Bibliography

1
Chowning, J. M. The Simulation of Moving Sources, Journal of the Audio Engineering Society, Vol. 19, No. 1. 1971.

2
Chowning, J.M., Computer Music: A Grand Adventure and Some thoughts About Loudness, Proceedings of the 1993 International Computer Music Conference, pp-2 -3, Tokyo, Japan, International Computer Music Association, San Francisco, USA, 1993.

3
Kendall, G. A 3-D Sound Primer: Directional Hearing and Stereo Reproduction, Computer Music Journal, Vol 19, No. 4, pp. 23-46, 1995.

4
Loy, D. G., Notes on the implementation of MUSBOX: A compiler for the Systems Concepts digital synthesizer, In Roads, C., editor, The Music Machine, pages 333-349. MIT Press, Cambridge, MA., 1981.

5
Loy, D. Gareth, Musimathics, The Mathematical Foundations of Music, MIT Press, 55 Hayward Street, Cambridge MA, USA, 2007.

6
Mathews, Max, and John R. Pierce, eds. Current Directions in Computer Music Research, MIT Press, 55 Hayward Street, Cambridge MA, USA, 1991.

7
McCarty, B., Learning DEBIAN GNU/Linux, O'Reilly & Associates, Inc., Sebastopol CA,USA, 1999.

8
Moore, F. Richard, A General Model for Spatial Processing of Sounds, Computer Music Journal, Vol 7, No. 3, pp. 6-15, 1983.

9
Moore, F. Richard, Elements of Computer Music, Prentice Hall, Englewood Cliffs, NJ. USA. 1990.

10
Raymond, Eric S., A Hacker's Dictionary, MIT Press, Cambridge, MA., USA, 1994.

11
Roads, C., ed. Composers and The Computer, Willian Kaufmann, Inc. Los Altos, CA, USA, 1985

12
Sobell, M., A practical Guide to Linux. Commands, Editors and Shell Programming. 2nd., ed. Pearson Education Inc., 501 Boylston St. Suite 900, Boston, MA 02116, USA, 2010.

13
J.O Smith, Viewpoints on the History of Digital Synthesis, Proceedings of the International Computer Music Conference (ICMC-91, Montreal), pp. 1-10, Computer Music Association, October 1991.

14
Smith, Julius O., Physical Audio Signal Processing, W3K Press, CCRMA, Stanford CA, USA, 2004.

15
Stallman, Richard M. and Joshua Gay ed., Free Software, Free Society, GNU Press, Boston, MA. USA, 2002.

16
Steiglitz, Ken, A Digital Signal Processing Primer with Applications to Digital Audio and Computer Music, Addison-Wesley Publishing Company, 2725 Sand Hill Road, Menlo Park CA, 1995.

17
Varèse, Edgar. 1966, The Liberation of sound. in M. Boretz and E. Cone, eds., Perspectives on American Composers. Norton, New York, NY. USA, 1971.

© Copyright 2001-2022 CCRMA, Stanford University. All rights reserved.
Created and Mantained by Juan Reyes