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Doppler Simulation via Delay Lines

This analogy also works for a delay-line based computational model. The magnetic tape is now the delay line, the tape read-head is the read-pointer of the delay line, and the write-head is the delay-line write-pointer. In this analogy, it is readily verified that modulating delay by changing the read-pointer increment from 1 to $ 1+v_{ls}/c$ (thereby requiring interpolated reads) corresponds to listener motion away from the source at speed $ v_{ls}$ . It also follows that changing the write-pointer increment from $ 1$ to $ 1+v_{s,l}/c$ corresponds source motion toward the listener at speed $ v_{s,l}$ .When this is done, we must use interpolating writes into the delay memory. Interpolating writes are often called de-interpolation [18], and they are formally the graph-theoretic transpose of interpolating reads (ordinary ``interpolation'') [11]. A review of time-varying, interpolating, delay-line reads and writes, together with a method using a single shared pointer, are given in [13].


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``Doppler Simulation and the Leslie'', by Julius O. Smith III, Stefania Serafin, Jonathan Abel, David P. Berners, Music 421 Handout, Spring 2002 .
Copyright © 2016-03-26 by Julius O. Smith III, Stefania Serafin, Jonathan Abel, David P. Berners
Center for Computer Research in Music and Acoustics (CCRMA),   Stanford University
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