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409

J. O. Smith, ``Music applications of digital waveguides,'' Tech. Rep. STAN-M-39, CCRMA, Music Department, Stanford University, 1987,
CCRMA Technical Report STAN-M-39, http://ccrma.stanford.edu/STANM/STANM/stanm39/.

410

J. O. Smith, ``Waveguide digital filters,'' in Music Applications of Digital Waveguides, CCRMA, 1987,
Part IV of [409].

411

J. O. Smith, ``Waveguide filter tutorial,'' in Proceedings of the 1987 International Computer Music Conference, Champaign-Urbana, pp. 9-16, Computer Music Association, 1987.

412

J. O. Smith, ``Viewpoints on the history of digital synthesis,'' in Proceedings of the 1991 International Computer Music Conference, Montreal, pp. 1-10, Computer Music Association, 1991,
http://ccrma.stanford.edu/~jos/kna/.

413

J. O. Smith, ``Waveguide simulation of non-cylindrical acoustic tubes,'' in Proceedings of the 1991 International Computer Music Conference, Montreal, pp. 304-307, Computer Music Association, 1991.

414

J. O. Smith, ``Physical modeling using digital waveguides,'' Computer Music Journal, vol. 16, pp. 74-91, Winter 1992,
special issue: Physical Modeling of Musical Instruments, Part I. http://ccrma.stanford.edu/~jos/pmudw/.

415

J. O. Smith, ``The window method for digital filter design,'' Winter 1992,
Mathematica notebook for Music 420 (EE 367A), URL:ftp://ccrma-ftp.stanford.edu/pub/DSP/Tutorials/Kaiser.ma.Z.

416

J. O. Smith, ``Efficient synthesis of stringed musical instruments,'' in Proceedings of the 1993 International Computer Music Conference, Tokyo, pp. 64-71, Computer Music Association, 1993,
incorporated into this book.

417

J. O. Smith, ``Efficient synthesis of stringed musical instruments,'' in Proceedings of the 1993 International Computer Music Conference, Tokyo, pp. 64-71, Computer Music Association, 1993,
incorporated into [427].

418

J. O. Smith, ``Physical modeling synthesis update,'' Computer Music Journal, vol. 20, pp. 44-56, Summer 1996,
http://ccrma.stanford.edu/~jos/pmupd/.

419

J. O. Smith, ``Nonlinear commuted synthesis of bowed strings,'' in Proceedings of the 1997 International Computer Music Conference, Greece, Computer Music Association, 1997,
http://ccrma.stanford.edu/~jos/ncbs/.

420

J. O. Smith, ``Principles of digital waveguide models of musical instruments,'' in Applications of Digital Signal Processing to Audio and Acoustics (M. Kahrs and K. Brandenburg, eds.), pp. 417-466, Boston/Dordrecht/London: Kluwer Academic Publishers, 1998.

421

J. O. Smith, Introduction to Matlab and Octave,
http://ccrma.stanford.edu/~jos/matlab/, 2003.

422

J. O. Smith, Mathematics of the Discrete Fourier Transform (DFT),
http://w3k.org/books/: W3K Publishing, 2003,
http://ccrma.stanford.edu/~jos/mdft/.

423

J. O. Smith, ``On the equivalence of digital waveguide and finite difference time domain schemes,'' July 21, 2004,
http://arxiv.org/abs/physics/0407032/.

424

J. O. Smith, ``Virtual acoustic musical instruments: Review and update,'' Journal of New Music Research, vol. 33, no. 3, pp. 283-304, 2004.

425

J. O. Smith, ``A history of ideas leading to virtual acoustic musical instruments,'' in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, (New York), IEEE Press, Oct. 2005,
keynote paper.

426

J. O. Smith, Introduction to Digital Filters,
http://ccrma.stanford.edu/~jos/filters/, Sept. 2005,
online book.

427

J. O. Smith, Physical Audio Signal Processing: Digital Waveguide Modeling of Musical Instruments and Audio Effects,
http://ccrma.stanford.edu/~jos/pasp/, Dec. 2005.

428

J. O. Smith, Virtual Acoustic Musical Instruments: Review of Models and Selected Research,
2005,
http://ccrma.stanford.edu/~jos/Mohonk05/.

429

J. O. Smith, Physical Audio Signal Processing,
http://ccrma.stanford.edu/~jos/pasp/, Mar. 2006,
online book.

430

J. O. Smith and J. S. Abel, ``The Bark bilinear transform,'' in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, (New York), IEEE Press, Oct. 1995,
Session 8, paper 6, 4 pages. http://ccrma.stanford.edu/~jos/gz/bbtmh.tgz.

