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- 1
-
S. Adachi and M. Sato, ``On the transition of lip-vibration states in the brass
instrument,'' in Proceedings of the International Symposium on Musical Acoustics (ISMA-95),
Dourdan, France, (France), pp. 17-22, Société Français d'Acoustique,
July 1995.
- 2
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J. Agullo, A. Barjau, and J. Martinez, ``Alternatives to the impulse response
h(t) to describe the acoustical behavior of conical ducts,'' Journal of the Acoustical Society of America, vol. 84, pp. 1606-1612, Nov. 1988.
- 3
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N. Amir, G. Rosenhouse, and U. Shimony, ``Reconstructing the bore of brass
instruments: Theory and experiment,'' in Proceedings of the Stockholm Musical
Acoustics Conference (SMAC-93), (Stockholm), pp. 470-475, Royal Swedish
Academy of Music, July 1993.
- 4
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R. D. Ayers, L. J. Eliason, and D. Mahgerefteh, ``The conical bore in musical
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1985.
- 5
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A. H. Benade, ``Equivalent circuits for conical waveguides,'' Journal of the Acoustical Society of America, vol. 83, pp. 1764-1769, May 1988.
- 6
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A. H. Benade and E. V. Jansson, ``On plane and spherical waves in horns with
nonuniform flare. I. theory of radiation, resonance frequencies, and mode
conversion,'' Acustica, vol. 31, no. 2, pp. 80-98, 1974.
- 7
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D. P. Berners and J. O. Smith, ``Super-spherical wave simulation in flaring
horns,'' in Proceedings of the 1995 International Computer Music Conference, Banff,
pp. 112-113, Computer Music Association, 1995.
- 8
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R. Caussé, J. Kergomard, and X. Lurton, ``Input impedance of brass musical
instruments--comparison between experiment and numerical models,''
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C. Chafe, ``Pulsed noise in self-sustained oscillations of musical
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available as CCRMA Technical Report
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C. Chafe, ``Adding vortex noise to wind instrument physical models,'' in Proceedings of the 1995 International Computer Music Conference, Banff, pp. 57-60, Computer
Music Association, 1995.
- 11
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A. Chaigne, ``Viscoelastic properties of nylon guitar strings,'' Catgut
Acoustical Society Journal, Series II, vol. 1, pp. 21-27, May 1991.
- 12
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P. R. Cook, Identification of Control Parameters in an Articulatory Vocal
Tract Model, with Applications to the Synthesis of Singing,
PhD thesis, Elec. Engineering Dept., Stanford University (CCRMA), Dec.
1990,
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- 13
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P. R. Cook, ``Spasm: A real-time vocal tract physical model editor, controller,
and singer: The companion software synthesis system,'' in Proceedings of the Colloquium on Physical Modeling, (Grenoble, France), ACROE, 1990.
- 14
-
P. R. Cook, ``Tbone: An interactive waveguide brass instrument synthesis
workbench for the NeXT machine,'' in Proceedings of the 1991 International Computer
Music Conference, Montreal, pp. 297-299, Computer Music Association, 1991.
- 15
-
P. R. Cook, ``A meta-wind-instrument physical model, and a meta-controller for
real time performance control,'' in Proceedings of the 1992 International Computer Music
Conference, San Jose, pp. 273-276, Computer Music Association, 1992.
- 16
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P. R. Cook, ``Integration of physical modeling for synthesis and animation,''
in Proceedings of the 1995 International Computer Music Conference, Banff, pp. 525-528,
Computer Music Association, 1995.
- 17
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P. R. Cook, ``Singing voice synthesis: History, current work, and future
directions,'' Computer Music Journal, vol. 20, pp. 38-46, Fall
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- 18
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D. C. Copley and W. J. Strong, ``Stroboscopic sequences of lip vibrations in a
trombone,'' in Proceedings of the International Symposium on Musical Acoustics (ISMA-95),
Dourdan, France, (France), pp. 42-46, Société Français d'Acoustique,
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- 21
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P. H. Dietz and N. Amir, ``Synthesis of trumpet tones by physical modeling,''
in Proceedings of the International Symposium on Musical Acoustics (ISMA-95), Dourdan, France,
(France), pp. 471-477, Société Français d'Acoustique, July 1995.
