Publications

The following is an extensive, though not complete, list of publications by people from CCRMA. Stanford University Department of Music Technical Reports are available from CCRMA. Publications with notated prices are also available from CCRMA. A printed list of CCRMA publications from 1970 - 1995 is available from CCRMA as Stanford University Department of Music Technical Report STAN-M-103.

Abel and Smith(1991)

Abel, J. S. and Smith, J. O. (1991).
Restoring a clipped signal.
In Proceedings of the International Conference on Acoustics, Speech, and Signal Processing, Toronto, New York. IEEE Press.
($3.00).

Bauman(1995)

Bauman, M. L. (1995).
The International Digital Electroacoustic Music Archive.
In [ICMC(1995)].
(Also contained in STAN-M-91).

Bauman et al.(1991)Bauman, Diener, and Mathews

Bauman, M. L., Diener, G. R., and Mathews, M. V. (1991).
The International Digital Electroacoustic Music Archive.
In [ICMC(1991)].

Berger(1998)

Berger, J. (1998).
Connected to what?
Journal of the College Music Society, (1).
Plenary address, 1997.

Berger et al.(1994)Berger, Coifman, and Goldberg

Berger, J., Coifman, R. R., and Goldberg, M. J. (1994).
Removing noise from music using local trigonometric bases and wavelet packets.
Journal of the Audio Engineering Society, 42(10):808-818.
($3.00).

Berger and Gang(1997)

Berger, J. and Gang, D. (1997).
A neural network model of metric perception and cognition in the audition of functional tonal music.
In [ICMC(1997)].
(Also contained in STAN-M-101).

Berger and Nichols(1994)

Berger, J. and Nichols, C. (1994).
Brahms at the piano: An analysis of data from the brahms cylinder.
Leonardo Music Journal, 4.

Berners(1999)

Berners, D. (1999).
Acoustics and Signal Processing Techniques for Physical Modeling of Brass Instruments.
Ph.D. thesis, Dept. of Electrical Engineering, Stanford University.
Available as Stanford University Department of Music Technical Report STAN-M-105 ($14.00).

Berners and Smith(1994)

Berners, D. P. and Smith, J. O. (1994).
On the use of Schroeder's equation in the analytic determination of horn reflectance.
In [ICMC(1994)], pp. 419-422.
(Also contained in STAN-M-89).

Berners and Smith(1995)

Berners, D. P. and Smith, J. O. (1995).
Super-spherical wave simulation in flaring horns.
In [ICMC(1995)], pp. 112-113.
(Also contained in STAN-M-91).

Boie and Mathews(1989)

Boie, R. and Mathews, M. V. (1989).
The radio drum as a synthesizer controller.
In [ICMC(1989)].

Borish(1983a)

Borish, J. (1983a).
An auditorium simulator for home use.
Preprint of the Audio Engineering Society 74th Convention, 1983 October 8-12, New York. ($3.00).

Borish(1983b)

Borish, J. (1983b).
A digital delay line.
The Audio Amateur, 1/83:7-12.
Parts I and II. ($3.00).

Borish(1984a)

Borish, J. (1984a).
Electronic Simulation of Auditorium Acoustics.
Ph.D. thesis, Elec. Eng. Dept., Stanford University.
Available as Stanford University Department of Music Technical Report STAN-M-18 ($13.00).

Borish(1984b)

Borish, J. (1984b).
Extension of the image model to arbitrary polyhedra.
Journal of the Acoustical Society of America, 75(6):1827-1836.
($3.00).

Borish and Angel(1983)

Borish, J. and Angel, J. B. (1983).
An efficient algorithm for measuring the impulse response using pseudo-random noise.
Journal of the Audio Engineering Society, 31(7):478-488.
($3.00).

Bosi(1990)

Bosi, M. (1990).
A real-time system for spatial distribution of sound.
Tech. Rep. STAN-M-66, Stanford University Department of Music.
($4.00).

Carter(1993)

Carter, N. P. (1993).
A generalized approach to automatic recognition of music scores.
Tech. Rep. STAN-M-87, Stanford University Department of Music.
($7.00).

Chafe(1985)

Chafe, C. (1985).
Bowed string synthesis and its control from a physical model.
Tech. Rep. STAN-M-32, Stanford University Department of Music.
(Replaced by STAN-M-48).

Chafe(1989)

Chafe, C. (1989).
Simulating performance on a bowed instrument.
In J. Pierce and M. V. Mathews, editors, Current Directions in Computer Music. MIT Press.
Also available as Stanford University Department of Music Technical Report STAN-M-48, May 1988 ($4.00).

Chafe(1990a)

Chafe, C. (1990a).
Pulsed noise and microtransients in physical models of musical instruments.
Tech. Rep. STAN-M-65, Stanford University Department of Music.
($3.00).

Chafe(1990b)

Chafe, C. (1990b).
Pulsed noise in self-sustained oscillations of musical instruments.
In Proceedings of the International Conference on Acoustics, Speech, and Signal Processing, Albuquerque, New York. IEEE Press.
Also available as Stanford University Department of Music Technical Report STAN-M-61, January 1990 ($3.00).

Chafe(1991)

Chafe, C. (1991).
Dream machine 1990.
Computer Music Journal, 15(4):62-64.