431

J. O. Smith and J. S. Abel, ``Bark and ERB bilinear transforms,'' IEEE Transactions on Speech and Audio Processing, pp. 697-708, Nov. 1999.

432

J. O. Smith and P. R. Cook, ``The second-order digital waveguide oscillator,'' in Proceedings of the 1992 International Computer Music Conference, San Jose, pp. 150-153, Computer Music Association, 1992,
http://ccrma.stanford.edu/~jos/wgo/.

433

J. O. Smith and B. Friedlander, ``Adaptive interpolated time-delay estimation,'' IEEE Transactions on Aerospace and Electronic Systems, vol. 21, pp. 180-199, Mar. 1985.

434

J. O. Smith and P. Gossett, ``A flexible sampling-rate conversion method,'' in Proceedings of the International Conference on Acoustics, Speech, and Signal Processing, San Diego, vol. 2, (New York), pp. 19.4.1-19.4.2, IEEE Press, Mar. 1984,
expanded tutorial and associated free software available at the Digital Audio Resampling Home Page: http://ccrma.stanford.edu/~jos/resample/.

435

J. O. Smith and D. Rocchesso, ``Connections between feedback delay networks and waveguide networks for digital reverberation,'' in Proceedings of the 1994 International Computer Music Conference, Århus, pp. 376-377, Computer Music Association, 1995.

436

J. O. Smith and D. Rocchesso, ``Aspects of digital waveguide networks for acoustic modeling applications,'' http://ccrma.stanford.edu/~jos/wgj/, December 19, 1997.

437

J. O. Smith and G. Scavone, ``The one-filter Keefe clarinet tonehole,'' in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, (New York), IEEE Press, Oct. 1997.

438

J. O. Smith and X. Serra, ``PARSHL: A program for the analysis/synthesis of inharmonic sounds based on a sinusoidal representation,'' in Proceedings of the 1987 International Computer Music Conference, Champaign-Urbana, Computer Music Association, 1987,
Also available as Stanford Music Department Technical Report STAN-M-43. Expanded version available on-line at http://ccrma.stanford.edu/~jos/parshl/.

439

J. O. Smith and S. A. Van Duyne, ``Commuted piano synthesis,'' in Proceedings of the 1995 International Computer Music Conference, Banff, pp. 319-326, Computer Music Association, 1995,
http://ccrma.stanford.edu/~jos/pdf/svd95.pdf.

440

J. O. Smith, D. A. Jaffe, and L. Boynton, ``Music system architecture on the NeXT computer,'' The Proceedings of the AES 7th International Conference: Audio in Digital Times, pp. 301-312, May 14-17 1989.

441

J. O. Smith, S. Serafin, J. Abel, and D. Berners, ``Doppler simulation and the leslie,'' in Proceedings of the COST-G6 Conference on Digital Audio Effects (DAFx-02), Hamburg, Germany, pp. 13-20, September 26 2002,
http://www.dafx.de/.

442

T. Smyth and J. O. Smith, ``Creating sustained tones with the cicada's rapid sequential buckling mechanism,'' in Proceedings of the 2002 Conference on New Instruments for Musical Expression (NIME-02), Dublin, Ireland, May 24-26, 2002.

443

T. Smyth and J. O. Smith, ``A musical controller inspired by the cicada's efficient buckling mechanism,'' Journal of New Music Research, vol. 31, no. 1, 2003.

444

T. Smyth, J. S. Abel, and J. O. Smith, ``The estimation of birdsong control parameters using maximum likelihood and minimum action,'' in Proceedings of the Stockholm Musical Acoustics Conference (SMAC-03), http://www.speech.kth.se/smac03/, (Stockholm), Royal Swedish Academy of Music, Aug. 2003.

445

T. Smyth, J. S. Abel, and J. O. Smith, ``The feathered clarinet reed,'' in Proceedings of the Conference on Digital Audio Effects (DAFx-04), Naples, Italy, Oct. 2004.

446

M. M. Sondhi and J. Schroeter, ``A hybrid time-frequency domain articulatory speech synthesizer,'' IEEE Transactions on Acoustics, Speech, Signal Processing, vol. ASSP-35, pp. 955-967, July 1987.

447

Sondius Development Team, ``Sondius sound examples,'' 1993-1996,
http://ccrma.stanford.edu/~jos/pasp/Sound_Examples.html.

