There are no theoretical limitations to the performance of the computer as a source of musical sounds, in contrast to the performance of ordinary instruments. At present, the range of computer music is limited principally by cost and by our knowledge of psychoacoustics. These limits are rapidly receding.
M. V. Mathews, The Digital Computer as a Musical Instrument (1963)
I work here.
I teach here.
I study here.
This is my thesis (in progress).
Programming for Musicians and Digital Artists
I wrote parts of this book.
I built this.
I built parts of this.
I worked here.
I used to study here.