Chafe(1993)

Chafe, C. (1993).
Tactile audio feedback.
In [ICMC(1993)].
(Also contained in STAN-M-81).

Chafe(1995a)

Chafe, C. (1995a).
Adding vortex noise to wind instrument physical models.
In [ICMC(1995)], pp. 57-60.
(Also contained in STAN-M-91).

Chafe(1995b)

Chafe, C. (1995b).
Adding vortex noise to wind instrument physical models.
In Proceedings of the 1995 International Meeting on Physical Modeling. Institute for Psychoacoustic and Music Research, University of Thessaloniki, Greece.

Chafe(1997)

Chafe, C. (1997).
Statistical pattern recognition for prediction of solo piano performance.
In [ICMC(1997)].
(Also contained in STAN-M-101).

Chafe and Jaffe(1986)

Chafe, C. and Jaffe, D. (1986).
Source separation and note identification in polyphonic music.
In Proceedings of the International Conference on Acoustics, Speech, and Signal Processing, Tokyo, New York. IEEE Press.
Also available as Stanford University Department of Music Technical Report STAN-M-34 ($3.00).

Chafe et al.(1985a)Chafe, Jaffe, Kashima, Mont-Reynaud, and Smith

Chafe, C., Jaffe, D., Kashima, K., Mont-Reynaud, B., and Smith, J. (1985a).
Techniques for note identification in polyphonic music.
In [ICMC(1985)].
Also available as Stanford University Department of Music Technical Report STAN-M-29, April 1986 ($3.00).

Chafe et al.(1985b)Chafe, Jaffe, Kashima, Mont-Reynaud, and Smith

Chafe, C., Jaffe, D., Kashima, K., Mont-Reynaud, B., and Smith, J. O. (1985b).
Techniques for note identification in polyphonic music.
In Proceedings of the 1985 International Computer Music Conference, Burnaby, B.C., Canada. Computer Music Association.

Chafe et al.(1982)Chafe, Mont-Reynaud, and Rush

Chafe, C., Mont-Reynaud, B., and Rush, L. (1982).
Toward an intelligent editor of digital audio: Recognition of musical constructs.
Computer Music Journal, 6(1):30-41.
($3.00).

Chafe and O'Modhrain(1996)

Chafe, C. and O'Modhrain, S. (1996).
Musical muscle memory and the haptic display of performance nuance.
In [ICMC(1996)].
(Also contained in STAN-M-99).

Chafe et al.(1986)Chafe, Smith, and Wood

Chafe, C., Smith, J., and Wood, P. (1986).
Current work at CCRMA: An overview.
In [ICMC(1986)].

Chomyszyn(1994)

Chomyszyn, J. (1994).
Loudness of musical sounds in a reverberant environment.
In [ICMC(1994)].
(Also contained in STAN-M-89).

Chomyszyn(1995)

Chomyszyn, J. (1995).
Distance of Sound in Reverberant Fields.
Ph.D. thesis, Department of Music, Stanford University.
Available as CCRMA Technical Report STAN-M-94 ($12.00).

Chowning(1970)

Chowning, J. M. (1970).
The simulation of moving sound sources.
Preprint of the Audio Engineering Society 38th Convention, 1970 May 4-7, New York. ($3.00).

Chowning(1972)

Chowning, J. M. (1972).
The Stanford computer music project.

Chowning(1973)

Chowning, J. M. (1973).
The synthesis of complex audio spectra by means of frequency modulation.
Journal of the Audio Engineering Society, 21(7):526-534.
Reprinted in Curtis Roads and John Strawn, eds. Foundations of Computer Music, Cambridge, MA: MIT Press, 1985 ($3.00).

Chowning(1980)

Chowning, J. M. (1980).
Computer synthesis of the singing voice.
In J. Sundberg, editor, Sound Generation in Winds, Strings, Computers, pp. 4-13. Stockholm, Sweden: Royal Swedish Academy of Music.
($3.00).

Chowning(1985)

Chowning, J. M. (1985).
John Chowning on composition.
In C. Roads, editor, Composers and the Computer. Los Altos, California: William Kaufmann, Inc.

Chowning(1990)

Chowning, J. M. (1990).
Music from machines: Perceptual fusion and auditory perspective - for Ligeti.
Tech. Rep. STAN-M-64, Stanford University Department of Music.
($4.00).

Chowning and Bristow(1986)

Chowning, J. M. and Bristow, D. (1986).
FM theory and applications.

Chowning et al.(1982a)Chowning, Chafe, Gordon, and Wood

Chowning, J. M., Chafe, C., Gordon, J. W., and Wood, P. (1982a).
Studio report: The Stanford Center for Computer Research in Music and Acoustics.
In [ICMC(1982)].
($3.00).

Chowning et al.(1982b)Chowning, Grey, Moorer, and Rush

Chowning, J. M., Grey, J. M., Moorer, J. A., and Rush, L. (1982b).
Instrumental timbre and related acoustical phenomena in the perception of music, Final Report.
Tech. Rep. STAN-M-11, Stanford University Department of Music.
($4.00).