448

A. S. Spanias, ``Speech coding: A tutorial review,'' Proceedings of the IEEE, vol. 82, Oct. 1994.

449

J. Stautner and M. Puckette, ``Designing multichannel reverberators,'' Computer Music Journal, vol. 6, pp. 52-65, Spring 1982.

450

K. Steiglitz, An Introduction to Discrete Systems,
New York: John Wiley and Sons, Inc., 1974.

451

K. Steiglitz, A Digital Signal Processing Primer with Applications to Audio and Computer Music,
Reading MA: Addison-Wesley, 1996.

452

S. S. Stevens and H. Davis, Hearing: Its Psychology and Physiology,
American Institute of Physics, for the Acoustical Society of America, 1983,
copy of original 1938 edition, http://asa.aip.org/publications.html.

453

T. Stilson, ``Forward-going wave extraction in acoustic tubes,'' in Proceedings of the 1995 International Computer Music Conference, Banff, pp. 517-520, Computer Music Association, 1995.

454

T. Stilson and J. O. Smith, ``Alias-free synthesis of classic analog waveforms,'' in Proceedings of the 1996 International Computer Music Conference, Hong Kong, Computer Music Association, 1996,
http://ccrma.stanford.edu/~stilti/.

455

T. Stilson and J. O. Smith, ``Analyzing the Moog VCF with considerations for digital implementation,'' in Proceedings of the 1996 International Computer Music Conference, Hong Kong, Computer Music Association, 1996,
http://ccrma.stanford.edu/~stilti/.

456

G. Strang and G. J. Fix, An Analysis of the Finite Element Method,
Englewood Cliffs, NJ: Prentice-Hall, 1973.

457

J. Strawn, ed., Digital Audio Signal Processing: An Anthology,
Los Altos, California: William Kaufmann, Inc., 1985.

458

J. C. Strikwerda, Finite Difference Schemes and Partial Differential Equations,
Pacific Grove, CA: Wadsworth and Brooks, 1989.

459

W. J. Strong and D. C. Copley, ``Trombone synthesis using measured lip openings,'' in Proceedings of the Institute of Acoustics, vol. 19(5), pp. 439-444, 1997.

460

H. W. Strube, ``Linear prediction on a warped frequency scale,'' Journal of the Acoustical Society of America, vol. 68, no. 4, pp. 1071-1076, 1980.

461

H. W. Strube, ``Time-varying wave digital filters for modeling analog systems,'' IEEE Transactions on Acoustics, Speech, Signal Processing, vol. 30, no. 6, pp. 864-868, 1982.

462

R. D. Strum and D. E. Kirk, First Principles of Discrete Systems and Digital Signal Processing,
Reading MA: Addison-Wesley, 1988.

463

A. Stulov, ``Hysteretic model of the grand piano hammer felt,'' Journal of the Acoustical Society of America, vol. 97, pp. 2577-2585, Apr. 1995.

464

C. R. Sullivan, ``Extending the Karplus-Strong algorithm to synthesize electric guitar timbres with distortion and feedback,'' Computer Music Journal, vol. 14, pp. 26-37, Fall 1990.

465

J. Sundberg, ``Synthesis of singing by rule,'' in Current Directions in Computer Music Research (M. V. Mathews and J. R. Pierce, eds.), pp. 45-55, Cambridge, MA: MIT Press, 1989.

466

J. Sundberg, ``Synthesizing singing,'' in Representations of Musical Signals (G. De Poli, A. Picialli, and C. Roads, eds.), pp. 299-320, Cambridge, MA: MIT Press, 1991.

467

H. Suzuki, ``Model analysis of a hammer-string interaction,'' Journal of the Acoustical Society of America, vol. 82, pp. 1145-1151, Oct. 1987.

468

T. Tolonen, V. Välimäki, and M. Karjalainen, ``Evaluation of modern synthesis methods,'' Tech. Rep. 48, Laboratory of Acoustics and Audio Signal Processing, Dept. of Electrical and Communications Engineering, Helsinki University of Technology, Mar. 1998,
downloadable from http://www.acoustics.hut.fi/~ttolonen/sound_synth_report.html.

469

T. Tolonen, V. Välimäki, and M. Karjalainen, ``Modeling of tension modulation nonlinearity in plucked strings,'' IEEE Transactions on Speech and Audio Processing, vol. SAP-8, pp. 300-310, May 2000.

470

C. Traube and J. O. Smith, ``Estimating the plucking point on a guitar string,'' in Proceedings of the International Conference on Digital Audio Effects (DAFx-00), Verona, Italy, Dec. 2000,
http://www.dafx.de/.

