Attendance (both in-person and remote) is free, however registration is required.
PROGRAM
Saturday 5/21
Paper Session 1 (CCRMA Stage) (Paper abstracts)
10:00-10:15 Greetings, Jonathan Berger
Music, Julia Zielke, flute,
Introductory remarks Jaroslaw Kapuściński, Chair, Dept of Music, Stanford
10:15 Contextualization in Worship Space Acoustics - Braxton Boren
11:00 On the Interrelation of Sacred Architecture and Music in Pre-Modern Italy - Tobias Weissmann
11:45 Virtual Acoustics - Thoughts on Late 20th and Early 21st Century Ears - Eoin Callery
12:30 - 2:00 CAVIAR demonstrations (Listening Room and Studio), Discussions with poster presenters (on-line), Sound Installation "The Knoll - Stair A: A Sonic Experience" by Nima Farzaneh
Paper Session 2 (CCRMA Stage)
2:00 Music: El PianoSaurio Variation (Dinosaur processed piano), Fernando Lopez Lezcano
2:10 Neurophenomenology & Sacred Architecture. First Steps - Julio Bermudez
2:55 Acoustic Atlas – Cultivating the Capacity to Listen - Cobi Van Tonder
3:30 Sounding the Scale of Humans: Proxemics and Acoustical Space in Archaeological Research -
Miriam Kolar
4:15 On synthesizing room impulse response copies at and away from measurement locations -
Jonathan S. Abel and Wieslaw Woszczyk
5:00 Brief remarks
5:10 Music: J.S. Bach, Alemande, (Cello Suite no. 6: II), Hannah Choi
Sunday 5/22
Paper Session 3 (CCRMA Stage)
10:00 Music and introduction
10:15 The dome effect and the acoustics of historical masterpieces - Zuhre Sü Gül
11:00 Reconstructing the acoustics of Notre Dame - Elliot Kermit Canfield-Dafilou
11:45 Music and ceremonies in the sacred space of the palatine basilica of S. Barbara in Mantua -
Licia Mari
12:30 - 2:00 CAVIAR demonstrations (Listening Room and Studio), Discussions with poster presenters (on-line), Sound Installation "The Knoll - Stair A: A Sonic Experience" by Nima Farzaneh
Paper Session 4 (CCRMA Stage)
2:00 Music
2:10 Voicing Inca History: Gender, Space. and Music Education in Imperial Schools -
Stella Nair and. Jonathan Ritter
2:45 Sight and Sound, Cross Modal Interaction - David Kirsh
3:30 Room impulse response estimation from recordings: Recovering the impulse response of Columbia
Records' 30th Street Studio from a documentary recording of Glenn Gould in the studio -
Wieslaw Woszczyk and Jonathan Abel
4:15 Ecoacoustics of Gathering - Timothy Weaver
5:00 Closing comments
Reception (CCRMA courtyard)
Special thanks to co-organizers Raul Altosaar, Constantin Basica, Hannah Choi, Hassan Ali Estrkhrian, Julia Zielke, Matthew Wright, and Nette Worthey
Stanford sits on the ancestral land of the Muwekma Ohlone Tribe. This land was and continues to be of great importance to the Ohlone people. Consistent with our values of community and inclusion, we have a responsibility to acknowledge, honor, and make visible the University’s relationship to Native peoples.
Contact: brg AT ccrma_DOT_stanford_DOT_ed