Chowning et al.(1974)Chowning, Grey, Rush, and Moorer

Chowning, J. M., Grey, J. M., Rush, L., and Moorer, J. A. (1974).
Computer simulation of music instrument tones in reverberant environments.
Tech. Rep. STAN-M-1, Stanford University Department of Music.
($6.50).

Chowning et al.(1978)Chowning, Grey, Rush, Moorer, and Smith

Chowning, J. M., Grey, J. M., Rush, L., Moorer, J. A., and Smith, L. (1978).
Simulation of music instrument tones in reverberant environments, Final Report.
Tech. Rep. STAN-M-8, Stanford University Department of Music.
($3.00).

Chowning and Mont-Reynaud(1986)

Chowning, J. M. and Mont-Reynaud, B. (1986).
Intelligent analysis of composite acoustic signals, Final Report.
Tech. Rep. STAN-M-36, Stanford University Department of Music.
($4.00).

Chowning et al.(1984)Chowning, Rush, Mont-Reynaud, Chafe, Schloss, and Smith

Chowning, J. M., Rush, L., Mont-Reynaud, B., Chafe, C., Schloss, A., and Smith, J. (1984).
Intelligent systems for the analysis of digitized acoustic signals, Final Report.
Tech. Rep. STAN-M-15, Stanford University Department of Music.
($6.00).

Chowning and Sheeline(1982)

Chowning, J. M. and Sheeline, C. (1982).
Auditory distance perception under natural sounding conditions, Final Report.
Tech. Rep. STAN-M-12, Stanford University Department of Music.
($5.00).

Cook(1987)

Cook, P. R. (1987).
Numerical solution of boundary value problems in music acoustics.
In IEEE 1986 Student Papers.
($4.00).

Cook(1988a)

Cook, P. R. (1988a).
Implementation of single reed instruments with arbitrary bore shapes using digital waveguide filters.
Tech. Rep. STAN-M-50, Stanford University Department of Music.
($5.00).

Cook(1988b)

Cook, P. R. (1988b).
Reverberation cancellation in musical signals using adaptive filters.
Tech. Rep. STAN-M-51, Stanford University Department of Music.
Originally published June 1987, ($5.00).

Cook(1989)

Cook, P. R. (1989).
Synthesis of the singing voice using a physically parameterized model of the human vocal tract.
In [ICMC(1989)].
Also available as Stanford University Department of Music Technical Report STAN-M-57 ($3.00).

Cook(1990a)

Cook, P. R. (1990a).
Identification of Control Parameters in an Articulatory Vocal Tract Model, with Applications to the Synthesis of Singing.
Ph.D. thesis, Dept. of Elec. Eng., Stanford University.
Available as Stanford University Department of Music Technical Report STAN-M-68 ($16.00).

Cook(1990b)

Cook, P. R. (1990b).
SPASM: A real-time vocal tract physical model editor, controller, and singer: The companion software synthesis system.
In Proceedings of the Colloquium on Physical Modeling, Grenoble, France. ACROE.

Cook(1991a)

Cook, P. R. (1991a).
LECTOR: An ecclesiastical latin control language for the spasm/singer instrument.
In [ICMC(1991)].
Also available as Stanford University Department of Music Technical Report STAN-M-76 ($3.00).

Cook(1991b)

Cook, P. R. (1991b).
Noise and aperiodicity in the glottal source: A study of singer voices.
In Twelfth International Congress of Phonetic Sciences, Aix-en-Provence, France.
Also available as Stanford University Department of Music Technical Report STAN-M-75 ($3.00).

Cook(1991c)

Cook, P. R. (1991c).
Non-linear periodic prediction for on-line identification of oscillator characteristics of woodwind instruments.
In [ICMC(1991)].
(Also contained in STAN-M-73).

Cook(1991d)

Cook, P. R. (1991d).
TBone: An interactive waveguide brass instrument synthesis workbench for the next machine.
In [ICMC(1991)], pp. 297-299.
(Also contained in STAN-M-73).

Cook(1992)

Cook, P. R. (1992).
A meta-wind-instrument physical model, and a meta-controller for real time performance control.
In [ICMC(1992)], pp. 273-276.
(Also contained in STAN-M-80).

Cook(1995a)

Cook, P. R. (1995a).
A hierarchical system for controlling synthesis by physical modeling.
In [ICMC(1995)], pp. 108-109.
(Also contained in STAN-M-91).

Cook(1995b)

Cook, P. R. (1995b).
Integration of physical modeling for synthesis and animation.
In [ICMC(1995)], pp. 525-528.
(Also contained in STAN-M-91).

Cook(1995c)

Cook, P. R. (1995c).
An investigation of singer pitch deviation as a function of pitch and dynamics.
In Thirteenth International Congress of Phonetic Sciences, pp. 1:202-205. KTH, Stockholm, Sweden.

Cook(1995d)

Cook, P. R. (1995d).
Speech and singing synthesis using physical models, some history and future directions.
In Greek Symposium on Physical Models and Applications in Psychoacoustics, Thessaloniki, Greece. Aristotle University of Thessaloniki.

Cook(1996)

Cook, P. R. (1996).
Singing voice synthesis: History, current work, and future directions.
Computer Music Journal, 20(3).

