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Excitation Synthesis

For a further reduction in cost of implementation, particularly with respect to memory usage, it is possible to synthesize the excitation using a noise signal through a time-varying lowpass filter [443]. The synthesis replaces the recorded soundbard/enclosure sound. It turns out that the sound produced by tapping on a piano soundboard sounds very similar to noise which is lowpass-filtered such that the filter bandwidth contracts over time. This approach is especially effective when applied only to the high-frequency residual excitation after factoring out all long-ringing modes as biquads.


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``Physical Audio Signal Processing'', by Julius O. Smith III, W3K Publishing, 2010, ISBN 978-0-9745607-2-4.
Copyright © 2014-06-11 by Julius O. Smith III
Center for Computer Research in Music and Acoustics (CCRMA),   Stanford University
CCRMA