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Bibliography

1
E. J. Berdahl and J. O. Smith, ``Transfer function measurement toolbox,'' June 2007,
http://ccrma.stanford.edu/realsimple/imp_meas/.

2
H. Chamberlin, Musical Applications of Microprocessors,
New Jersey: Hayden Book Co., Inc., 1980.

3
J. Dattorro, ``The implementation of recursive digital filters for high-fidelity audio,'' Journal of the Audio Engineering Society, vol. 36, pp. 851-878, Nov. 1988,
Comments, ibid. (Letters to the Editor), vol. 37, p. 486 (1989 June); Comments, ibid. (Letters to the Editor), vol. 38, pp. 149-151 (1990 Mar.).

4
D. A. Jaffe and J. O. Smith, ``Extensions of the Karplus-Strong plucked string algorithm,'' Computer Music Journal, vol. 7, no. 2, pp. 56-69, 1983.

5
M. Karjalainen and U. K. Laine, ``A model for real-time sound synthesis of guitar on a floating-point signal processor,'' in Proceedings of the International Conference on Acoustics, Speech, and Signal Processing, Toronto, vol. 5, (New York), pp. 3653-3656, IEEE Press, May 1991.

6
M. Karjalainen, V. Välimäki, and T. Tolonen, ``Plucked string models: From the Karplus-Strong algorithm to digital waveguides and beyond,'' Computer Music Journal, vol. 22, pp. 17-32, Fall 1998,
available online at http://www.acoustics.hut.fi/~ vpv/publications/cmj98.htm.

7
K. Karplus and A. Strong, ``Digital synthesis of plucked string and drum timbres,'' Computer Music Journal, vol. 7, no. 2, pp. 43-55, 1983.

8
N. Lee and J. O. Smith, ``Virtual stringed instruments,'' Dec. 2007,
http://ccrma.stanford.edu/realsimple/phys_mod_overview/.

9
Y. Orlarley, A. Gräf, and S. Kersten, ``DSP programming with Faust, Q and SuperCollider,'' in Proceedings of the 4th International Linux Audio Conference (LAC2006), http://lac.zkm.de/2006/proceedings.shtml, 2006,
http://www.grame.fr/pub/lac06.pdf.

10
B. Santo, ``Volume cranked up in amp debate,'' Electronic Engineering Times, pp. 24-35, October 3, 1994,
http://www.trueaudio.com/at_eetjlm.htm.

11
J. O. Smith, Techniques for Digital Filter Design and System Identification with Application to the Violin,
PhD thesis, Elec. Engineering Dept., Stanford University (CCRMA), June 1983,
Available as CCRMA Technical Report STAN-M-14.

12
J. O. Smith, Introduction to Digital Filters with Audio Applications,
http://w3k.org/books/: W3K Publishing, 2007,
http://ccrma.stanford.edu/~jos/filters/.

13
J. O. Smith, Mathematics of the Discrete Fourier Transform (DFT), with Audio Applications, Second Edition,
http://w3k.org/books/: W3K Publishing, 2007,
http://ccrma.stanford.edu/~jos/mdft/.

14
J. O. Smith, Physical Audio Signal Processing,
http://ccrma.stanford.edu/~jos/pasp/, Aug. 2007,
online book.

15
J. O. Smith, ``Signal processing in faust and pd,'' Nov. 2007,
http://ccrma.stanford.edu/realsimple/faust/.

16
T. Stilson, Efficiently Variable Algorithms in Virtual-Analog Music Synthesis--a Root-Locus Perspective,
PhD thesis, Elec. Engineering Dept., Stanford University (CCRMA), June 2006,
http://ccrma.stanford.edu/~stilti/.

17
C. R. Sullivan, ``Extending the Karplus-Strong algorithm to synthesize electric guitar timbres with distortion and feedback,'' Computer Music Journal, vol. 14, pp. 26-37, Fall 1990.

18
V. Välimäki, Discrete-Time Modeling of Acoustic Tubes Using Fractional Delay Filters,
PhD thesis, Report no. 37, Helsinki University of Technology, Faculty of Electrical Engineering, Laboratory of Acoustic and Audio Signal Processing, Espoo, Finland, Dec. 1995,
http://www.acoustics.hut.fi/ vpv/publications/vesa_phd.html.

19
R. VanderKam, ``class project,'' spring 1991.


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Download faust_strings.pdf

``Making Virtual Electric Guitars and Associated Effects Using Faust'', by Julius O. Smith III,
REALSIMPLE Project — work supported in part by the Wallenberg Global Learning Network .
Released 2008-06-05 under the Creative Commons License (Attribution 2.5), by Julius O. Smith III
Center for Computer Research in Music and Acoustics (CCRMA),   Stanford University
CCRMA