Cook(1999)

Cook, P. R., editor (1999).
Music, Cognition and Computerized Sound: An Introduction to Psychoacoustics.
Cambridge, MA: MIT Press.

Cook et al.(1993a)Cook, Kamarotos, Diamantopoulos, and Philippis

Cook, P. R., Kamarotos, D., Diamantopoulos, T., and Philippis, G. (1993a).
IGDIS (Instrument for Greek DIction and Singing): A Modern Greek Text to Speech/Singing Program for the SPASM/Singer Instrument.
In [ICMC(1993)].
(Also contained in STAN-M-81).

Cook and Morrill(1989)

Cook, P. R. and Morrill, D. (1989).
Hardware, software, and compositional tools for a real time improvised solo trumpet work.
In [ICMC(1989)].
Also available as Stanford University Department of Music Technical Report STAN-M-56 ($3.00).

Cook et al.(1993b)Cook, Morrill, and Smith

Cook, P. R., Morrill, D., and Smith, J. O. (1993b).
A MIDI control and performance system for brass instruments.
In [ICMC(1993)].
(Also contained in STAN-M-81).

Cook and Scavone(1999a)

Cook, P. R. and Scavone, G. P. (1999a).
Synthesis ToolKit in C++, Version 2.02.
In SIGGRAPH 1999, Course Notes #23, Virtual Worlds/Real Sounds. Association for Computing Machinery.

Cook and Scavone(1999b)

Cook, P. R. and Scavone, G. P. (1999b).
The Synthesis ToolKit (STK).
In [ICMC(1999)], pp. 164-166.

Deutsch and Pierce(1992)

Deutsch, D. and Pierce, J. (1992).
The climate of auditory imagery and music.
In D. Reisberg, editor, Auditory Imagery. New Jersey: Lawrence Erlbaum Associates.

Diener(1988a)

Diener, G. (1988a).
Designing digital instruments with hierarchical waveguide networks.
Tech. Rep. STAN-M-49, Stanford University Department of Music.
($4.00).

Diener(1988b)

Diener, G. (1988b).
TTREES: An active data structure for computer music.
Tech. Rep. STAN-M-53, Stanford University Department of Music.
($4.00).

Diener(1989a)

Diener, G. (1989a).
Nutation: Structural organization versus graphical generality in a common music notation program.
In [ICMC(1989)].
Also available as Stanford University Department of Music Technical Report STAN-M-59, September 1989 ($3.00).

Diener(1989b)

Diener, G. (1989b).
TTREES: A tool for the compositional environment.
Computer Music Journal, 13(2):77-85.
($4.00).

Diener(1990)

Diener, G. (1990).
Modeling Music Notation: A Three-Dimensional Approach.
Ph.D. thesis, Dept. of Music, Stanford University.
Available as Stanford University Department of Music Technical Report STAN-M-69 ($13.00).

Dyer(1991)

Dyer, L. (1991).
An Object-Oriented Real-Time Simulation of Music Performance Using Interactive Control.
Ph.D. thesis, California Institute of Technology.
Available as Stanford University Department of Music Technical Report STAN-M-78 ($16.00).

Foster et al.(1982)Foster, Schloss, and Rockmore

Foster, S., Schloss, W. A., and Rockmore, A. J. (1982).
Toward an intelligent editor of digital audio: Signal processing methods.
Computer Music Journal, 6(1):42-51.
($3.00).

Friedlander and Smith(1984)

Friedlander, B. and Smith, J. O. (1984).
Analysis and performance evaluation of an adaptive notch filter.
IEEE Transactions on Information Theory, 30(2):283-295.
($3.00).

Fujishima(1999)

Fujishima, T. (1999).
Realtime chord recognition of musical sound: a system using common lisp music.
In [ICMC(1999)], pp. 464-467.

Gang and Berger(1998)

Gang, D. and Berger, J. (1998).
A computational model of meter cognition during the audition of functional tonal music: Modeling a-priori bias in meter cognition.
In [ICMC(1998)].

Gang and Berger(1999)

Gang, D. and Berger, J. (1999).
A unified neurosymbolic model of the mutual influence of memory, context and prediction of time ordered sequential events during the audition of tonal music.
In Hybrid Systems and AI: Modeling, Analysis and Control of Discrete + Continuous Systems, Stanford University, CA. AAAI 1999 Spring Symposium.

Garcia and Pampin(1999)

Garcia, G. and Pampin, J. C. (1999).
Data compression of sinusoidal modeling parameters based on psychoacoustic masking.
In [ICMC(1999)], pp. 40-43.

Garnett(1987)

Garnett, G. E. (1987).
Modeling piano sound using waveguide digital filtering techniques.
In [ICMC(1987)].
($3.00).

Gillespie(1992a)

Gillespie, B. (1992a).
Dynamical modeling of the grand piano action.
In [ICMC(1992)].
(Also contained in STAN-M-80).

Gillespie(1992b)

Gillespie, B. (1992b).
The touchback keyboard.
In [ICMC(1992)].
(Also contained in STAN-M-80).

Gillespie(1994)

Gillespie, B. (1994).
Virtual piano action: Design and implementation.
In [ICMC(1994)].
(Also contained in STAN-M-89).