471

C. Traube and J. O. Smith, ``Estimating the fingering and the plucking points on a guitar string from a recording,'' in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, (New York), IEEE Press, Oct. 2001.

472

L. Trautmann, B. Bank, V. Välimäki, and R. Rabenstein, ``Combining Digital Waveguide and Functional Transformation Methods for Physical Modeling of Musical Instruments,'' in the AES 22nd International Conference on Virtual, Synthetic and Entertainment Audio, (Espoo, Finland), pp. 307-316, June 15-17 2002.

473

L. Trautmann and R. Rabenstein, ``Stable systems for nonlinear discrete sound synthesis with the functional transformation method,'' in Proceedings of the International Conference on Acoustics, Speech, and Signal Processing, Orlando, Florida, USA, (New York), IEEE Press, May 2002.

474

M. Unser, ``Splines: A perfect fit for signal and image processing,'' IEEE Signal Processing Magazine, vol. 16, pp. 22-38, Nov. 1999.

475

P. P. Vaidyanathan, Multirate Systems and Filter Banks,
Englewood Cliffs, NJ: Prentice-Hall, Inc., 1993.

476

V. Välimäki, M. Laurson, and C. Erkut, ``Commuted waveguide synthesis of the clavichord,'' Computer Music Journal, vol. 27, pp. 71-82, Spring 2003.

477

V. Välimäki, Discrete-Time Modeling of Acoustic Tubes Using Fractional Delay Filters,
PhD thesis, Report no. 37, Helsinki University of Technology, Faculty of Electrical Engineering, Laboratory of Acoustic and Audio Signal Processing, Espoo, Finland, Dec. 1995,
http://www.acoustics.hut.fi/~vpv/publications/vesa_phd.html.

478

V. Välimäki and M. Karjalainen, ``Digital waveguide modeling of wind instrument bores constructed of truncated cones,'' in Proceedings of the 1994 International Computer Music Conference, Århus, pp. 423-430, Computer Music Association, 1994.

479

V. Välimäki and M. Karjalainen, ``Improving the Kelly-Lochbaum vocal tract model using conical tube sections and fractional delay filtering techniques,'' in Proc. 1994 International Conference on Spoken Language Processing (ICSLP-94), vol. 2, (Yokohama, Japan), pp. 615-618, IEEE Press, Sept. 18-22 1994.

480

V. Välimäki and T. Tolonen, ``Development and calibration of a guitar synthesizer,'' Journal of the Audio Engineering Society, vol. 46, no. 9, 1998,
Proceedings of the 103rd Convention of the Audio Engineering Society, New York, Sept. 1997.

481

V. Välimäki, M. Karjalainen, and T. I. Laakso, ``Modeling of woodwind bores with finger holes,'' in Proceedings of the 1993 International Computer Music Conference, Tokyo, pp. 32-39, Computer Music Association, 1993.

482

V. Välimäki, T. I. Laakso, and J. Mackenzie, ``Elimination of transients in time-varying allpass fractional delay filters with application to digital waveguide modeling,'' in Proceedings of the 1995 International Computer Music Conference, Banff, pp. 327-334, Computer Music Association, 1995.

483

V. Välimäki, J. Huopaniemi, M. Karjalainen, and Z. Jánosy, ``Physical modeling of plucked string instruments with application to real-time sound synthesis,'' Journal of the Audio Engineering Society, vol. 44, pp. 331-353, May 1996.

484

V. Välimäki, T. Tolonen, and M. Karjalainen, ``Signal-dependent nonlinearities for physical models using time-varying fractional delay filters,'' in Proceedings of the 1998 International Computer Music Conference, Michigan, pp. 264-267, Computer Music Association, 1998.

485

V. Välimäki, H. Penttinen, J. Knif, M. Laurson, and C. Erkut, ``Sound synthesis of the harpsichord using a computationally efficient physical model,'' EURASIP Journal on Applied Signal Processing, vol. 7, pp. 934-948, 2004,
special issue on Model-Based Sound Synthesis.

486

V. Välimäki, J. Pakarinen, C. Erkhut, and M. Karjalainen, ``Discrete-time modelling of musical instruments,'' Reports on Progress in Physics, vol. 69, no. 1, 2005.

487

C. Vallette, ``The mechanics of vibrating strings,'' pp. 115-183.

488

S. A. Van Duyne and J. O. Smith, ``Physical modeling with the 2-D digital waveguide mesh,'' in Proceedings of the 1993 International Computer Music Conference, Tokyo, pp. 40-47, Computer Music Association, 1993,
http://ccrma.stanford.edu/~jos/pdf/mesh.pdf.