- 22
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W. C. Elmore and M. A. Heald, Physics of Waves,
New York: Dover, 1969.
- 23
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J. L. Flanagan and K. Ishizaka, ``Automatic generation of voiceless excitation
in a vocal cord-vocal tract speech synthesizer,'' IEEE Transactions on Acoustics, Speech, Signal Processing, vol. 24, pp. 163-170, April 1976.
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J. L. Flanagan and L. R. Rabiner, eds., Speech Synthesis,
Stroudsburg, Penn.: Dowden, Hutchinson, and Ross, Inc., 1973.
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R. Hanson, ``Measurements of nonlinear effects in a driven vibrating wire,''
Journal of the Acoustical Society of America, vol. 96, pp. 1549-1556, Sept.
1994.
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S. Hirschman, Digital Waveguide Modelling and Simulation of Reed
Woodwind Instruments,
Engineer's thesis, Elec. Engineering Dept., Stanford University (CCRMA),
May 1991,
available as CCRMA Technical Report Stan-M-72, Music Dept., Stanford
University, July 1991.
- 27
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A. Hirschberg, ``A quasi-stationary model of air flow in the reed channel of
single-reed woodwind instruments,'' Acustica, vol. 70, pp. 146-154,
1990.
- 28
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A. Hirschberg, ``private communication,'' 1992.
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K. Ishizaka and J. L. Flanagan, ``Synthesis of voiced sounds from a two-mass
model of the vocal cords,'' Bell System Technical Journal, vol. 51,
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D. A. Jaffe, ``Ten criteria for evaluating synthesis and processing
techniques,'' Computer Music Journal, vol. 19, no. 1, pp. 76-87,
1995,
Also: Proceedings of the First Brazilian Symposium of Computation and
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D. A. Jaffe and J. O. Smith, ``Extensions of the Karplus-Strong plucked
string algorithm,'' Computer Music Journal, vol. 7, no. 2,
pp. 56-69, 1983,
Reprinted in [44, pp. 481-494].
- 32
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D. A. Jaffe and J. O. Smith, ``Performance expression in commuted waveguide
synthesis of bowed strings,'' in Proceedings of the 1995 International Computer Music
Conference, Banff, pp. 343-346, Computer Music Association, 1995.
- 33
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M. Karjalainen, U. K. Laine, T. I. Laakso, and V. Välimäki,
``Transmission-line modeling and real-time synthesis of string and wind
instruments,'' in Proceedings of the 1991 International Computer Music Conference, Montreal,
pp. 293-296, Computer Music Association, 1991.
- 34
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M. Karjalainen, J. Backman, and J. Pölkki, ``Analysis, modeling, and
real-time sound synthesis of the kantele, a traditional Finnish string
instrument,'' in Proceedings of the International Conference on Acoustics, Speech, and Signal
Processing, Minneapolis, (New York), pp. 229-232, IEEE Press, 1993.
- 35
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M. Karjalainen, V. Välimäki, and Z. Jánosy, ``Towards high-quality
sound synthesis of the guitar and string instruments,'' in Proceedings of the 1993
International Computer Music Conference, Tokyo, pp. 56-63, Computer Music
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M. Karjalainen, V. Välimäki, B. Hernoux, and J. Huopaniemi, ``Exploration
of wind instruments using digital signal processing and physical modeling
techniques,'' in Proceedings of the 1995 International Computer Music Conference, Banff,
pp. 509-516, Computer Music Association, 1995,
Revised version published in the Journal of New Music Research,
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- 37
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K. Karplus and A. Strong, ``Digital synthesis of plucked string and drum
timbres,'' Computer Music Journal, vol. 7, no. 2, pp. 43-55,
1983,
Reprinted in [44, pp. 467-479].
- 38
-
D. H. Keefe, ``Theory of the single woodwind tone hole. experiments on the
single woodwind tone hole,'' Journal of the Acoustical Society of America,
vol. 72, pp. 676-699, Sept. 1982.
- 39
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T. I. Laakso, V. Välimäki, M. Karjalainen, and U. K. Laine, ``Splitting
the Unit Delay--Tools for Fractional Delay Filter Design,'' IEEE
Signal Processing Magazine, vol. 13, pp. 30-60, January 1996.
