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The pre-masking is too short to be exploited in the same way as in
post-masking, but it is still important. Pre-masking comes in useful
to hide the effect of pre-echos, which can become audible in
transient sounds. Pre-echos comes from the fact that quantized transform
coefficients produce noise in all time instants in the time domain. A
quiet signal block with a transient in the end (e.g a drum) will thus be
noisy even before the transient, where it can be heard. By making the
transform blocks short enough, this effect can be hidden by the
pre-masking.
In this coder, the audio is transformed in 512-length MDCT blocks (11.6
ms), every 256 samples (5.8 ms). This should be enough to hide pre-echos.
Figure 6:
An example of the masking threshold
produced by the psychoacoustic model in the coder. The example frame
is number 500 (after 2.9 s) in sample jacob.wav.
![\includegraphics[width=4in]{eps/maskthresh.eps}](img72.png) |
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Download bosse.pdf