489

S. A. Van Duyne and J. O. Smith, ``A simplified approach to modeling dispersion caused by stiffness in strings and plates,'' in Proceedings of the 1994 International Computer Music Conference, Århus, pp. 407-410, Computer Music Association, 1994.

490

S. A. Van Duyne and J. O. Smith, ``Developments for the commuted piano,'' in Proceedings of the 1995 International Computer Music Conference, Banff, pp. 335-343, Computer Music Association, 1995,
http://ccrma.stanford.edu/~jos/pdf/vds95.pdf.

491

S. A. Van Duyne and J. O. Smith, ``The tetrahedral waveguide mesh: Multiply-free computation of wave propagation in free space,'' in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, (New York), pp. 9a.6.1-4, IEEE Press, Oct. 1995.

492

S. A. Van Duyne and J. O. Smith, ``The 3D tetrahedral digital waveguide mesh with musical applications,'' in Proceedings of the 1996 International Computer Music Conference, Hong Kong, Computer Music Association, 1996.

493

S. A. Van Duyne, J. R. Pierce, and J. O. Smith, ``Traveling-wave implementation of a lossless mode-coupling filter and the wave digital hammer,'' in Proceedings of the 1994 International Computer Music Conference, Å rhus, pp. 411-418, Computer Music Association, 1994,
Also presented at the conference of the Acoustical Society of America, Nov., 1994.

494

M. E. Van Valkenburg, Introduction to Modern Network Synthesis,
New York: John Wiley and Sons, Inc., 1960.

495

M. O. Van Walstijn and D. Campbell, ``Discrete-time modelling of woodwind instrument bores using wave variables,'' Journal of the Acoustical Society of America, vol. 113, pp. 575-585, 2003.

496

M. van Walstijn and G. de Bruin, ``Conical waveguide filters,'' in Proceedings of the International Conference on Acoustics and Musical Research, (Ferrara, Italy), pp. 47-54, CIARM, May 1995.

497

M. van Walstijn and G. Scavone, ``The wave digital tonehole,'' in Proceedings of the 2000 International Computer Music Conference, Berlin, pp. 465-468, Computer Music Association, 2000,
http://ccrma.stanford.edu/~jos/wdth/.

498

M. van Walstijn and J. O. Smith, ``Use of truncated infinite impulse response (TIIR) filters in implementing efficient digital waveguide models of flared horns and piecewise conical bores with unstable one-pole filters elements,'' in Proc. Int. Symp. Musical Acoustics (ISMA-98), Leavenworth, Washington, pp. 309-314, Acoustical Society of America, June 28 1998,
http://ccrma.stanford.edu/~jos/tiirts/.

499

M. van Walstijn and V. Välimäki, ``Digital waveguide modeling of flared acoustical tubes,'' in Proceedings of the 1997 International Computer Music Conference, Greece, (Thessaloniki, Greece), pp. 196-199, Computer Music Association, 1997.

500

M. O. van Walstijn, Discrete-Time Modelling of Brass and Reed woodwind Instruments with Application to Musical Sound Synthesis,
PhD thesis, Department of Physics and Astronomy, University of Edinburgh, 2002,
http://www.ph.ed.ac.uk/~maarten/.

501

G. V. Vaughan, B. Elliston, T. Tromey, and I. L. Taylor, GNU Autoconf, Automake, and libtool,
SAMS, 2000.

502

B. L. Vercoe, W. G. Gardner, and E. D. Scheirer, ``Structured audio: Creation, transmission, and rendering of parametric sound representations,'' Proceedings of the IEEE, vol. 86, pp. 922-932, May 1998.

503

M. P. Verge, ``Jet oscillations and jet drive in recorder-like instruments,'' Acta Acustica 2, pp. 403-419, 1994.

504

M. P. Verge, Aeroacoustics of Confined Jets with Applications to the Physical Modeling of Recorder-Like Instruments,
PhD thesis, Eindhoven University, 1995.

505

M. P. Verge and A. Hirschberg, ``Turbulence noise in flue instruments,'' in Proceedings of the International Symposium on Musical Acoustics (ISMA-95), Dourdan, France, (France), pp. 93-99, Société Français d'Acoustique, July 1995.

