A diagram of the basic clarinet model is shown in Fig. 6.2. The delay-lines carry left-going and right-going pressure samples and (respectively) which sample the traveling pressure-wave components within the bore.
The reflection filter at the right implements the bell or tone-hole losses as well as the round-trip attenuation losses from traveling back and forth in the bore. The bell output filter is highpass, and power complementary with respect to the bell reflection filter [475]. Power complementarity follows from the assumption that the bell itself does not vibrate or otherwise absorb sound. The bell is also amplitude complementary.7.1
At the far left is the reed mouthpiece controlled by mouth pressure . Another control is embouchure, changed in general by modifying the reflection-coefficient function , where . A simple choice of embouchure control is an offset in the reed-table address. Since the main feature of the reed table is the pressure-drop where the reed begins to open, a simple embouchure offset can implement the effect of biting harder or softer on the reed, or changing the reed stiffness.