- 40
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M. E. McIntyre, R. T. Schumacher, and J. Woodhouse, ``On the oscillations of
musical instruments,'' Journal of the Acoustical Society of America, vol. 74,
pp. 1325-1345, Nov. 1983.
- 41
-
N. C. Pickering, The Bowed String,
Mattituck NY: Amereon, Ltd., 1991,
Also available from Bowed Instruments, 23 Culver Hill, Southampton,
NY 11968.
- 42
-
J. R. Pierce, ``private communication,'' 1994.
- 43
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N. Porcaro, P. Scandalis, J. O. Smith, D. A. Jaffe, and T. Stilson,
``SynthBuilder--a graphical real-time synthesis, processing and
performance system,'' in Proceedings of the 1995 International Computer Music Conference,
Banff, pp. 61-62, Computer Music Association, 1995.
- 44
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C. Roads, ed., The Music Machine,
Cambridge, MA: MIT Press, 1989.
- 45
-
X. Rodet, ``Flexible yet controllable physical models: A nonlinear dynamics
approach,'' in Proceedings of the 1993 International Computer Music Conference, Tokyo,
pp. 10-15, Computer Music Association, 1993.
- 46
-
X. Rodet, ``One and two mass model oscillations for voice and instruments,'' in
Proceedings of the 1995 International Computer Music Conference, Banff, pp. 207-214,
Computer Music Association, 1995.
- 47
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L. Savioja, J. Backman, A. Järvinen, and T. Takala, ``Waveguide mesh
method for low-frequency simulation of room acoustics,'' Proceedings of the 15th
International Conference on Acoustics (ICA-95), Trondheim, Norway, pp. 637-640, June
1995.
- 48
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G. Scavone and P. R. Cook, ``Combined linear and non-linear prediction in
calibrating models of musical instruments to recordings,'' in Proceedings of the 1994 International Computer Music Conference, Århus, pp. 433-434, Computer Music
Association, 1994,
Send email to gary@ccrma.stanford.edu to request a copy of the full
paper.
- 49
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J. O. Smith, Techniques for Digital Filter Design and System
Identification with Application to the Violin,
PhD thesis, Elec. Engineering Dept., Stanford University (CCRMA), June
1983,
CCRMA Technical Report
STAN-M-14,
http:
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- 50
-
J. O. Smith, ``Efficient simulation of the reed-bore and bow-string
mechanisms,'' in Proceedings of the 1986 International Computer Music Conference, The Hague,
pp. 275-280, Computer Music Association, 1986,
also available in [51].
- 51
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J. O. Smith, ``Music applications of digital waveguides,'' Tech. Rep.
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CCRMA Technical Report
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- 52
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J. O. Smith, ``Waveguide filter tutorial,'' in Proceedings of the 1987 International Computer Music Conference, Champaign-Urbana, pp. 9-16, Computer Music
Association, 1987.
- 53
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J. O. Smith, ``Waveguide simulation of non-cylindrical acoustic tubes,'' in
Proceedings of the 1991 International Computer Music Conference, Montreal, pp. 304-307,
Computer Music Association, 1991.
- 54
-
J. O. Smith, ``Physical modeling using digital waveguides,'' Computer Music Journal, vol. 16, pp. 74-91, Winter 1992,
special issue: Physical Modeling of Musical Instruments, Part I.
http:
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- 55
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J. O. Smith, ``Efficient synthesis of stringed musical instruments,'' in Proceedings of the 1993 International Computer Music Conference, Tokyo, pp. 64-71, Computer
Music Association, 1993,
incorporated into [].
- 56
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J. O. Smith and P. Gossett, ``A flexible sampling-rate conversion method,'' in
Proceedings of the International Conference on Acoustics, Speech, and Signal Processing, San
Diego, vol. 2, (New York), pp. 19.4.1-19.4.2, IEEE Press, March 1984,
expanded tutorial and associated free software available at the
Digital Audio Resampling Home Page:
http:
//ccrma.stanford.edu/~jos/resample/.
