Broadcast on Czech Radio Channel, Vltava, MUSICA NOVA, Prague,
Czech
Awards, Grants and Sholarships
2002
Electronic Music Studio,
Presentation, Stockholm, Sweden
IRCAM
Presentation at Agora
Festival, Paris, France
Florida Electro-Acoustic Music Festival, Grant, Gainesville, FL
Stanford University, CCRMA Grant,
Primavera en la Havana, Havana, Cuba
2001
Korean Culture & Arts Foundation
Grant for Young Korean Musician in Abroad, Seoul, Korea
Djerassi Resident Artists Program,
OSHITA Fellowship,
Woodside, CA
2000
Stanford University Grant, XIII CIM
2000, l'Aquila, Italy
Internationale Musikinstitut Darmstadt '00, Darmstadt, Germany
Acanthes: Concours internationaux de la ville de Paris, Avignon,
France
Honorable mention in
Luigi Russolo International Computer Music Competition, Rome, Italy
1996-2000
Stanford University, Graduate School, Department of Music Full
Scholarship
1999
Stanford University, Medical School Project Grant,
Cantor Center for Visual Arts
A collaborative work of Stanford University Digital Art Center
(SUDAC)
1998
Stanford University, Travel Grant
Internationale
Musikinstitut Darmstadt '98, Darmstadt, Germany
1997-1998
Stanford University,
Asia/Pacific Scholars Program Fellowship
1996
Stanford University, Department of Music, Organ Scholarship
1993-1995
Boston University, School for the Arts, Department of Music, Scholarship
1992
Commissioned by DaeKu 2nd Contemporary Music Festival
Teaching Experiences
2002-2003
Lecturer at Technology Department, Graduate School in Music,
The Korean National University of
Arts; M463100 Performance Technique
Lecturer at Performance Administration, Graduate School of Urban
Sciences,
University of Seoul;
9108 Music Media
* For having a broad vision, and for dealing with use of interdisciplinary
arts - such as music, media, video, & dance, etc. Students have a final
project on which collaborates an interactive work with all the participants.
Having a discussion session on the topic of participants' presentation.
Links between academic content & development of technical skills.
The project has to be performed at the end of semester
1997-1999
Teaching Assistant Stanford University, Department of Music
MUS 21: Element of Music; Diatonic Harmony
MUS 22: Element of Music; Chromatic Harmony
MUS 19: Introduction to Music Theory
MUS 121: Analysis of Tonal Music
MUS 122B: Harmonic Materials of the 19th Century (Major)
* Designed and taught musicianship section. Graded assignments and exams.
Conducted individual tutorials during office hour
1993-1995
Teaching Assistant Boston University, School for the Arts,
Music Division
SFA MU 411/611 Electronic Music II (Major)
SFA MU 412/612 Electronic Music III (Major)
SFA MU 101 Music Theory I (Major)
SFA MU 102 Music Theory II (Major)
* Electronic music techniques; programming of controllers, sequencers,
editors, etc.;
introduction to multitrack recording: lab assignments, individual lab
projects
* Elements of tonal music; Keyboard harmony and coordination
exercises
Music Technology Skills
Implementation of live recording studio, including purchase, set-up,
maintenance,
Sound reinforcement, Composition, Synthesis, Digital Audio Production,
Computer-Assisted instruct Technology, and MIDI Computer Laboratory
* Proficiency in the following Programming Languages:
Programming in LISP: CLM (Common Lisp Music)
Programming in Mac: Csound
* Proficiency in the following Software:
Linux/SGI-based: CLM, Unix, Xemacs, Sound Editor, Real Track
Macintosh-based: Pro Tools, MAX/MSP, Spat, Audio Sculpt, Modalys, Peak,
Csound, Diphone, ResAn, AddAn, Studio Vision Pro, Logic, Cakewalk Pro
* Proficiency in the Device: Priority Interrupt Controller (PIC16F877)
Professional Experience and Affiliations
2001-2002
Co-curator of exchange concert between Stanford and Harvard
Curator of CCRMA spring concert; Organize Western U.S. tour VoxNova of Paris, France
2000
Curator of exchange concert between Korean Electro-Acoustic Music
Society (KEAMS) &
Center for Computer Research in Music and Acoustics (CCRMA)
References