1. Convergence points

    As I think about effective ways to spatialize ''Electric Counterpoint'', and more generally, to think about musical spatialization as a compositional element, I remembered a tip from Jonathan Berger. He suggested I read some of Diana Deutsch's work. More specifically, the great musical illusions she discovered. I'll go ...


  2. Background on Electric Counterpoint

    ''Electric Counterpoint'' is scored for "electric guitar or amplified acoustic guitar and tape."[1] Alternatively, it may be performed by a live ensemble. The three movements call for live guitar and 7, 10, or 12 additional guitars (for movements I, II, and III respectively) as well as two bass guitars ...