- 57
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J. O. Smith and S. A. Van Duyne, ``Commuted piano synthesis,'' in Proceedings of the 1995 International Computer Music Conference, Banff, pp. 319-326, Computer Music
Association, 1995,
http:
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- 58
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T. Stilson, ``Forward-going wave extraction in acoustic tubes,'' in Proceedings of the 1995 International Computer Music Conference, Banff, pp. 517-520, Computer Music
Association, 1995.
- 59
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C. R. Sullivan, ``Extending the Karplus-Strong algorithm to synthesize
electric guitar timbres with distortion and feedback,'' Computer
Music Journal, vol. 14, pp. 26-37, Fall 1990.
- 60
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T. K. M. S. R. Team, ``OASYS demonstration for the san francisco bay area
chapter of the audio engineering society,'' tech. rep., Korg R&D, Milpitas,
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V. Välimäki, Discrete-Time Modeling of Acoustic Tubes Using
Fractional Delay Filters,
PhD thesis, Report no. 37, Helsinki University of Technology, Faculty
of Electrical Engineering, Laboratory of Acoustic and Audio Signal Processing, Espoo,
Finland, Dec. 1995,
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- 62
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V. Välimäki and M. Karjalainen, ``Digital waveguide modeling of wind
instrument bores constructed of truncated cones,'' in Proceedings of the 1994 International Computer Music Conference, Århus, pp. 423-430, Computer Music
Association, 1994.
- 63
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V. Välimäki, M. Karjalainen, and T. I. Laakso, ``Modeling of woodwind
bores with finger holes,'' in Proceedings of the 1993 International Computer Music
Conference, Tokyo, pp. 32-39, Computer Music Association, 1993.
- 64
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V. Välimäki, T. I. Laakso, and J. Mackenzie, ``Elimination of transients
in time-varying allpass fractional delay filters with application to digital
waveguide modeling,'' in Proceedings of the 1995 International Computer Music Conference,
Banff, pp. 327-334, Computer Music Association, 1995.
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V. Välimäki, J. Huopaniemi, M. Karjalainen, and Z. Jánosy, ``Physical
modeling of plucked string instruments with application to real-time sound
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S. A. Van Duyne and J. O. Smith, ``Physical modeling with the 2-D digital
waveguide mesh,'' in Proceedings of the 1993 International Computer Music Conference,
Tokyo, pp. 40-47, Computer Music Association, 1993,
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S. A. Van Duyne and J. O. Smith, ``Developments for the commuted piano,'' in
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Computer Music Association, 1995,
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S. A. Van Duyne and J. O. Smith, ``The tetrahedral waveguide mesh:
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- 69
-
S. A. Van Duyne, J. R. Pierce, and J. O. Smith, ``Traveling-wave
implementation of a lossless mode-coupling filter and the wave digital
hammer,'' in Proceedings of the 1994 International Computer Music Conference, Århus,
pp. 411-418, Computer Music Association, 1994,
Also presented at the conference of the Acoustical Society of America,
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M. van Walstijn and G. de Bruin, ``Conical waveguide filters,'' in Proceedings of the International Conference on Acoustics and Musical Research, (Ferrara, Italy),
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M. P. Verge, Aeroacoustics of Confined Jets with Applications to the
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M. P. Verge and A. Hirschberg, ``Turbulence noise in flue instruments,'' in
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M. P. Verge, R. Caussé, and A. Hirschberg, ``A physical model of
recorder-like instruments,'' in Proceedings of the 1995 International Computer Music
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A. Watzky, ``On the transverse-axial mode coupling in the non-linear vibration
of strings,'' in Proceedings of the International Symposium on Musical Acoustics (ISMA-95),
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J. Wawrzynek, ``VLSI models for sound synthesis,'' in Current Directions
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J. Wawrzynek, C. Mead, T. Lin, H. Liu, and L. Dyer, ``A VLSI approach to
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G. Weinreich, ``Coupled piano strings,'' Journal of the Acoustical Society of
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see also [] and Scientific American, vol. 240,
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A. P. Wijnands and A. Hirschberg, ``Effect of a pipe neck downstream of a
double reed,'' in Proceedings of the International Symposium on Musical Acoustics (ISMA-95),
Dourdan, France, (France), pp. 149-152, Société Français
d'Acoustique, July 1995.
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