Music 220c/MUSIC 220d Spring 2015- Composition Projects
Spring 2015
Shu Yu Lin
Project I: Coexistence
a multichannel 3rd order ambisonic composition for 3D surround system
Overview
The purpose of this project was to field record in the Patagonia region of Chile, compose a piece of music that incorporate the these recordings and to perform it to the public. Field recording was carried out on Navarino Island, Chile with the assistance from the scientists who work for Sub-Antartic Biocultural Conservation Program. These recordings were edited at Stanford and used as main source of musical elements in the piece Coexistence. It was a multichannel 3rd order ambisonic piece for 3D surround system. Furthermore, the piece was specifically composed for the Stanford Bing Studio where its premire was held. The concert was a part of the course concert for MUSIC 222 Sound in Space and CCRMA's annual Spring Concert. Overall, the project was completed and the process of carrying out the project was rewarding.
Composition Proposal
Below is a link to the composition project proposal that was submitted to the class MUSIC 222 Sound in Space in which the lecturer was Fernando Lopez-Lezcano and the TA was Alex Hay. This proposal was written from the perspective of a composer in which the content centers the piece.
projectProposal
Timeline
week2: match the recordings to each bird and adopt the most appropriate way to eliminate environmental sound
week3: try the technology to be used; overal structure of the piece; select the recordings that I will be using in the piece
week4: clean sound files; try ambisonics
week5: compose
week6: compose
week7: compose
week8: performance!
Project Web Page
For more information, including detailed project report, examples of recordings and recordings of Coexistence and rapid fire talk on the project please visit
project webpage.
Project II: Delusion
for double bass and electronics
Overview
Delusion is a piece that I have been working on since the beginning of the year 2015. The piece was initially designed for double bass and electronics, which I specify for it to use Chuck audio programming language to perform. In Delusion, electronics sets up the piece's atmosphere and it also took a crucial role of presenting 3 most important tone rows in the beginnig. For double bass, I allowed it to have the freedom to improvise. Since I was free of any constraints from any third party, I composed this piece for enjoyment. Delusion was premiered during the MUSIC 220C Research Seminar in Computer-Generated Music class presentation on June 9, 2015.
Project Web Page
Please visit project webpage for program notes, brief analysis, scores, recording and code.
For more information about Shu Yu and her work, please visit her at
shuyulin.info
Here are Shu Yu's biography and resume.
Shu Yu's biography
Shu Yu's resume
Contact
sylin@ccrma.stanford.edu