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Bibliography

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2
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3
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6
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7
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8
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9
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10
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11
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12
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13
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14
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15
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16
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17
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18
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19
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20
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21
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22
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23
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24
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25
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26
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27
A. Hirschberg, ``A quasi-stationary model of air flow in the reed channel of single-reed woodwind instruments,'' Acustica, vol. 70, pp. 146-154, 1990.

28
A. Hirschberg, ``private communication,'' 1992.

29
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30
D. A. Jaffe, ``Ten criteria for evaluating synthesis and processing techniques,'' Computer Music Journal, vol. 19, no. 1, pp. 76-87, 1995,
Also: Proceedings of the First Brazilian Symposium of Computation and Music, Brazilian Society of Computation, Caxambu, MG. 53-61.

31
D. A. Jaffe and J. O. Smith, ``Extensions of the Karplus-Strong plucked string algorithm,'' Computer Music Journal, vol. 7, no. 2, pp. 56-69, 1983,
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32
D. A. Jaffe and J. O. Smith, ``Performance expression in commuted waveguide synthesis of bowed strings,'' in Proceedings of the 1995 International Computer Music Conference, Banff, pp. 343-346, Computer Music Association, 1995.

33
M. Karjalainen, U. K. Laine, T. I. Laakso, and V. Välimäki, ``Transmission-line modeling and real-time synthesis of string and wind instruments,'' in Proceedings of the 1991 International Computer Music Conference, Montreal, pp. 293-296, Computer Music Association, 1991.

34
M. Karjalainen, J. Backman, and J. Pölkki, ``Analysis, modeling, and real-time sound synthesis of the kantele, a traditional Finnish string instrument,'' in Proceedings of the International Conference on Acoustics, Speech, and Signal Processing, Minneapolis, (New York), pp. 229-232, IEEE Press, 1993.

35
M. Karjalainen, V. Välimäki, and Z. Jánosy, ``Towards high-quality sound synthesis of the guitar and string instruments,'' in Proceedings of the 1993 International Computer Music Conference, Tokyo, pp. 56-63, Computer Music Association, Sept. 10-15 1993,
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36
M. Karjalainen, V. Välimäki, B. Hernoux, and J. Huopaniemi, ``Exploration of wind instruments using digital signal processing and physical modeling techniques,'' in Proceedings of the 1995 International Computer Music Conference, Banff, pp. 509-516, Computer Music Association, 1995,
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37
K. Karplus and A. Strong, ``Digital synthesis of plucked string and drum timbres,'' Computer Music Journal, vol. 7, no. 2, pp. 43-55, 1983,
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38
D. H. Keefe, ``Theory of the single woodwind tone hole. experiments on the single woodwind tone hole,'' Journal of the Acoustical Society of America, vol. 72, pp. 676-699, Sept. 1982.

39
T. I. Laakso, V. Välimäki, M. Karjalainen, and U. K. Laine, ``Splitting the Unit Delay--Tools for Fractional Delay Filter Design,'' IEEE Signal Processing Magazine, vol. 13, pp. 30-60, January 1996.

40
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41
N. C. Pickering, The Bowed String,
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Also available from Bowed Instruments, 23 Culver Hill, Southampton, NY 11968.

42
J. R. Pierce, ``private communication,'' 1994.

43
N. Porcaro, P. Scandalis, J. O. Smith, D. A. Jaffe, and T. Stilson, ``SynthBuilder--a graphical real-time synthesis, processing and performance system,'' in Proceedings of the 1995 International Computer Music Conference, Banff, pp. 61-62, Computer Music Association, 1995.

44
C. Roads, ed., The Music Machine,
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45
X. Rodet, ``Flexible yet controllable physical models: A nonlinear dynamics approach,'' in Proceedings of the 1993 International Computer Music Conference, Tokyo, pp. 10-15, Computer Music Association, 1993.

46
X. Rodet, ``One and two mass model oscillations for voice and instruments,'' in Proceedings of the 1995 International Computer Music Conference, Banff, pp. 207-214, Computer Music Association, 1995.

