by Michael J. Wilson
Seven distinct timbres are modified by the performers as a set score is realized. The piece begins with a slowly building section, followed by the introduction of a main theme. It progresses through a second theme, another building section, a fortissimo "solo" section, and concludes with a reprise of the first theme and a build-down section.
Video of performance at Dinkelspiel Auditorium on June 6, 2012, courtesy David Kerr:
Video of performance at Bing Concert Hall (under construction) on June 8, 2012, courtesy David Kerr:
by Hunter McCurry, Jiffer Harriman and Michael J. Wilson
/* Inputs: * Three acoustic instruments, human emotion * * Outputs: * Algorithmic visual and sonic re-imagining * * Description: * Computers and humans have learned to co-exist, but * will they ever understand each other? */
Video of performance from May 3, 2012, courtesy David Kerr: