Next  |  Prev  |  Up  |  Top  |  Index  |  JOS Index  |  JOS Pubs  |  JOS Home  |  Search


Chirplet Synthesis

Independently of Goodwin and Kogon, Marques and Almeida introduced chirplet modeling of speech in 1989 [164]. This technique is based on the interesting mathematical fact that the Fourier transform of a Gaussian-windowed chirp remains a Gaussian pulse in the frequency domain10.6). Instead of measuring only amplitude and phase at each a spectral peak, the parameters of a complex Gaussian are fit to each peak. The (complex) parameters of each Gaussian peak in the spectral model determine a Gaussian amplitude-envelope and a linear chirp rate in the time domain. Thus, both cross-fading and frequency sweeping are handled automatically by the spectral model. A specific method for carrying this out is described in §10.6. More recent references on chirplet modeling include [197,90,91,89].


Next  |  Prev  |  Up  |  Top  |  Index  |  JOS Index  |  JOS Pubs  |  JOS Home  |  Search

[How to cite this work]  [Order a printed hardcopy]  [Comment on this page via email]

``Spectral Audio Signal Processing'', by Julius O. Smith III, W3K Publishing, 2011, ISBN 978-0-9745607-3-1.
Copyright © 2022-02-28 by Julius O. Smith III
Center for Computer Research in Music and Acoustics (CCRMA),   Stanford University
CCRMA