506

C. Vergez and X. Rodet, ``Model of the trumpet functioning: Real time simulation and experiments with an artificial mouth,'' in Proceedings of the International Symposium on Musical Acoustics (ISMA-97), Edinburgh, Scotland, pp. 425-432, Aug. 1997.

507

C. Vergez and X. Rodet, ``Comparison of real trumpet playing, latex model of lips and computer model,'' Proceedings of the 1997 International Computer Music Conference, Greece, 1997.

508

C. Vergez and X. Rodet, ``Experiments with an artificial mouth for trumpet,'' Proceedings of the International Symposium on Musical Acoustics (ISMA-98), Leavenworth, Washington, 1998.

509

C. Vergez and X. Rodet, ``Dynamic systems and physical models of trumpet-like instruments analytical study and asymptotical properties,'' Acta Acustica, 2000.

510

C. Vergez and X. Rodet, ``New algorithm for nonlinear propagation of a sound wave application to a physical model of a trumpet,'' Journal of Signal Processing, 2000.

511

H. L. F. von Helmholtz, Die Lehre von den Tonempfindungen als Physiologische Grundlage für die Theorie der Musik,
Braunschweig: F. Vieweg und Sohn, 1863.

512

H. L. F. von Helmholtz, On the Sensations of Tone as a Physiological Basis for the Theory of Music,
New York: Dover, 1954,
English translation of 1863 (German) edition.

513

J. von Neumann, Mathematical Foundations of Quantum Mechanics,
Princeton University Press, 1932.

514

A. Wang, ``Instantaneous and frequency-warped techniques for source separation and signal parametrization,'' in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, (New York), IEEE Press, Oct. 1995.

515

A. Wang and J. O. Smith, ``On fast FIR filters implemented as tail-canceling IIR filters,'' IEEE Transactions on Signal Processing, vol. 45, pp. 1415-1427, June 1997.

516

A. Wang and J. O. Smith, ``Some properties of tail-canceling IIR filters,'' in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, (New York), IEEE Press, Oct. 1997.

517

A. Watzky, ``On the transverse-axial mode coupling in the non-linear vibration of strings,'' in Proceedings of the International Symposium on Musical Acoustics (ISMA-95), Dourdan, France, (France), pp. 190-195, Société Français d'Acoustique, July 1995.

518

J. Wawrzynek, ``VLSI models for sound synthesis,'' in Current Directions in Computer Music Research (M. V. Mathews and J. R. Pierce, eds.), pp. 113-148, Cambridge, MA: MIT Press, 1989.

519

J. Wawrzynek, C. Mead, T. Lin, H. Liu, and L. Dyer, ``A VLSI approach to sound synthesis,'' in Proceedings of the 1984 International Computer Music Conference, Paris, pp. 53-64, Computer Music Association, 1984.

520

G. Weinreich, ``Coupled piano strings,'' Journal of the Acoustical Society of America, vol. 62, pp. 1474-1484, Dec 1977,
see also [21] and Scientific American, vol. 240, p. 94, 1979.

521

D. A. Wells, Lagrangian Dynamics,
New York: McGraw-Hill, 1967,
Schaum's Outline series.

522

E. M. Wenzel, ``Localization in virtual acoustic displays,'' Presence, vol. 1, pp. 80-107, Summer 1992.

523

D. Wessel and M. Wright, ``Problems and prospects for intimate musical control of computers,'' in CHI-2001 Workshop on New Instruments for Musical Expression (NIME-01), Seattle, Washington, April 1 and 2 2001,
http://hct.ece.ubc.ca/nime/2001/program.html.

524

A. P. Wijnands and A. Hirschberg, ``Effect of a pipe neck downstream of a double reed,'' in Proceedings of the International Symposium on Musical Acoustics (ISMA-95), Dourdan, France, (France), pp. 149-152, Société Français d'Acoustique, July 1995.

525

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526

J. Woodhouse, ``Bowed string simulation using a thermal friction model,'' Acustica--Acta Acustica, vol. 89, pp. 355-368, 2003.

527

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528

B. Yegnanarayana, ``Design of recursive group-delay filters by autoregressive modeling,'' IEEE Transactions on Acoustics, Speech, Signal Processing, vol. 30, pp. 632-637, Aug. 1982.

529

S. Yoshikawa, ``Acoustic behavior of brass player's lips,'' Journal of the Acoustical Society of America, vol. 97, pp. 1929-1939, Mar. 1995.

530

L. A. Zadeh and C. A. Desoer, Linear System Theory: The State Space Approach,
New York: McGraw-Hill, 1963,
reprinted by Krieger, 1979.