Khatzotzra’ash – an Augmented Trumpet
a hybrid electro-acoustic instrument design
by: Yuval Adler
The Name:
Khatzotra
- (Hebrew: חצוצרה – [
- trumpet
- fallopian tube
χ
a-tso-tsʁa])noun
Ra’ash
-
(Hebrew: רעש – [ʁa-
- noise
- uproar
ʔ
aʃ
])noun
Problem Statement:
The goal of this instrument design is to allow a trumpet player to use his expressive technique to drive virtual instruments in a live setting. This is done by sampling the buzz of the mouthpiece and using it to drive physical models of said instruments, thus re-introducing the essential “noise” disregarded by contemporary MIDI controllers for sound synthesis.
The most difficult technical part of this design would be to obtain a high quality signal from the mouthpiece buzz on as wide a dynamic range as possible.
The challenges involved are mostly (but not limited to):
- obtaining a high quality signal of the lip-buzz
- mounting virtual instrument controls on the trumpet in a non-cumbersome way
- balancing flexibility and simplicity for virtual instrument control interface
- programing the virtual instruments to work with the buzz signal’s unique characteristics
Idea Research:
- http://www.digitaltrumpet.com.au/
- http://usa.yamaha.com/products/musical-instruments/entertainment/lighted_key_fret_instruments/ez_series/ez-tp/
- http://usa.yamaha.com/products/musical-instruments/winds/silentbrass/silentbrass/sb7x-2/?mode=model
- http://www.ptrumpet.com/product/ptrumpet/
- https://www.amazon.com/dp/B019I3J37A?th=1
- http://newt.phys.unsw.edu.au/jw/brassacoustics.html
- http://recherche.ircam.fr/pub/dafx11/Papers/20_e.pdf
- https://cycling74.com/2015/08/20/press-release-updated-percolate-objects-on-maxology/#.WA_Qkdw-5E4
- http://www.dextermorrill.com/books.php
- https://ccrma.stanford.edu/~rmichon/bladeaxe/
- https://ccrma.stanford.edu/~cc/shtml/cellettoMusic.shtml
- http://www.electrumpet.nl/Site/Electrumpet.html
- http://www.sarahbellereid.com/#/migsi/
– Existing “E-trumpets” – mostly wind controlled MIDI interfaces.
– Trumpet pickup mute for suppressing acoustic sound, and using the muted sound input to generate an unmuted sounding audio output.
– Plastic trumpet for lighter weight, to balance added instrumentation to final product and reduce signal feedback from trumpet body back to mouthpiece.
– Plastic flugelhorn, with variable lead pipe for easy addition of mouthpiece pick-up.
– Acoustics background for brass instruments.
– Physical modelling software kits.
– Trumpet player and music technology researcher, Dexter Morrill (more MIDI-centric ideas).
– Good use of audio-stream input signals to drive digital synthesis in similar hybrid electro-acoustic instrument.
– Good use of existing acquired skill utilized with familiar interface for electric musical instrument.
– Two hybrid electro-acoustic trumpet designs, involving some form of audio effect addition to the trumpet’s acoustic sound, with each representing a different point on the spectrum of interface complexity/simplicity.