Music 154

Course Title: 
Composition and Performance of Music with Electronics (aka History of Electronic Music)
Instructor: 
Bruno Ruviaro (Spring 2011)
Course URL: 
Course Description: 
What is electroacoustic music? How did it all begin? Acousmatic, computer music, algorithmic composition, tape music, glitch, electronic, musique concrète, noise, laptop music, DJing, organized sound... This course will provide a brief historical survey of electroacoustic music and discuss some of the most salient issues associated with it, from both a compositional and musicological point of view. Topics to be covered include: Definitions of musical sounds; Schaefferian theory and musique concrète; serialism and elektronische Musik; tape music and computer music in the USA; analysis of electroacoustic music; sampling and intellectual property; algorithmic and computer-aided composition; live-electronics and improvisation. The course does not require previous experience in the field. Classes will be based on discussion of selected listening and reading materials, as well as hands-on electroacoustic fun with sounds.
Quarter Offered: 
Spring
Course Time: 
M 3:15-5:05
Room: 
Knoll 217

Music 154 Spring 2007

Music 154 Spring 2007

Instructor: Jean-Claude Risset
Teaching Assistant: Bruno Ruviaro

Music 154 Spring 2008

Music 154 Spring 2008

Instructor: Ge Wang
Teaching Assistant: Juan Cristóbal Cerrillo

Course website:

https://ccrma.stanford.edu/courses/154-spring-2008/



 

Music 154 Spring 2009

Music 154 Spring 2009

 

Instructor: Bruno Ruviaro
Teaching Assistant: Marisol Jimenez


Course website:
https://ccrma.stanford.edu/courses/154-spring-2009/



 

Music 154 Spring 2011

Music 154 Spring 2011

Instructor: Bruno Ruviaro
Teaching Assistant: Leah Reid

Course website:

https://ccrma.stanford.edu/courses/154-spring-2011/

Syllabus:

https://ccrma.stanford.edu/courses/154-spring-2011/Music_154_2011_Syllab...

Listening Blog 2011:

https://ccrma.stanford.edu/groups/music-154-spring-2011-listening-blog