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The masking from different maskers has to be added to form the final
masking function. One could argue that the maskers should be added as
powers or amplitudes.
According to [1], though, addition of two equal maskers
can give a resulting masker up 12 dB higher than two maskers alone. This
would mean, that the addition of maskers would be defined as follows:
|
(17) |
i.e as the addition of square roots of amplitudes. This model does
not work for big differences in and , so in the coder the
addition was defined as addition of amplitudes:
|
(18) |
Using this model for summation, all spectral components of the audio are
considered maskers, and their individual masking thresholds (calculated in
section 3.2.5) added.
An example of the produced masking threshold, including both
simultaneous and temporal masking (described in section
3.3), can be seen in Fig. .
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