musical Instruments,'' in the AES 22nd International Conference on Virtual, Synthetic and Entertainment Audio, (Espoo, Finland), pp. 307-316, June 15-17 2002.

276

M. Unser, ``Splines: A perfect fit for signal and image processing,'' IEEE Signal Processing Magazine, vol. 16, pp. 22-38, Nov. 1999.

277

V. Välimäki, M. Laurson, and C. Erkut, ``Commuted waveguide synthesis of the clavichord,'' Computer Music Journal, vol. 27, pp. 71-82, Spring 2003.

278

V. Välimäki, Discrete-Time Modeling of Acoustic Tubes Using Fractional Delay Filters,
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279

V. Välimäki and M. Karjalainen, ``Digital waveguide modeling of wind instrument bores constructed of truncated cones,'' in Proceedings of the 1994 International Computer Music Conference, Århus, pp. 423-430, Computer Music Association, 1994.

280

V. Välimäki and M. Karjalainen, ``Improving the Kelly-Lochbaum vocal tract model using conical tube sections and fractional delay filtering techniques,'' in Proc. 1994 International Conference on Spoken Language Processing (ICSLP-94), vol. 2, (Yokohama, Japan), pp. 615-618, IEEE Press, Sept. 18-22 1994.

281

V. Välimäki and T. Tolonen, ``Development and calibration of a guitar synthesizer,'' Journal of the Audio Engineering Society, vol. 46, Sept. 1998,
Proceedings of the 103rd Convention of the Audio Engineering Society, New York, Sept. 1997.

282

V. Välimäki, M. Karjalainen, and T. I. Laakso, ``Modeling of woodwind bores with finger holes,'' in Proceedings of the 1993 International Computer Music Conference, Tokyo, pp. 32-39, Computer Music Association, 1993.

283

V. Välimäki, J. Huopaniemi, M. Karjalainen, and Z. Jánosy, ``Physical modeling of plucked string instruments with application to real-time sound synthesis,'' Journal of the Audio Engineering Society, vol. 44, pp. 331-353, May 1996.

284

V. Välimäki, T. Tolonen, and M. Karjalainen, ``Signal-dependent nonlinearities for physical models using time-varying fractional delay filters,'' in Proceedings of the 1998 International Computer Music Conference, Michigan, pp. 264-267, Computer Music Association, 1998.

285

S. A. Van Duyne and J. O. Smith, ``Physical modeling with the 2-D digital waveguide mesh,'' in Proceedings of the 1993 International Computer Music Conference, Tokyo, pp. 40-47, Computer Music Association, 1993,
http://ccrma.stanford.edu/~jos/pdf/mesh.pdf.

286

S. A. Van Duyne and J. O. Smith, ``A simplified approach to modeling dispersion caused by stiffness in strings and plates,'' in Proceedings of the 1994 International Computer Music Conference, Århus, pp. 407-410, Computer Music Association, 1994.

287

S. A. Van Duyne and J. O. Smith, ``Developments for the commuted piano,'' in Proceedings of the 1995 International Computer Music Conference, Banff, pp. 335-343, Computer Music Association, 1995,
http://ccrma.stanford.edu/~jos/pdf/vds95.pdf.

288

S. A. Van Duyne and J. O. Smith, ``The 3D tetrahedral digital waveguide mesh with musical applications,'' in Proceedings of the 1996 International Computer Music Conference, Hong Kong, Computer Music Association, 1996.

289

S. A. Van Duyne, J. R. Pierce, and J. O. Smith, ``Traveling-wave implementation of a lossless mode-coupling filter and the wave digital hammer,'' in Proceedings of the 1994 International Computer Music Conference, Århus, pp. 411-418, Computer Music Association, 1994,
Also presented at the conference of the Acoustical Society of America, Nov., 1994.

290

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291

M. van Walstijn and V. Välimäki, ``Digital waveguide modeling of flared acoustical tubes,'' in Proceedings of the 1997 International Computer Music Conference, Greece, (Thessaloniki, Greece), pp. 196-199, Computer Music Association, 1997.

292

M. O. van Walstijn, Discrete-Time Modelling of Brass and Reed woodwind Instruments with Application to Musical Sound Synthesis,
PhD thesis, Department of Physics and Astronomy, University of Edinburgh, 2002,
http://www.ph.ed.ac.uk/ maarten/.

293

B. L. Vercoe, W. G. Gardner, and E. D. Scheirer, ``Structured audio: Creation, transmission, and rendering of parametric sound representations,'' Proceedings of the IEEE, vol. 86, pp. 922-932, May 1998.

294

M. P. Verge, ``Jet oscillations and Jet drive in recorder-like instruments,'' Acta Acustica 2, pp. 403-419, 1994.

295

M. P. Verge and A. Hirschberg, ``Turbulence noise in flue instruments,'' in Proceedings of the International Symposium on Musical Acoustics (ISMA-95), Dourdan, France, (France), pp. 93-99, Société Français d'Acoustique, July 1995.

296

C. Vergez and X. Rodet, ``Model of the trumpet functioning: Real time simulation and experiments with an artificial mouth,'' in Proceedings of the International Symposium on Musical Acoustics (ISMA-97), Edinburgh, Scotland, pp. 425-432, Aug. 1997.

297

C. Vergez and X. Rodet, ``Comparison of real trumpet playing, latex model of lips and computer model,'' Proceedings of the 1997 International Computer Music Conference, Greece, 1997.

298

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299

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300

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301

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302

A. Wang, ``Instantaneous and frequency-warped techniques for source separation and signal parametrization,'' in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, (New York), IEEE Press, Oct. 1995.

303

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304

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305

A. Watzky, ``On the transverse-axial mode coupling in the non-linear vibration of strings,'' in Proceedings of the International Symposium on Musical Acoustics (ISMA-95), Dourdan, France, (France), pp. 190-195, Société Français d'Acoustique, July 1995.

306

J. Wawrzynek, C. Mead, T. Lin, H. Liu, and L. Dyer, ``A VLSI approach to sound synthesis,'' in Proceedings of the 1984 International Computer Music Conference, Paris, pp. 53-64, Computer Music Association, 1984.

307

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308

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309

A. P. Wijnands and A. Hirschberg, ``Effect of a pipe neck downstream of a double reed,'' in Proceedings of the International Symposium on Musical Acoustics (ISMA-95), Dourdan, France, (France), pp. 149-152, Société Français d'Acoustique, July 1995.

310

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311

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312

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