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Driven Terminated Strings

Figure 7 depicts a digital waveguide model for a rigidly terminated ideal string excited at an interior point $ x=mX$. It is easy to show using elementary block-diagram manipulations [161] that the system of Fig. 8 is equivalent. The advantage of the second form is that it can be implemented as a cascade of standard comb filter sections.9

Figure 7: External string excitation at a point.
\includegraphics[width=4in]{eps/fpluckedstring.eps}

Figure 8: System equivalent to that in Fig. 7.
\includegraphics[width=4in]{eps/fpluckedstringsimp2.eps}

When damping is introduced, the string model becomes as shown in Fig. 9 [156], shown for the case of displacement waves (changing to velocity or force waves would only change the signal name from $ y$ to either $ v$ or $ f$, respectively in this simple example). Also shown are two ``pick-up'' points at $ x=0$ and $ x=2X$ which read out the physical string displacements $ y(t_n,x_0)$ and $ y(t_n,x_2)$.10 The symbol $ z^{-1}$ means a one-sample delay. Because delay-elements and gains $ g$ commute (i.e., can be reordered arbitrarily in cascade), the diagram in Fig. 10 is equivalent, when round-off error can be ignored. (In the presence of round-off error after multiplications, the commuted form is more accurate because it implements fewer multiplies.) This example illustrates how internal string losses may be consolidated sparsely within a waveguide in order to simplify computations (by as much as three orders of magnitude in practical simulations, since there are typically hundreds of (delay-element,gain) pairs which can be replaced by one long delay line and single gain). The same results hold for dispersion in the string: the gains $ g$ simply become digital filters $ G(z)$ having any desired gain (damping) versus frequency, and any desired delay (dispersion) at each frequency [162].11

Figure 9: Digital waveguide string simulation with damping.
\includegraphics[width=4in]{eps/floss.eps}

Figure 10: Damped string simulation with commuted losses.
\includegraphics[width=4in]{eps/flloss.eps}


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``Virtual Acoustic Musical Instruments: Review and Update'', by Julius O. Smith III, DRAFT to be submitted to the Journal of New Music Research, special issue for the Stockholm Musical Acoustics Conference (SMAC-03) .
Copyright © 2005-12-28 by Julius O. Smith III
Center for Computer Research in Music and Acoustics (CCRMA),   Stanford University
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