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Further Reading in Commuted Synthesis

Laurson et al. [280,279] have developed very high quality synthesis of classical guitar from an extended musical score using the commuted synthesis approach. A key factor in the quality of these results is the great attention to detail in the area of musical control when driving the model from a written score. In contrast to this approach, most of the sound examples in [473] were ``played'' in real time, using a MIDI guitar controller feeding the serial port of a NeXT Computer running SynthBuilder [356].9.17


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``Physical Audio Signal Processing'', by Julius O. Smith III, W3K Publishing, 2010, ISBN 978-0-9745607-2-4.
Copyright © 2014-03-23 by Julius O. Smith III
Center for Computer Research in Music and Acoustics (CCRMA),   Stanford University
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