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Classic Analog Phase Shifters

Setting $ s=j\omega$ in Eq. (3.4) gives the frequency response of the analog-phaser transfer function to be

$\displaystyle H_a(j\omega) = \frac{j\omega-\omega_b}{j\omega+\omega_b}.
$

The phase response is readily found to be

$\displaystyle \Theta_i(\omega) = \pi - 2\tan^{-1}\left(\frac{\omega}{\omega_b}\right).
$

Note that the phase is always $ \pi$ at dc ($ \omega=0$), meaning each allpass section inverts at dc. Also, at $ \omega=\infty$ (remember we're talking about analog here), we get a phase of zero. In between, the phase falls from $ \pi$ to 0 as frequency goes from 0 to $ \infty$. In particular, at $ \omega=\omega_b$, the phase has fallen exactly half way, to $ \pi/2$. We will call $ \omega=\omega_b$ the break frequency of the allpass section.4.6

Figure 3.11a shows the phase responses of four first-order analog allpass filters with $ \omega_b$ set to $ 2\pi[100,200,400,800]$. Figure 3.11b shows the resulting normalized amplitude response for the phaser, for $ g=1$ (unity feedfoward gain). The amplitude response has also been normalized by dividing by 2 so that the maximum gain is 1. Since there is an even number (four) of allpass sections, the gain at dc is $ 1+(-1)(-1)(-1)(-1) = 1$. Put another way, the initial phase of each allpass section at dc is $ \pi$, so that the total allpass-chain phase at dc is $ 4\pi$. As frequency increases, the phase of the allpass chain decreases. When it comes down to $ 3\pi$, the net effect is a sign inversion by the allpass chain, and the phaser has a notch. There will be another notch when the phase falls down to $ \pi$. Thus, four allpass sections give two notches. For each notch in the desired response we must add two new allpass sections.

Figure 3.11: (a) Phase reponses of first-order analog allpass sections with break frequencies at 100, 200, 400, and 800 Hz. (b) Corresponding phaser amplitude response.
\includegraphics[width=\twidth]{eps/phaser1a}

From Fig. 3.11b, we observe that the first notch is near $ f=100$ Hz. This happens to be the frequency at which the first allpass pole ``breaks,'' i.e., $ \omega=g_1$. Since the phase of a first-order allpass section at its break frequency is $ \pi/2$, the sum of the other three sections must be approximately $ 2\pi + \pi/2$. Equivalently, since the first section has ``given up'' $ \pi/2$ radians of phase at $ \omega=g_1=2\pi100$, the other three allpass sections combined have given up $ \pi/2$ radians as well (with the second section having given up more than the other two).

In practical operation, the break frequencies must change dynamically, usually periodically at some rate.


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[How to cite and copy this work] 
``Physical Audio Signal Processing for Virtual Musical Instruments and Digital Audio Effects'', by Julius O. Smith III, (December 2005 Edition).
Copyright © 2006-07-01 by Julius O. Smith III
Center for Computer Research in Music and Acoustics (CCRMA),   Stanford University
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