Gillespie(1996)

Gillespie, B. (1996).
Haptic Displays of Systems with Changing Kinematic Constraints: The Virtual Piano Action.
Ph.D. thesis, Dept. of Mech. Eng. Stanford University.
Available as Stanford University Department of Music Technical Report STAN-M-92 ($12.00).

Gillespie and O'Modhrain(1995)

Gillespie, B. and O'Modhrain, S. (1995).
The moose: A haptic user interface for blind persons with application to the digital sound studio.
Tech. Rep. STAN-M-95, Stanford University Department of Music.
($5.00).

Gordon(1984)

Gordon, J. W. (1984).
Perception of Attack Transients in Musical Tones.
Ph.D. thesis, Dept. of Music, Stanford University.
Available as Stanford University Department of Music Technical Report STAN-M-17 ($9.00).

Gordon(1985)

Gordon, J. W. (1985).
System architecture for computer music.
Computing Surveys, 17(2):192-233.
($4.00).

Gordon(1987a)

Gordon, J. W. (1987a).
The perceptual attack time of musical tones.
Journal of the Acoustical Society of America, 82(1):88-105.
($3.00).

Gordon(1987b)

Gordon, J. W. (1987b).
The role of psychoacoustics in computer music.
Tech. Rep. STAN-M-38, Stanford University Department of Music.
($4.00).

Gordon and Grey(1978)

Gordon, J. W. and Grey, J. M. (1978).
Perception of spectral modifications on orchestral instrument tones.
Computer Music Journal, 2(1):24-31.
($3.00).

Gordon and Smith(1985)

Gordon, J. W. and Smith, J. O. (1985).
A sine generation algorithm for VLSI applications.
In [ICMC(1985)].
($3.00).

Gordon and Strawn(1985)

Gordon, J. W. and Strawn, J. (1985).
An introduction to the phase vocoder.
In J. Strawn, editor, Digital Audio Signal Processing: An Anthology. Los Altos, CA: William Kaufmann.
Also available as Stanford University Department of Music Technical Report STAN-M-55, February 1987 ($6.00).

Grey(1975)

Grey, J. M. (1975).
An Exploration of Musical Timbre.
Ph.D. thesis, Dept. of Psychology, Stanford University.
Available as Stanford University Department of Music Technical Report STAN-M-2 ($10.00).

Grey(1977a)

Grey, J. M. (1977a).
Experiments in the perception of instrumental timbre.
In Bulletin of the Council for Research in Music Education.
Invited Paper.

Grey(1977b)

Grey, J. M. (1977b).
Multidimensional perceptual scaling of musical timbres.
Journal of the Acoustical Society of America, 61(5):1270-1277.
($3.00).

Grey(1978)

Grey, J. M. (1978).
Timbre discrimination in musical patterns.
Journal of the Acoustical Society of America, 64(2):467-472.
($3.00).

Grey and Gordon(1978)

Grey, J. M. and Gordon, J. W. (1978).
Perceptual effects of spectral modifications on musical timbres.
Journal of the Acoustical Society of America, 63(5):1493-1500.
($3.00).

Grey and Moorer(1977)

Grey, J. M. and Moorer, J. A. (1977).
Perceptual evaluation of synthetic musical instrument tones.
Journal of the Acoustical Society of America, 62(2):454-462.
($3.00).

Hewlett(1995-96)

Hewlett, W. B. (1995-96).
A derivative database format for high-speed searches.
Computing in Musicology, pp. 131-142.

Hewlett and Selfridge-Field(1998)

Hewlett, W. B. and Selfridge-Field, E., editors (1998).
Musical Similiarity: Concepts, Procedures, and Applications (Computing in Musicology 11).
Cambridge, MA: MIT Press.
For contents see http://www.ccarh.org/publications/books/cm/vol/11/.

Hintzman et al.(1998)Hintzman, Caulton, and Levitin

Hintzman, D. L., Caulton, D. A., and Levitin, D. J. (1998).
Retrieval dynamics in recognition and list discrimination: Further evidence of separate processes of familiarity and recall.
Memory and Cognition, 26(3):449-462.

Hirschman(1991)

Hirschman, S. (1991).
Digital Waveguide Modeling and Simulation of Reed Woodwind Instruments.
Engineering thesis, Elec. Eng. Dept., Stanford University.
Available as Stanford University Department of Music Technical Report STAN-M-72 ($12.00).

Hirschman et al.(1991)Hirschman, Cook, and Smith

Hirschman, S., Cook, P. R., and Smith, J. O. (1991).
Digital waveguide modeling and simulation of reed woodwind instruments: An interactive development environment on the next computer.
In [ICMC(1991)].
(Also contained in STAN-M-73).

Holland(1994)

Holland, S. (1994).
Learning about harmony with harmony space: an overview.
Tech. Rep. STAN-M-88, Stanford University Department of Music.
($4.00).

ICMC(1982)

ICMC (1982).
Proceedings of the 1982 International Computer Music Conference, Venice, Italy. International Computer Music Association.

ICMC(1983)

ICMC (1983).
Proceedings of the 1983 International Computer Music Conference, Eastman School of Music, Rochester, NY. International Computer Music Association.

ICMC(1984)

ICMC (1984).
Proceedings of the 1984 International Computer Music Conference, Paris. International Computer Music Association.