47
L. Savioja, J. Backman, A. Järvinen, and T. Takala, ``Waveguide mesh method for low-frequency simulation of room acoustics,'' Proceedings of the 15th International Conference on Acoustics (ICA-95), Trondheim, Norway, pp. 637-640, June 1995.

48
G. Scavone and P. R. Cook, ``Combined linear and non-linear prediction in calibrating models of musical instruments to recordings,'' in Proceedings of the 1994 International Computer Music Conference, Århus, pp. 433-434, Computer Music Association, 1994,
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49
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50
J. O. Smith, ``Efficient simulation of the reed-bore and bow-string mechanisms,'' in Proceedings of the 1986 International Computer Music Conference, The Hague, pp. 275-280, Computer Music Association, 1986,
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51
J. O. Smith, ``Music applications of digital waveguides,'' Tech. Rep. STAN-M-39, CCRMA, Music Department, Stanford University, 1987,
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52
J. O. Smith, ``Waveguide filter tutorial,'' in Proceedings of the 1987 International Computer Music Conference, Champaign-Urbana, pp. 9-16, Computer Music Association, 1987.

53
J. O. Smith, ``Waveguide simulation of non-cylindrical acoustic tubes,'' in Proceedings of the 1991 International Computer Music Conference, Montreal, pp. 304-307, Computer Music Association, 1991.

54
J. O. Smith, ``Physical modeling using digital waveguides,'' Computer Music Journal, vol. 16, pp. 74-91, Winter 1992,
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55
J. O. Smith, ``Efficient synthesis of stringed musical instruments,'' in Proceedings of the 1993 International Computer Music Conference, Tokyo, pp. 64-71, Computer Music Association, 1993,
incorporated into [].

56
J. O. Smith and P. Gossett, ``A flexible sampling-rate conversion method,'' in Proceedings of the International Conference on Acoustics, Speech, and Signal Processing, San Diego, vol. 2, (New York), pp. 19.4.1-19.4.2, IEEE Press, March 1984,
expanded tutorial and associated free software available at the Digital Audio Resampling Home Page: http: //ccrma.stanford.edu/~jos/resample/.

57
J. O. Smith and S. A. Van Duyne, ``Commuted piano synthesis,'' in Proceedings of the 1995 International Computer Music Conference, Banff, pp. 319-326, Computer Music Association, 1995,
http: //ccrma.stanford.edu/~jos/pdf/svd95.pdf.

58
T. Stilson, ``Forward-going wave extraction in acoustic tubes,'' in Proceedings of the 1995 International Computer Music Conference, Banff, pp. 517-520, Computer Music Association, 1995.

59
C. R. Sullivan, ``Extending the Karplus-Strong algorithm to synthesize electric guitar timbres with distortion and feedback,'' Computer Music Journal, vol. 14, pp. 26-37, Fall 1990.

60
T. K. M. S. R. Team, ``OASYS demonstration for the san francisco bay area chapter of the audio engineering society,'' tech. rep., Korg R&D, Milpitas, CA, May 18 1995.

61
V. Välimäki, Discrete-Time Modeling of Acoustic Tubes Using Fractional Delay Filters,
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62
V. Välimäki and M. Karjalainen, ``Digital waveguide modeling of wind instrument bores constructed of truncated cones,'' in Proceedings of the 1994 International Computer Music Conference, Århus, pp. 423-430, Computer Music Association, 1994.

63
V. Välimäki, M. Karjalainen, and T. I. Laakso, ``Modeling of woodwind bores with finger holes,'' in Proceedings of the 1993 International Computer Music Conference, Tokyo, pp. 32-39, Computer Music Association, 1993.

64
V. Välimäki, T. I. Laakso, and J. Mackenzie, ``Elimination of transients in time-varying allpass fractional delay filters with application to digital waveguide modeling,'' in Proceedings of the 1995 International Computer Music Conference, Banff, pp. 327-334, Computer Music Association, 1995.

