Next  |  Prev  |  Up  |  Top  |  Index  |  JOS Index  |  JOS Pubs  |  JOS Home  |  Search

FBS Fixed Modifications

Consider applying a fixed (time-invariant) filter $ H(\omega_k)$ to each $ X_m(\omega_k)$ before resynthesizing the signal:

$\displaystyle Y_m(\omega_k) = X_m(\omega_k)H(\omega_k)$ (10.28)

where, $ H(\omega_k)$ is the sampled frequency response of a filter with impulse response

$\displaystyle h(n) = \frac{1}{N} \sum_{k=0}^{N-1} H(\omega_k) e^{j\omega_kn}, \quad n=0,\ldots,N-1$ (10.29)

Let's examine the result this has on the signal in the time domain:

\begin{eqnarray*}
y(m) &=& \frac{1}{N} \sum_{k=0}^{N-1} Y_m(\omega_k) e^{j\omega_k m} \\
&=& \frac{1}{N} \sum_{k=0}^{N-1} X_m(\omega_k)H(\omega_k) e^{j\omega_k m} \\
&=& \frac{1}{N} \sum_{k=0}^{N-1} \left\{ \sum_{n=-\infty}^\infty x(n)w(n-m)e^{-j\omega_kn} \right\} H(\omega_k) e^{j\omega_k m} \\
&=& \frac{1}{N} \sum_{n=-\infty}^\infty x(n)w(n-m) \sum_{k=0}^{N-1} H(\omega_k) e^{j\omega_k(m-n)} \\
&=& \sum_{n=-\infty}^\infty x(n) [ w(n-m) h(m-n)] \\
&=& \sum_{n=-\infty}^\infty x(n) [\tilde{w}(m-n)h(m-n)] \\
&=& (x*[\tilde{w} \cdot h])(m) \\
\end{eqnarray*}

We see that the result is $ x$ convolved with a windowed version of the impulse response $ h$ . This is in contrast to the OLA technique where the result gave us a windowed $ x$ filtered by $ h$ without the window having any effect on the filter, provided it obeys the COLA constraint and sufficient zero padding is used to avoid time aliasing.

In other words, FBS gives

$\displaystyle y = x * [\tilde{w} \cdot h] \;\longleftrightarrow\;X \cdot [{\tilde W}\ast H]$ (10.30)

while OLA gives (for $ R=1$ )

$\displaystyle y = x * [W(0)\cdot h] \;\longleftrightarrow\;X \cdot [W(0)\cdot H]$ (10.31)

For these reasons, FFT implementations of FIR filters normally use the Overlap-Add method.


Next  |  Prev  |  Up  |  Top  |  Index  |  JOS Index  |  JOS Pubs  |  JOS Home  |  Search

[How to cite this work]  [Order a printed hardcopy]  [Comment on this page via email]

``Spectral Audio Signal Processing'', by Julius O. Smith III, W3K Publishing, 2011, ISBN 978-0-9745607-3-1.
Copyright © 2022-02-28 by Julius O. Smith III
Center for Computer Research in Music and Acoustics (CCRMA),   Stanford University
CCRMA