ICMC(1985)

ICMC (1985).
Proceedings of the 1985 International Computer Music Conference, Burnaby, B.C., Canada. International Computer Music Association.

ICMC(1986)

ICMC (1986).
Proceedings of the 1986 International Computer Music Conference, The Hague, Netherlands. International Computer Music Association.

ICMC(1987)

ICMC (1987).
Proceedings of the 1987 International Computer Music Conference, Champaign-Urbana, Illinois. International Computer Music Association.

ICMC(1989)

ICMC (1989).
Proceedings of the 1989 International Computer Music Conference, Columbus, Ohio. International Computer Music Association.

ICMC(1990)

ICMC (1990).
Proceedings of the 1990 International Computer Music Conference, Glasgow, England. International Computer Music Association.

ICMC(1991)

ICMC (1991).
Proceedings of the 1991 International Computer Music Conference, Montreal, Canada. International Computer Music Association.

ICMC(1992)

ICMC (1992).
Proceedings of the 1992 International Computer Music Conference, San Jose, CA. International Computer Music Association.

ICMC(1993)

ICMC (1993).
Proceedings of the 1993 International Computer Music Conference, Tokyo, Japan. International Computer Music Association.

ICMC(1994)

ICMC (1994).
Proceedings of the 1994 International Computer Music Conference, Århus, Denmark. International Computer Music Association.

ICMC(1995)

ICMC (1995).
Proceedings of the 1995 International Computer Music Conference, Banff, Canada. International Computer Music Association.

ICMC(1996)

ICMC (1996).
Proceedings of the 1996 International Computer Music Conference, Hong Kong. International Computer Music Association.

ICMC(1997)

ICMC (1997).
Proceedings of the 1997 International Computer Music Conference, Thessaloniki, Greece. International Computer Music Association.

ICMC(1998)

ICMC (1998).
Proceedings of the 1998 International Computer Music Conference, Michigan, USA. International Computer Music Association.

ICMC(1999)

ICMC (1999).
Proceedings of the 1999 International Computer Music Conference, Beijing, China. International Computer Music Association.

Igoudin and Smith(1996)

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Smith, J. O. (1997a).
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Smith, J. O. (1997b).
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Smith(1997c)

Smith, J. O. (1997c).
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Smith, J. O. and Abel, J. S. (1995).
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Smith, J. O. and Friedlander, B. (1985).
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IEEE Transactions on Aerospace and Electronic Systems, 21(2):180-199.

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Asilomar-84.

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Smith, J. O. and Friedlander, B. (1985a).
Adaptive multipath delay estimation.
IEEE Transactions on Acoustics, Speech, Signal Processing, 33(4):812-822.

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Smith, J. O. and Friedlander, B. (1985b).
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Smith, J. O. and Gossett, P. (1984).
A flexible sampling-rate conversion method.
In Proceedings of the International Conference on Acoustics, Speech, and Signal Processing, San Diego, vol. 2, pp. 19.4.1-19.4.2, New York. IEEE Press.
An expanded tutorial based on this paper is available in the directory ftp://ccrma-ftp.stanford.edu/pub/DSP/Tutorials/, file BandlimitedInterpolation.eps.Z, as is C code for implementing the technique in directory ftp://ccrma-ftp.stanford.edu/pub/NeXT/, file resample-n.m.tar.Z, where n.m denotes the latest version number. Note that the C source code is included so it is easy to port it to any platform supporting the C language.

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Smith, J. O., Gutknecht, M., and Trefethen, L. N. (1983).
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IEEE Transactions on Acoustics, Speech, Signal Processing, 31(6):1417-1426.
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Smith, J. O., Jaffe, D. A., and Boynton, L. (1989).
Music system architecture on the NeXT computer.
Audio Engineering Society Convention.

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Smith, J. O. and Karjalainen, M. (1996).
Body modeling techniques for string instrument synthesis.
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Smith, J. O. and Rocchesso, D. (1994).
Connections between feedback delay networks and waveguide networks for digital reverberation.
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Smith, J. O. and Rocchesso, D. (1998).
Aspects of digital waveguide networks for acoustic modeling applications.
Submitted for publication.

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Smith, J. O. and Scavone, G. P. (1997).
The one-filter Keefe clarinet tonehole.
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Smith, J. O. and Serra, X. (1987).
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Smith, J. O. and Van Duyne, S. A. (1995b).
Overview of the commuted piano synthesis technique.
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Smith, J. O. and Van Duyne, S. A. (1995c).
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Virtual musique concréte--algorithmic synthesis of natural sound.
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available online at http://www-ccrma.stanford.edu/~jos/.

STAN-M-101(1997)

STAN-M-101 (1997).
CCRMA Papers Presented at the 1997 International Computer Music Conference, Thessaloniki, Greece.
Stanford University Department of Music Technical Report, ($6.00).

STAN-M-73(1991)

STAN-M-73 (1991).
CCRMA Papers on Physical Modeling from the 1991 International Computer Music Conference, Montreal, Canada.
Stanford University Department of Music Technical Report, ($6.00).

STAN-M-80(1992)

STAN-M-80 (1992).
Physical Modeling and Signal Processing: CCRMA Papers Presented at the 1992 International Computer Music Conference, San Jose, CA.
Stanford University Department of Music Technical Report, ($6.00).