65
V. Välimäki, J. Huopaniemi, M. Karjalainen, and Z. Jánosy, ``Physical modeling of plucked string instruments with application to real-time sound synthesis,'' Journal of the Audio Engineering Society, vol. 44, pp. 331-353, May 1996.

66
S. A. Van Duyne and J. O. Smith, ``Physical modeling with the 2-D digital waveguide mesh,'' in Proceedings of the 1993 International Computer Music Conference, Tokyo, pp. 40-47, Computer Music Association, 1993,
http: //ccrma.stanford.edu/~jos/pdf/mesh.pdf.

67
S. A. Van Duyne and J. O. Smith, ``Developments for the commuted piano,'' in Proceedings of the 1995 International Computer Music Conference, Banff, pp. 335-343, Computer Music Association, 1995,
http: //ccrma.stanford.edu/ jos/pdf/svd95.pdf.

68
S. A. Van Duyne and J. O. Smith, ``The tetrahedral waveguide mesh: Multiply-free computation of wave propagation in free space,'' in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, (New York), pp. 9a.6.1-4, IEEE Press, Oct. 1995.

69
S. A. Van Duyne, J. R. Pierce, and J. O. Smith, ``Traveling-wave implementation of a lossless mode-coupling filter and the wave digital hammer,'' in Proceedings of the 1994 International Computer Music Conference, Århus, pp. 411-418, Computer Music Association, 1994,
Also presented at the conference of the Acoustical Society of America, Nov., 1994.

70
M. van Walstijn and G. de Bruin, ``Conical waveguide filters,'' in Proceedings of the International Conference on Acoustics and Musical Research, (Ferrara, Italy), pp. 47-54, CIARM, May 1995.

71
M. P. Verge, ``Jet oscillations and jet drive in recorder-like instruments,'' Acta Acustica 2, pp. 403-419, 1994.

72
M. P. Verge, Aeroacoustics of Confined Jets with Applications to the Physical Modeling of Recorder-Like Instruments,
PhD thesis, Eindhoven University, 1995.

73
M. P. Verge and A. Hirschberg, ``Turbulence noise in flue instruments,'' in Proceedings of the International Symposium on Musical Acoustics (ISMA-95), Dourdan, France, (France), pp. 93-99, Société Français d'Acoustique, July 1995.

74
M. P. Verge, R. Caussé, and A. Hirschberg, ``A physical model of recorder-like instruments,'' in Proceedings of the 1995 International Computer Music Conference, Banff, pp. 37-44, Computer Music Association, 1995.

75
A. Watzky, ``On the transverse-axial mode coupling in the non-linear vibration of strings,'' in Proceedings of the International Symposium on Musical Acoustics (ISMA-95), Dourdan, France, (France), pp. 190-195, Société Français d'Acoustique, July 1995.

76
J. Wawrzynek, ``VLSI models for sound synthesis,'' in Current Directions in Computer Music Research (M. V. Mathews and J. R. Pierce, eds.), pp. 113-148, Cambridge, MA: MIT Press, 1989.

77
J. Wawrzynek, C. Mead, T. Lin, H. Liu, and L. Dyer, ``A VLSI approach to sound synthesis,'' in Proceedings of the 1984 International Computer Music Conference, Paris, pp. 53-64, Computer Music Association, 1984.

78
G. Weinreich, ``Coupled piano strings,'' Journal of the Acoustical Society of America, vol. 62, pp. 1474-1484, Dec 1977,
see also [] and Scientific American, vol. 240, p. 94, 1979.

79
A. P. Wijnands and A. Hirschberg, ``Effect of a pipe neck downstream of a double reed,'' in Proceedings of the International Symposium on Musical Acoustics (ISMA-95), Dourdan, France, (France), pp. 149-152, Société Français d'Acoustique, July 1995.


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``Physical Modeling Synthesis Update'', by Julius O. Smith III, Computer Music Journal, vol. 20, no. 2 (summer), pp. 44-56, MIT Press, 1996.
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