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Bibliography

1
J.-M. Adrien and J. Morrison, ``Mosaïc: A modular program for synthesis by modal superposition,'' in Proceedings of the Colloquium on Physical Modeling, (Grenoble, France), ACROE, 1990.

2
G. Bennett and X. Rodet, ``Synthesis of the singing voice,'' in Current Directions in Computer Music Research (M. V. Mathews and J. R. Pierce, eds.), pp. 19-44, Cambridge, MA: MIT Press, 1989.

3
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4
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5
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6
G. Loy, ``Composing with computers--a survey of some compositional formalisms and music programming languages,'' in Current Directions in Computer Music Research (M. V. Mathews and J. R. Pierce, eds.), pp. 291-396, Cambridge, MA: MIT Press, 1989.

7
M. V. Mathews, ``The digital computer as a musical instrument,'' Science, vol. 142, no. 11, pp. 553-557, 1963.

8
M. V. Mathews, The Technology of Computer Music,
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9
M. V. Mathews and J. R. Pierce, eds., Current Directions in Computer Music Research,
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10
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11
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12
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13
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14
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16
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17
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18
J. O. Smith, ``Waveguide simulation of non-cylindrical acoustic tubes,'' in Proceedings of the 1991 International Computer Music Conference, Montreal, pp. 304-307, Computer Music Association, 1991.

19
J. C. Stapleton and S. C. Bass, ``Synthesis of musical tones based on the Karhunen-Loeve transform,'' IEEE Transactions on Acoustics, Speech, Signal Processing, vol. ASSP-36, pp. 305-319, March 1988.


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``Viewpoints on the History of Digital Synthesis'', by Julius O. Smith III, Proceedings of the International Computer Music Conference (ICMC-91, Montreal), pp. 1-10,
Computer Music Association, October 1991.
Revised with Curtis Roads for publication in Cahiers de l'IRCAM, September 1992, Institut de Recherche et Coordination Acoustique / Musique.
Copyright © 2005-12-28 by Julius O. Smith III
Center for Computer Research in Music and Acoustics (CCRMA),   Stanford University
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