STAN-M-81(1993)

STAN-M-81 (1993).
CCRMA Papers Presented at the 1993 International Computer Music Conference, Tokyo, Japan.
Stanford University Department of Music Technical Report, ($5.00).

STAN-M-89(1994)

STAN-M-89 (1994).
CCRMA Papers Presented at the 1994 International Computer Music Conference, Århus, Denmark.
Stanford University Department of Music Technical Report, ($6.00).

STAN-M-91(1995)

STAN-M-91 (1995).
CCRMA Papers Presented at the 1995 International Computer Music Conference, Banff, Canada.
Stanford University Department of Music Technical Report, ($6.00).

STAN-M-99(1996)

STAN-M-99 (1996).
CCRMA Papers Presented at the 1996 International Computer Music Conference, Hong Kong.
Stanford University Department of Music Technical Report, ($7.00).

Stilson(1995a)

Stilson, T. (1995a).
Forward-going wave extraction in acoustic tubes.
In [ICMC(1995)], pp. 517-520.
(Also contained in STAN-M-91).

Stilson(1995b)

Stilson, T. (1995b).
General weirdness with the Karplus-Strong string.
In [ICMC(1995)], pp. 110-111.
(Also contained in STAN-M-91).

Stilson and Smith(1996a)

Stilson, T. and Smith, J. O. (1996a).
Alias-free digital synthesis of classic analog waveforms.
In [ICMC(1996)].
Available online at http://www-ccrma.stanford.edu/~stilti/. (Also contained in STAN-M-99).

Stilson and Smith(1996b)

Stilson, T. and Smith, J. O. (1996b).
Analyzing the Moog VCF with considerations for digital implementation.
In [ICMC(1996)].
Available online at http://www-ccrma.stanford.edu/~stilti/. (Also contained in STAN-M-99).

Stilson(1997)

Stilson, T. S. (1997).
Applying root-locus techniques to the analysis of coupled modes in piano strings.
In [ICMC(1997)].
(Also contained in STAN-M-101).

Stilson and Thornburg(1998)

Stilson, T. S. and Thornburg, H. (1998).
Examples of using amplitude control systems in music synthesis.
In [ICMC(1998)].

Strawn(1980)

Strawn, J. (1980).
Approximation and syntactic analysis of amplitude and frequency functions for digital sound synthesis.
Computer Music Journal, 4(3):3-24.
($5.00).

Strawn(1982)

Strawn, J. (1982).
Research on timbre and musical contexts at CCRMA.
In [ICMC(1982)].
($3.00).

Strawn(1985a)

Strawn, J. (1985a).
Digital Audio Signal Processing: An Anthology.
Los Altos, CA: William Kaufmann.

Strawn(1985b)

Strawn, J. (1985b).
Digital sound recording and synthesis.
In C. Roads and J. Strawn, editors, Computer Music Tutorial. Cambridge, MA: The MIT Press.
($3.00).

Strawn(1985c)

Strawn, J. (1985c).
Editing time-varying spectra.
Audio Engineering Society 78th Convention, 1985 May 3-6, Anaheim, CA. ($3.00).

Strawn(1985d)

Strawn, J. (1985d).
Modeling Musical Transitions.
Ph.D. thesis, Department of Music, Stanford University.
Available as CCRMA Technical Report STAN-M-26 ($18.00).

Strawn(1985e)

Strawn, J. (1985e).
Orchestral instruments: Analysis of performed transitions.
Preprint of the Audio Engineering Society 78th Convention, 1985 May 3-6, Anaheim, CA. ($3.00).

Tanaka(1992)

Tanaka, A. (1992).
Implementing quadraphonic audio on the NeXT.
In [ICMC(1992)].
(Also contained in STAN-M-80).

Taube(1989)

Taube, H. (1989).
Common Music: A music composition language in Common Lisp and CLOS.
In [ICMC(1989)].
Also available as Stanford University Department of Music Technical Report STAN-M-63 ($3.00) and in Proc. of EUROPAL 90, Cambridge, England, March 1990.

Taube(1993)

Taube, H. (1993).
Stella: Persistent score representation and score editing in Common Music.
Computer Music Journal, 17(4).

Taube and Kunze(1995)

Taube, H. and Kunze, T. (1995).
Capella: A graphical interface for algorithmic composition.
In [ICMC(1995)], pp. 377-380.
(Also contained in STAN-M-91).

Taube and Kunze(1997)

Taube, H. and Kunze, T. (1997).
An HTTP interface to Common Music.
In [ICMC(1997)].
(Also contained in STAN-M-101).

Thornburg(1999)

Thornburg, H. (1999).
Antialiasing for nonlinearities: Acoustic modeling and synthesis applications.
In [ICMC(1999)].

Trautmann(1995a)

Trautmann, S. D. (1995a).
A physical string model with a twist.
In [ICMC(1995)].
(Also contained in STAN-M-91).

Trautmann(1995b)

Trautmann, S. D. (1995b).
Some Aspects of Applying Psychoacoustic Principles to Soundfield Reconstruction.
Ph.D. thesis, Department of Music, Stanford University.
Available as CCRMA Technical Report STAN-M-96 ($13.00).

