I was a MA/MST student at Stanford's Center for Computer Research in Music and Accoustics.
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So I did end up entering the combined music compo at Tokyo Demo Fest 2015. I placed fourth out of 11, but was only three points away from the top. I don't have speakers at home now (much less a studio) so I didn't do a very good job on the mixdown; the low end was very muddy. Even so I'm really glad I put something out there. Maybe next year I'll try to do a full-fledged demo. Every time I write a piece with the Wilsynth I try to make some technological improvement. This release took over a year since last time, so there were several. The first was converting my entire processing chain to run on doubles instead of floats. While this might seem to be overkill, when mixing a lot of spectrally dense signals like square and sawtooth waves it can make an audible difference in the amount of detail the sound has. The second was adding a function to do brick wall filtering on the pulse and leaning sawtooth waves. I synthesize them by generating a large (too large, but that's an optimization for later) lookup table for signals that contain various harmonics, in order to make sure they're perfectly bandlimited. So it's actually trivial to do lowpass filtering: just don't pick harmonics above the cutoff frequency instead of the Nyquist frequency. It's not much more difficult to do highpass filtering: simply subtract the signal bandlimited to the cutoff frequency from the signal bandlimited to the Nyquist frequency. The result actually sounds a bit harsh and "ringy" but it was interesting to play with. The third was a new instrument modeled on the DX7 "log drum" sound. It ended up sounding more like a marimba. It's FM percussion in any event. And there were various bugfixes and tweaks behind the scenes too. I want to start documenting development more publicly, but there are a few things I have to clean up before that's possible. I also got a request for the MIDI file. In the past I have been reluctant to give those out, but if I think about it I learned a lot when I was a teenager from studying other people's MIDI files that they published on the Internet. It would be a bit hypocritical of me to hold mine back. Since the Wilsynth isn't GM-compatible (well, it has a GM-compatible mode but I don't use it except for playing back MIDI files) I need to take some time to make a GM-compatible version. Hopefully in the next few weeks I can get MIDI files for all my pieces that used MIDI sequences posted. Anyway, go check out the piece on my music page!