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The Damped Plucked String

Without damping, the ideal plucked string sounds more like a cheap electronic organ than a string because the sound is perfectly periodic and never decays. Static spectra are very boring to the ear. The discrete Fourier transform (DFT) of the initial ``string loop'' contents gives the Fourier series coefficients for the periodic tone produced.

The simplest change to the ideal wave equation of Eq.$ \,$ (6.1) that provides damping is to add a term proportional to velocity:

$\displaystyle Ky''= \epsilon {\ddot y}+ \mu{\dot y} \protect$ (7.14)

Here, $ \mu>0$ can be thought of as a very simple friction coefficient, or resistance. As derived in §C.5, solutions to this wave equation can be expressed as sums of left- and right-going exponentially decaying traveling waves. When $ \mu=0$ , we get non-decaying traveling waves as before. As discussed in §2.2.2, propagation losses may be introduced by the substitution

$\displaystyle z^{-1}\rightarrow gz^{-1}, \quad \left\vert g\right\vert\leq 1

in each delay element (or wherever one sample of delay models one spatial sample of wave propagation). By commutativity of LTI systems, making the above substitution in a delay line of length $ N$ is equivalent to simply scaling the output of the delay line by $ g^N$ . This lumping of propagation loss at one point along the waveguide serves to minimize both computational cost and round-off error. In general finite difference schemes, such a simplification is usually either not possible or nonobvious.

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``Physical Audio Signal Processing'', by Julius O. Smith III, W3K Publishing, 2010, ISBN 978-0-9745607-2-4.
Copyright © 2017-05-16 by Julius O. Smith III
Center for Computer Research in Music and Acoustics (CCRMA),   Stanford University