Trautmann(1995c)

Trautmann, S. D. (1995c).
Toward a CLM sound localization instrument employing modified wavefront reconstruction.
In [ICMC(1995)].
(Also contained in STAN-M-91).

Van Duyne and Smith(1993a)

Van Duyne, S. and Smith, J. O. (1993a).
Physical modeling with the 2-D digital waveguide mesh.
In [ICMC(1993)], pp. 40-47.
(Also contained in STAN-M-81).

Van Duyne(1992)

Van Duyne, S. A. (1992).
Low piano tones: Modeling nearly harmonic spectra with regions of FM.
In [ICMC(1992)].
(Also contained in STAN-M-80).

Van Duyne(1997)

Van Duyne, S. A. (1997).
Coupled mode synthesis.
In [ICMC(1997)].
(Also contained in STAN-M-101).

Van Duyne et al.(1997)Van Duyne, Jaffe, Scandalis, and Stilson

Van Duyne, S. A., Jaffe, D. A., Scandalis, P., and Stilson, T. S. (1997).
A lossless, click-free, pitchbend-able delay line loop interpolation scheme.
In [ICMC(1997)].
(Also contained in STAN-M-101).

Van Duyne et al.(1994)Van Duyne, Pierce, and Smith

Van Duyne, S. A., Pierce, J. R., and Smith, J. O. (1994).
Traveling-wave implementation of a lossless mode-coupling filter and the wave digital hammer.
In [ICMC(1994)], pp. 411-418.
(Also contained in STAN-M-89. Presented at the Conference of the Acoustical Society of America, November, 1994).

Van Duyne and Smith(1992)

Van Duyne, S. A. and Smith, J. O. (1992).
Implementation of a variable pick-up point on a waveguide string model with FM/AM applications.
In [ICMC(1992)], pp. 154-157.
(Also contained in STAN-M-80).

Van Duyne and Smith(1993b)

Van Duyne, S. A. and Smith, J. O. (1993b).
The 2-D digital waveguide mesh.
In Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York. IEEE Press.

Van Duyne and Smith(1994)

Van Duyne, S. A. and Smith, J. O. (1994).
A simplified approach to modeling dispersion caused by stiffness in strings and plates.
In [ICMC(1994)], pp. 407-410.
(Also contained in STAN-M-89).

Van Duyne and Smith(1995a)

Van Duyne, S. A. and Smith, J. O. (1995a).
Developments for the commuted piano.
In [ICMC(1995)], pp. 335-343.
(Also contained in STAN-M-91).

Van Duyne and Smith(1995b)

Van Duyne, S. A. and Smith, J. O. (1995b).
The tetrahedral waveguide mesh: Multiply-free computation of wave propagation in free space.
In Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York. IEEE Press.

Van Duyne and Smith(1996)

Van Duyne, S. A. and Smith, J. O. (1996).
The 3D tetrahedral digital waveguide mesh with musical applications.
In [ICMC(1996)].
(Also contained in STAN-M-99).

van Walstijn and Smith(1998)

van Walstijn, M. and Smith, J. O. (1998).
Use of truncated infinite impulse response (TIIR) filters in implementing efficient digital waveguide models of flared horns and piecewise conical bores with unstable one-pole filter elements.
In Proc. Int. Symp. Musical Acoustics (ISMA-98), Leavenworth, Washington, pp. 309-314. Acoustical Society of America.

Verma et al.(1997)Verma, Levine, and Meng

Verma, T. S., Levine, S. N., and Meng, T. H. (1997).
Transient modeling synthesis: a flexible analysis/synthesis tool for transient signals.
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(Also contained in STAN-M-101).

Wang and Smith, III(1997a)

Wang, A. and Smith, III, J. O. (1997a).
On fast FIR filters implemented as tail-canceling IIR filters.
IEEE Transactions on Signal Processing, 45(6):1415-1427.

Wang and Smith, III(1997b)

Wang, A. and Smith, III, J. O. (1997b).
Some properties of tail-canceling IIR filters.
In Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York. IEEE Press.

Wang(1994)

Wang, A. L.-C. (1994).
Instantaneous and Frequency-Warped Signal Processing Techniques for Auditory Source Separation.
Ph.D. thesis, Department of Elec. Eng., Stanford University.
Available as CCRMA Technical Report STAN-M-86 ($18.00).

Wang and Smith(1994)

Wang, A. L.-C. and Smith, J. O. (1994).
On fast FIR filters implemented as tail-canceling IIR filters.
Tech. Rep. STAN-M-90, Stanford University Department of Music.
($3.00).

Wood(1991)

Wood, P. (1991).
Recollections with John Robinson Pierce.
Computer Music Journal, 15(4):17-28.

Wood(1992)

Wood, P., editor (1992).
CCRMA Research Overview, Stanford University Department of Music Technical Report.
(out of print).

Wood and Duyne(1994)

Wood, P. and Duyne, S. V., editors (1994).
Overview, September 1994, Stanford University Department of Music Technical Report STAN-M-97.
($6.00).

Zicarelli(1991)

Zicarelli, D. (1991).
Communicating with meaningless numbers.
Computer Music Journal, 15(4):74-77.