I was a MA/MST student at Stanford's Center for Computer Research in Music and Accoustics.
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Learning some interesting things in 420: Lagrange interpolation (higher-order case of linear interpolation) doesn't have a flat magnitude response for all frequencies, but may maintain flat frequency response for higher frequencies at the same order than Thiran interpolation (higher-order case of allpass interpolation). Sinc interpolation would be ideal, but since the sinc function is infinite it can't be used directly in a computer-based system. But a windowed version can be. Hopefully I stated that correctly. This is one of those things that seems strange and wonderful at first but I'm sure once I'm more familiar with it it will become second nature. I have felt that way often during the DSP courses here. Also, I was struggling with Audacity always connecting to outputs 9 and 10 on the mixer in Studio E when I wanted it to go straight to the speakers. Then Chris Carlson showed me that you can route 9 and 10 to any of the speakers with the touch of a button. The wonders of digital mixers.